Amshey Nurenberg

A.Nurenberg. 1945. Self-portrait. Paper, Indian ink. 25.5x18.5
A.Nurenberg. 1910. Red sails. Oil on canvas. 68x123 (the title is used by A. Green for the novel "Red sails", 1923)
A.Nurenberg. 1912. The hunt. An antique motive. Oil on canvas. 56x120
A.Nurenberg. 1923. Mosque with a man figure. Oil on canvas. 33x40
А.Nurenberg. 1926. War-disabled. Oil on cartoon. 91x60. Exhibited at the Salon d'Automne, Paris 1927
A.Nurenberg. 1929–1930. Bourgeois swines. Oil on canvas. 63x80. Moscow, Tretyakov Gallery

Amshey Markovich Nurenberg (Russian: Амшей Маркович Нюренберг; April 17, 1887 – 10 January 1979) was a Ukrainian, Russian and Soviet painter, graphic artist, art critic, and memoirist.

Born in Elisavetgrad, in 1904–1910 Nurenberg studied in the Odessa School of Arts with Professor Cyriaque Costandi. After having graduated from the School he continued his education in Paris. He lived in the Latin Quarter with other artists from Russia and during a year shared an atelier with M.Chagall in the phalanstery La Ruche.

In 1913 he returned to Odessa, where headed the group of modernists "The Independent", founded the private school "Free Studio" (1918), and participated in exhibitions of Odessa artists. After the Russian Revolution (1917) he was appointed to the People's Commissar of Arts of Odessa and to the head of the Committee for Protecting the Artistic and Historic Heritage.

Since 1920 he lived in Moscow, where was the first art columnist of the newspaper Pravda, worked in the ROSTA Windows together with Vladimir Mayakovsky, and was professor of history of the Western art at the VKhUTEMAS. In 1927–29 he was missioned to Paris by the People's Commissar for Education A. Lunacharsky to read lectures on new Soviet arts. In 1932 he has contributed to the organization of the Moscow Regional Union of Soviet Artists (МОССХ) which later has been extended to the USSR Union of Artists.

During the World War II Nurenberg was in the evacuation in Tashkent (Uzbekistan). He continued to work as a painter and finished a series of anti-war paintings. After the war he has continued to work as an artist in Moscow, in particular for the Museum of Revolution.

During his life, Nurenberg has worked in different styles—from avant-garde to realism, having always remained faithful to traditions of the School of Paris.

Family

Wife: ballerina and artist Polina Mamichava Полина Николаевна Мамичева (1894–1978). Daughter: opera singer Nina Nelina (born Nurenberg) coloratura soprano, soloist of the Bolshoi Theater from 1946 to 1957 (Нина Нелина, 1923–1966) and wife of the writer Yury Trifonov; their daughter (granddaughter of A. Nurenberg): Dr. Olga Tangian Ольга Юрьевна Тангян (born Trifonova in 1951). One of brothers: the artist David Devinov Давид Девинов (Давид Маркович Нюренберг, 1896–1964).

Biography

April 21, 1887, birth in Elisavetgrad (now Kropyvnytskyi), Ukraine, in a Jewish family. Parents were fishmongers. Amshey was the eldest of 10 children.

1905 graduate from the Elisavetgrad high school, where the arts were taught by Ilya Repin's apprentice Feodosiy Kozachinsky

1905–11 studies at the Odessa School of Arts in the class of Professor Cyriaque Costandi

1911–13 stay in Paris, studies in private Academies of Arts, work as an art reporter for a newspaper in Russian "Paris Bulletin" (Парижский вестник). Share of an atelier with M.Chagall in the phalanstery La Ruche in the Passage de Dantzig

1913 return to Elisavetgrad, teaching activities

1915 move to Odessa, joint exhibitions with a group of modernists called later «Odessa Parisians». Organisation of the "Society of the Independent" transformed in 1918 into the "Association of Independent Artists"

1915 marriage with a ballerina Polina Mamichava (1894–1978)

1918 foundation of the "Free Studio" together with the "Children Academy". Teachers were the artists who studied in France (Amshey Nurenberg, Sigismund Olesevich, Alex (Sandro) Fasini, Theophil Freiermann, Isaak Malik). Among Nurenberg learners were Victor Midler (later the senior curator of the Department of the modern Russian art of the Tretjykov Gallery), wife Polina Mamicheva, and Naum Sobol (stage designer)

1919 People's Commissar of Arts of Odessa and the head of the Committee for Protecting the Artistic and Historic Heritage

1919–20 editor-in-chief of the first Soviet newspaper in Elisavetgrad "Red village" (Красная деревня)

1920 move to Moscow, work in the ROSTA Windows together with Vladimir Mayakovsky, Ivan Maljutin, and Mikhail Cheremnych; making over 200 posters

1921 organisation of the New Society of Painting (НОЖ) together with artists Alexander Gluskin, Samuel Adlivankin, Georgy Ryazhskiy, Mikhail Perutskiy, and others; writing the manifesto of the society

1921–22 mission to Uzbekistan together with Victor Midler and Polina Mamicheva for organisation of restoration of cultural and historic monuments

1922–24 professor of history of the Western art at the VKhUTEMAS

1923 birth of the daughter Nina (soloist of the Bolshoi Theater under the stage name Nina Nelina)

1923–25 joint exhibitions with the former members of the group Jack of Diamonds (1910–17) and writing the art manifesto for their new society Moscow Painters under the chairmanship of Pyotr Konchalovsky

1924–26 first arts columnist of the newspaper Pravda

1927–29 Mission to Paris by the People's Commissar of Education Anatoly Lunacharsky as "cultural ambassador" for lecturing on new Soviet arts and writing surveys on French arts for the Soviet press. Participation in the Paris Salon d'automne 1928

1930s contribution to the organisation of the Moscow Regional Union of Soviet Artists (МОССХ), work for the Museum of Revolution, trips to gather material for creative work to kolkhoz's of Ukraine and North-Caucasus and to coal-fields of Kuzbas

1941–43 evacuation to Tashkent during the World War II. Work at the Uzbek Union of Soviet Artists

1943 return to Moscow. Work for the Museum of Revolution

1950s retirement. Continuation of active artistic and literary work, including participation in exhibitions, writing memoirs, and publications in newspapers and journals

January 10, 1979, death at the age of 91 in Moscow. Burial at the Vagankov cemetery.[1]

Works in museums

Exhibitions

Membership in artistic unions

Books (Russian)

Notes

  1. ↑ Vagankov cemetery

Sources

External links

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