Aristide Cavaillé-Coll

Aristide Cavaillé-Coll
Born (1811-01-04)4 January 1811
Montpellier, France
Died 13 October 1899(1899-10-13) (aged 88)
Paris, France

Aristide Cavaillé-Coll (French: [aʁistid kavaje kɔl]; 4 February 1811 – 13 October 1899), was a French organ builder. He has the reputation of being the most distinguished organ builder of the 19th century.[1] He pioneered innovations in the art and science of organ building that permeated throughout the profession and influenced the course of organ building and organ composing through the early 20th century. The organ reform movement sought to return organ building to a more Baroque style; but since the 1980s, Cavaillé-Coll's designs have come back into fashion. After Cavaillé-Coll's death, Charles Mutin maintained the business into the 20th century. Cavaillé-Coll was the author of many scientific journal articles and books on the organ in which he published the results of his researches and experiments. He was the inventor of several organ sounds/ranks/stops such as the flûte harmonique.

Life

Cavaillé-Coll's grave in Montparnasse Cemetery, Paris

Born in Montpellier, France, to Dominique, one in a line of organ builders, he showed early talent in mechanical innovation. He exhibited an outstanding fine art when designing and building his famous instruments. There is a before and an after Cavaillé-Coll. His organs are "symphonic organs": that is, they can reproduce the sounds of other instruments and combine them as well. His largest and greatest organ is in Saint-Sulpice, Paris. Featuring 100 stops and five manuals, this magnificent instrument, which unlike many others remains practically unaltered, is a candidate to become a UNESCO World Heritage Site.

Cavaillé-Coll was also well known for his financial problems. The art of his handcrafted instruments, unparalleled at that time, was not enough to ensure his firm's survival. It was inherited in 1898, shortly before his death in Paris, by Charles Mutin. He continued in the organ business, but by World War II the firm had almost disappeared.

Organ building innovations

Cavaillé-Coll is responsible for many innovations that revolutionized organ building, performance and composition. Instead of the Positif, Cavaillé-Coll placed the Grand-Chœur manual as the lowest manual, and included couplers that allowed the entire tonal resources of the organ to be played from the Grand-Chœur. He refined the English swell box by devising a spring-loaded (later balanced) pedal with which the organist could operate the swell shutters, thus increasing the organ's potential for expression. He adjusted pipemaking and voicing techniques, thus creating a whole family of stops imitating orchestral instruments such as the bassoon, the oboe and the english horn. He popularized the harmonic flute stop, which, together with the montre, the gambe and the bourdon, formed the fonds (foundations) of the organ. He introduced divided windchests which were controlled by ventils. These allowed the use of higher wind pressures and for each manual's anches (reed stops) to be added or subtracted as a group by means of a pedal. Higher wind pressures allowed the organ to include many more stops of 8' (unison) pitch in every division, so complete fonds as well as reed choruses could be placed in every division, designed to be superimposed on top of one another. Sometimes he placed the treble part of the compass on a higher pressure than the bass, to emphasize melody lines and counteract the natural tendency of small pipes (especially reeds) to be softer.

“ It is he [Cavaillé-Coll] who conceived the diverse wind pressures, the divided windchests, the pedal systems and the combination registers; he who applied for the first time Barker's pneumatic motors, created the family of harmonic stops, reformed and perfected the mechanics to such a point that each pipe—low or high, loud or soft—instantly obeys the touch of the finger… From this result: the possibility of confining an entire division in a sonorous prison—opened or closed at will—the freedom of mixing timbres, the means of intensifying them or gradually tempering them, the freedom of tempos, the sureness of attacks, the balance of contrasts, and, finally, a whole blossoming of wonderful colors—a rich palette of the most diverse shades: harmonic flutes, gambas, bassoons, English horns, trumpets, celestes, flue stops and reed stops of a quality and variety unknown before. ”
— Charles-Marie Widor, Avant-propos to the organ symphonies, tr. John Near

For a mechanical tracker action and its couplers to operate under these higher wind pressures, pneumatic assistance provided by the Barker lever was required, which Cavaillé-Coll included in his larger instruments. This device made it possible to couple all the manuals together and play on the full organ without expending a great deal of effort. He also invented an ingenious pneumatic combination action system for his five-manual organ at Église Saint-Sulpice, Paris. All these innovations allowed a seamless crescendo from pianissimo all the way to fortissimo, something never before possible on the organ. His organ at the Basilique Ste-Clotilde, Paris (proclaimed a basilica by Pope Leo XIII in 1897) was one of the first to be built with several of these new features. Consequently, it influenced César Franck, who was the titular organist there. The organ works of Franck have inspired generations of organist-composers who came after him.

Legacy

Marcel Dupré stated once that "composing for an orchestra is quite different from composing for an organ... with exception of Master Cavaillé-Coll's symphonic organs: in that case one has to observe an extreme attention when writing for such kind of majestic instruments." Almost a century beforehand, César Franck had ecstatically said of the rather modest Cavaillé-Coll instrument at l'Eglise St.-Jean-St.-François in Paris with words that summed up everything the builder was trying to do: "Mon nouvel orgue ? C'est un orchestre !" ("My new organ? It's an orchestra!"). Franck later became organist of a much larger Cavaillé-Coll organ at Ste. Clotilde in Paris. In 1878 Franck was featured recitalist on the four-manual Cavaillé-Coll organ at the Palais du Trocadéro in the Trocadéro area of Paris; this organ was subsequently rebuilt by V. & F. Gonzales in 1939 and reinstalled in the Palais de Chaillot which replaced the Palais de Trocadéro to Palais, then rebuilt in 1975 by Danion-Gonzales and relocated to the Auditorium Maurice Ravel in Lyon. Franck's Trois Pièces were premiered on the Trocadéro organ.

Film

A documentary film titled The Genius of Cavaillé-Coll was released in 2012 by Fugue State Films to mark both the 200th anniversary of Cavaillé-Coll's birth in 2011 and the 150th anniversary of his organ at St Sulpice.[2] It won the DVD Documentary Award of the BBC Music Awards 2014.[3]

Existing Cavaillé-Coll organs

For a complete list of all organs by Cavaillé-Coll, see: List of Organs by Aristide Cavaillé-Coll

In Europe

In France

Grandes Orgues in Notre Dame de Paris
Church of Saint Ouen, Rouen
Rennes Cathedral
Angers Cathedral
Organ of the Grand Hall of the Moscow Conservatory

The organ of St. Ouen de Rouen is believed to be completely unmodified in any way (save for normal maintenance) since its completion, and is frequently recorded as an example of "pure" Cavaillé-Coll sound.

In Spain

In the United Kingdom

In the Netherlands

In Belgium

In Portugal

In Italy

In addition, Cavaillé-Coll designed a large but never-built pipe organ for Saint Peter's Basilica, where a 1/10 scale model is preserved.[8]

In Denmark

In Russia

In Latin America

In Venezuela

In Brazil

In Mexico

In Chile

In Argentina

In Japan

Asteroid

Cavaillé-Coll's name was given to an asteroid: 5184 Cavaillé-Coll.

Further reading

References

  1. ↑ Snyder, Kerala J. (August 2002). "Aristide Cavaillé-Coll: Master of Masters". The Organ as A Mirror of Its Time. Oxford University Press. ISBN 9780195144154. Retrieved November 11, 2014.
  2. ↑ Fraser, Will (December 2011). "Recording the organs of Cavaillé-Coll". The Organists' Review: 14–21. 2011 is the 200th anniversary of Aristide Cavaillé-Coll’s birth. 2012 is the 150th anniversary of the completion of his organ at St Sulpice...as such, we decided to make a documentary about him to mark the anniversaries of 2011 and 2012.
  3. ↑ "BBC Music Magazine Awards 2014 winners announced". BBC Music Magazine. Immediate Media Company Limited. 2014-04-08. Archived from the original on 2014-04-14. Retrieved 2014-08-29. ...The Genius of Cavaillé-Coll, an epic exploration of the legendary French organ builder, won the DVD Documentary Award...announced today at a ceremony that took place at Kings Place in London.
  4. ↑ "Temple Pentemont". Organs of Paris.
  5. ↑ "L'orgue Cavaillé-Coll".
  6. ↑ "Amis de l'Orgue Cavaillé-Coll de Saint-Maurice de Bécon" [Friends of the Cavaillé-Coll Organ of Saint-Maurice de Bécon] (in French). Archived from the original on 2014-05-17. Retrieved 2014-08-29.
  7. ↑ Verburg, Mel. "Amsterdam, Parochieel Centrum Sint Augustinus / Verzorgingscentrum 'Nieuw Vredenburg' (Postjesweg)" [Amsterdam, parochial center of Saint Augustine]. Orgelsite (in Dutch). Archived from the original on 2014-03-13. Retrieved 2014-08-29.
  8. ↑ Ebrecht, Ronald (2012). Cavaillé-Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All. Lanham: Lexington Books. ISBN 978-0-7391-6728-1.
  9. ↑ "Jesuskirkens orgler" [Jesus Church Organs]. Jesuskirken - Valby Sogn (in Norwegian). Archived from the original on 2014-08-29. Retrieved 2014-08-29.
  10. ↑ "Pipe Organ at Haus Sonnnenchein. 歴史あるパイプオルガン" [History of the Pipe Organ at Haus Sonnnenchein] (in Japanese). Archived from the original on 2012-03-08. Retrieved 2014-08-29.

External links

Wikimedia Commons has media related to Aristide Cavaillé-Coll.
This article is issued from Wikipedia - version of the 11/13/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.