A Well-Trained Stray
| Author | Muhammad Aladdin |
|---|---|
| Original title | كلب بلدي مدرب |
| Country | Egypt |
| Language | Arabic |
| Genre | Novel |
| Published | 2014 |
| Publisher | Elain Publishing House |
| Media type | Print (paperback) |
| Pages | 125 pp (first Ar. edition, paperback) |
| ISBN | 978-977-490-267-3 (first Ar. edition, paperback) |
| Preceded by | Young Lover, New Lover |
‘’'A Well-trained Stray'’' (Arabic: كلب بلدي مدرب ‘'ʿKālb Bālādy Mudārab) is a novel by Egyptian author Muhammad Aladdin.
Published in Arabic in 2014, the book, ostensibly set in 2013 after the time of the 2013 Egyptian coup d’état, is minimalistic scathing portrayal of modern generation in the Egyptian society since the nineties. The locale of the novel is some unnamed lower and middle middle class areas Cairo, it also represent some affiliation with documenting porn industry and how it reflected on modern Egyptian generations and such socio-cultural concepts of porn stars, even mentioning Jenna Jameson and Sunny Leone among others.
‘'A Well-trained Stray'’ has a warm reception upon its publication critically or commercially, it has "A fresh sophisticated structure" as Akhbar Al-Adab called it,[1] and it is "a renovation on the linguistic, theoretical, and artistic levels" as the notable Egyptian critic Amani Fouad described it.[2] and it is "monitoring with witty and ironic drive a whole generation" as the young critic Hasan Marouf wrote once.,[3] and it is "a witty novel on critique the state and the intelligentsia" as the notable Egyptian Tahrir newspaper called it,[4] and it is "generates vertigo in the reader’s mind, without being direct or loud", as described by the critique of the prolific Lebanese Newspaper An Nahar, in May 14, 2014.[5]
Title
It’s always bizarre when you found that adjective "Well-trained" with "stray", which would go with the protagonist Ahmad, whose earning his bread writing erotic stories online, living in a chaotic Cairo, but critic Hasan Maarouf went to the idea that it represents "A whole generation" along with the novel’s characters.
Plot summary
The novel opens with a funny scene where Ahmad, the main character and the book’s narrator, is with his friend Nevine in her car by Cairo-Alexandria desert road. They are nearly caught by police, but Nevine narrowly manages to escape.
We know that Ahmad is writing pornographic stories for living, using odesk.com, and through it he’s found an agent who interested in Arabic porn stories. After sending a sample, he completed a simple interview and began to work. We know that he’s living alone with his aunt after the death of his grandmother, and that his father has remarried after the death of his mother, and we get to know two of his best friends—El Loul, a failed TV director who is now trying to promote his own scriptwriting as well as managing C-rated belly-dancers for cheap satellite channels – Abdullah, a drug addict and his childhood best friend, who came from a wealthier family and has doesn't-give-a shit type of attitude.
Through tracking the two characters and their connection to Ahmad we can glimpse the nineties middle-class generation in Cairo as well as the strange relationship Ahmad and Abdullah had when they were teenagers, and, echoing that, the porn industry and stars.
Nevine herself is such a character: She’s a perfect nymphomaniac who married a guy she despises after returning with her family from the Gulf, where she spent her childhood. While the hubby, who married her for her family’s money, is off in the Gulf, she has her revenge by shagging as many men as she can, only for two or three times before hitting on a new man. Through this, she got to know Ahmad and she dumped him as usual before getting to know Ali Luza.
Ali Luza, a "Robin Hood targeting the Sluts", as Ahmad describes him in one point in the novel, escorts them for a while, and pays for them, but after his boredom with the liaison he just mugs them, getting his money back with extra. Ali is a son of a working-class "shaabi" restaurant owner, but never lacks for self-esteem. He has a brother, Hamousa, addicted to recreational drugs, and he’s serving as a local thug. Nevine got mugged by Luza as expected, and from what she said very briefly to Ahmad, she was also gang-raped before he took all of her money, credit cards, with codes, and made her sign a contract selling her expensive car. As Ahmad realizes, the contract will only be used to get more money out of her in order to get the car back.
Nevine wants to beat Ali up for what he did, and she seeks Ahmad’s help. He takes her to see El Loul in one of his favourite night-clubs, and while Tslam Al Ayadi is playing with a C-rated belly-dancer, Ahmad was telling El loul his idea: He will keep Nevine in his place, while sending a belly dancer El Loul knows to seduce Ali, who will go to El Loul’s place. There, they would kidnap him till getting Nevine’s stuff back. Abdullah agreed to join the scheme for the good money Nevine offered, and so did El Loul.
Indeed, they sent a belly dancer to Ali Louza’s father restaurant, which was where he first picked up Nevine and where he used to stay. There, Ali has a fight with locals and gains the belly dancer’s admiration, which makes her screw up the whole thing when Ali actually falls for her friend.
It’s a fiasco, and facing this truth Ahmad improvises an even crazier scheme: They, he and Abdullah, will wait in the spot Ali Louza will come to pick up the money and give back the car, in some alley near downtown. There, they’ll attack him, put him in the car, and drive to one of Abdullah’s friends'’ homes in Al Rehab (a city in between Cairo and Suez).
Eventually they went there, wearing two pairs of women’s stockings over their heads so as not to be discovered (such a lousy old-fashioned way to masquerade, in tribute to old Egyptian action movies especially Adel Emam’s "Al Mashbooh"), and they actually attacked Ali and Hamousa, who were taken aback. But suddenly another thing happened: The local gang Ali Louza had previously fought ambushed him at the same time, bullets were whizzing around, and Ahmad found himself in front of the bag of money Nevine brought for Ali. He just picked it up without thinking, leaving both Abdullah (who had probably been hit by then) and Nevine, who had fled with the car after the windows had been shot out.
Ahmad ran to a wide street, discovering that he had failed to remove the stocking from his head, and faced a patrol and lots of people who looked at him in shock. He continued to run, both police and people after him.
Literary significance and criticism
In his article about the novel, Egyptian poet Rami Yehia compared the lead paragraph of the First-person narrative novel with the great opening of Kafka's The Metamorphosis, where both of them, in his opinion, did a great introduction for the world of their novels.[6] Along with Yehia, the two critiques Amani Fouad and Hasan Maarouf wrote in there pieces about how the characters convey that feeling of lost and mechanical way of living, reviewing the condition of those characters and their own lanes in life. It was highly notable that a certain line Aladdin wrote reflected how his protagonist review Egypt and its current condition:
Nobody has interfered with that fight, which seemed to me like everything in this city: A pseudo-something.
In January 30, Aladdin spoke with Macia Lynx Qualey of Arabic Literature in English blog, stating that “ I have built on our lives in the 90s, and our nightmares in 2013".[7] then he goes more to speak about the novel when asked about its variation of his previous works like The Gospel According to Adam “ I guess A Well-trained Stray has more of a "realistic" kick, the way it can be somehow a part of dirty realism. It has simpler language and more obvious humour. It is like "The Season of Migration to Arkidea" (my latest long story), I guess both the story and the novel marking a new drive for me, putting in mind that I guess I use the right language level on each piece. For me, you can’t write A Well-trained Stray with The Gospel According to Adam language level, and vice versa".
It is the first time ever Aladdin uses slang-even in dialogue- in his books.
External links
- Muhammad Aladdin reading an excerpt of the novel
- Elbawaba News- a video of the book signing
- Three chapters of the novel (Ar)
- Muhammad Aladdin’s interview with Arablit
References
- ↑ "كلب بلدي مدرب لمحمد علاء الدين البناء الشبكي في الرواية". Akhbar Al Adab. April 12, 2014.
- ↑ "محمد علاء الدين يتضامن مع عمر حاذق وكرم صابر قبل مناقشة روايته كلب بلدي مدرب". Almasry Alyoum. March 17, 2014.
- ↑ "الغريبُ غيرُ المغتربِ (قراءة في رواية كلب بلدي مدرب)". Arab Fact. April 12, 2014.
- ↑ ""كلب بلدى مُدرَّب".. رواية لاذعة فى نقد النخبة المثقفة والدولة". tahrirnews. April 15, 2014.
- ↑ "كتاب كلب بلدي مدرب لمحمد علاء الدين: يد الروائي تصيف وجه المجتمع وعقله". Annahar. May 14, 2014.
- ↑ ""كلب بلدى مُدرَّب".. رواية لاذعة فى نقد النخبة المثقفة والدولة". tahrirnews. April 15, 2014.
- ↑ "Novelist Muhammad Aladdin, Building 'On Our Lives in the 90s and our Nightmares in 2013'". Arabic Literature (In English). January 30, 2014.