Alan Mitchell (comics)

Alan Mitchell
Born 1960
London, England
Nationality British
Area(s) Writer
Notable works
Third World War

Alan Mitchell (born 1960 in London, England) was a writer. He died on 22 June 2016.

Biography

Alan Mitchell was born and raised in the heart of East London. He had five siblings and six children.

In 1988 Mitchell began writing in partnership with Pat Mills, who met the writer while Mitchell was working as a shop manager for Acme Comics in Coldharbour Lane in Brixton, South London. Mills was looking for a black writer to help him create a nightmare urban world based in the UK. This would complement the one that Mills had developed with his main character Eve and her friends in Central America with a focus on corporate exploitation by the multinationals in the third world. It was the beginning of a writing partnership that would last until 2004.

In Crisis, the revolutionary political comic from Fleetway, Mitchell worked on Books 2 and 3 of the controversial story, Third World War. This was a complex and hard hitting narrative that covered issues including matriarchy, police racism, no-go areas, private police forces, class war, and black resistance (Newsinger, 1999). The stories anticipated the surveillance society and Macpherson by at least a decade. Mitchell also had the opportunity of writing an Amnesty International story "Prisoner of Justice" with Glenn Fabry as artist. Amongst the most memorable Third World War' stories were "Liat’s Law" parts 1&2 with artist Duncan Fegredo, and "The Black Man’s Burden". This classic quartet of stories, with John Hicklenton's art, introduced the character of the villainous Chief Inspector Ryan, the embodiment of racism within the police force (Newsinger, 1999). The tales provided the platform that Mills had framed for Mitchell to express his political perspective and cultural concerns of the time. The Black African Defence Squad (BADS), and the mothers of Azania, Sonnyboy and Charles Shebego amongst a number of other characters, served to develop a complex and arresting depiction of black African urban culture in comics. Sean Phillips was the other major artist who collaborated on a number of framing episodes. (Newsinger, 1999)

Mitchell partnered Mills in the first ABC Warriors novel The Medusa War for Black Library based on elements changed or removed from the scripts. According to Mills:

Parts [of the novel] are dramatisations of the comic strip. Notably the Biohazard troopers because they originally had excellent funky black dialogue contributed by my black co-writer on the novel, Alan Mitchell. This was altered at the time by 2000AD editorial without my knowledge and in an inappropriate and uncool way. It made my toes curl it was so wrong. So I thought it was important to put it back the way it should be. I think the text version is much better.[1]

Bibliography

Comics

Novels

Notes

  1. Clements, Richmond (August 21, 2004). "Pat Mills Interview". 2000AD Review. Archived from the original on May 15, 2013. Retrieved March 26, 2010.

References

External links

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