Anglo-American music

Music of the United States of America
Timeline
General topics
Education History
Genres
Classical Jazz Country Folk Bluegrass Hip hop Pop Rock R&B
Specific forms
Religious music	Gospel music Christian pop
Ethnic music	Native American Arapaho Blackfoot Inuit Iroquois Kiowa Navajo Pueblo Seminole Sioux Yuman Anglo-American Old-time Western African American Celtic New Mexican Latin Tejano Puerto Rican Cajun and Creole Hawaiian Immigrant communities
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Music awards	Grammy Awards Country Music Awards Gospel Music Awards Tejano Music Awards
Music charts	Billboard Music Chart American Top 40
Music festivals	Jazz Fest Lollapalooza Ozzfest Monterey Jazz Festival
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Nationalistic and patriotic songs
National anthem	The Star-Spangled Banner
Regional music
AK AL AR AS AZ CA CO CT DC DE FL GA GU HI IA ID IL IN KS KY LA MA MD ME MI MN MO MP MS MT NC ND NE NH NM NV NJ NY OH OK OR PA PR RI SC SD TN TX UT VA VI VT WA WI WV WY

Anglo-American music is derived from the English culture of the Thirteen Colonies of the United States and has been a founding influence for American folk and popular music.

Overview

Many American folk songs use the same music, but with new lyrics, often as parodies of the original material. Anglo-American songs can also be distinguished from British songs by having fewer pentatonic tunes, less prominent accompaniment (but with heavier use of drones) and more melodies in major.

Anglo-American traditional music, dating back to colonial times, includes a variety of broadside ballads, humorous stories and tall tales, and disaster songs regarding mining, shipwrecks (especially in New England) and murder. Folk heroes like Joe Magarac, John Henry and Jesse James are also part of many songs. Folk dance of English origin include the square dance, descended from the European high society quadrille, combined with the American innovation of a caller instructing the dancers. Sea shanties are an important part of Anglo-American music.

The folklorist Alan Lomax described regional differences among rural Anglo-American musicians as included the relaxed and open-voiced northern vocal style and the pinched and nasal southern style, with the west exhibiting a mix of the two. He attributed these differences to sexual relations, the presence of minorities and frontier life.

	"On the Old Kissimmee Prairie" This is a British tune from the Library of Congress' Florida Folklife from the WPA Collections; performed by Bob Hall, Walter van Bass, Ned Hugh Bass and J. C. King with banjos, guitars and violin in July, 1940 in Kenansville, Florida.
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References

Burk, Cassie; Virginia Meierhoffer & Claude Anderson Phillips (1942). America's Musical Heritage. Laidlaw Brothers.
Lomax, Alan (1960). The Folksongs of North America in the English Language. Doubleday and Company. ; cited in Nettl
Nettl, Bruno (1965). Folk and Traditional Music of the Western Continents. Prentice-Hall, Inc.

Notes

^ Nettl, pg. 201
^ Nettl, pgs. 201-202
^ Burk, Meierhoffer and Phillips
^ Lomax, pg. 1, cited in Nettl, pg. 202

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