Baila

This article is about the Sri Lankan, Indian Konkani speaking music genre. For Senegalese village, see Baïla. For Romanian village also known as Băila, see Leordeni. For other uses, see Baila (disambiguation).


Bayila (also known as baila, from the Portuguese verb bailar, meaning to dance[1]) is a form of music, popular in Sri Lanka.[lower-alpha 1] The genre originated centuries ago among the 'Sri Lankan Kaffirs' or Afro-Sri Lankan communities (mixed communities of Portuguese, African and native Tamil and Sinhalese people). It utilises primarily European instruments and rhythms found in Iberia, Sri Lanka, Africa and India. Bayila songs are played during parties and weddings in Sri Lanka and Goa, accompanied by dancing.

Bayila music, as a form of folk art, has been popular for centuries in Sri Lanka. During the early 1960s, it entered into Sri Lanka's mainstream culture, primarily through the work of police officer turned singer Wally Bastian. He began adapting the 6/8 'kaffirhina' rhythms to accommodate Sinhala lyrics. By the 1970s musicians, including MS Fernando and Maxwell Mendis, had helped Bayila grow into a well known and respected style of Sri Lankan popular music. It is primarily considered dance music.

History

After their arrival in 1505, the Portuguese began to convert the Sinhalese to Roman Catholicism, building their wealth and power through the spice and slave trade. As early as 1630, African Kaffirs were brought to Sri Lanka to work as slaves or soldiers. The Kaffirs were once described as a people 'steeped in opium and witless with drink'. The Kaffirs' carefree spirit inspired two music forms known as chicote and kafrinha infusing them with humour and satire.[1]

In 1894, Advocate C. M. Fernando, the brother of Sir Marcus Fernando wrote that chicote as a 'slow and stately' music, while kafrinha is 'faster and more boisterous' and 'with a peculiar jerky movement'. The word kafrinha itself comes from kaf (Kaffirs) and rinha which means 'local lady'.[1] The Kaffirs and Portuguese Burghers mixed freely, and chicote and kafrinha gradually came to be known as baila, from Portuguese verb 'bailar' meaning 'to dance'.[1]

Historically, Bayila was a popular folk tradition along the coastal districts, where the Portuguese cultural influence was the strongest.[2] These communities, mainly consisting of Portuguese traders, and the slaves that they had brought with them from the western coast of Africa, gradually combined with communities of native Sri Lankans. The musical style, now referred to as "Bayila", emerged from this cultural interchange.[3] The genre was quick to spread around the whole island of Sri Lanka and was even influenced by Cuban 'habanera' music, a form of dance music popular in the 1800s. With a history of over five hundred years, it is older than other relatively recent semi-classical traditions.

The kafirs, particularly in Puttalam, view Bayila and Kaffirinha tradition to be as intertwined with wedding ceremonies as wine and cake. The songs are accompanied exclusively by percussion instruments. Sri Lankan Burghers (the descendants from Portuguese) are the other group of inheritors of Bayila and Kaffirinha, particularly in Baticaloa.[4] The violin, viola, acoustic guitar and the tambourine are the accompanying instruments.[2]

Along with some rhythmic elements, the often light-hearted comical lyrics, deceptively philosophical and the wada (debate,) bayila tradition appears to be uniquely Sri Lankan. The western coast, in particular Modara and Moratuwa-Galkissa regions, are the traditional abodes of the art of Wada-Baila.[5] The viola, mandolin, rabana as well as the harmonium and tabla were used. The trumpet and military drums such as the snare and cymbals form part of the Papare bands popular throughout the coastal districts. In addition the tavil is used when accompanying religious processions such the Kataragama and the Devinuwara temple festival.

The popular Bayila singer Wally Bastian, who introduced the chorus to the traditional baila, is referred to as the "Father of Bayila in Sri Lanka".[3] There is a popular Bayila song by Saman de Silva in tribute to him. M.S. Fernando A.K.A. "Bayila Chakrawarthi" was a key figure in Sri Lankan Bayila history between the 1950s and 1980s.[6] Nithi Kanagaratnam also started Bayila's in Tamil in 1967 and was also a key figure in the development of the genre.

Contemporary Bayila

Today, this kaffirhina style (often referred to by its "6/8" time)[3] has been adapted from violin, bongo drums and mandolin to accommodate modern instruments — specifically the electric guitar and synthesiser/workstation keyboards, octapad, bass guitar and drum kit. Due in part to this evolution, it is most often heard during parties, school reunions, charity dinner dances, hotel concerts and weddings. Contemporary Bayila is also characterized by comical lyrics, often loosely adapted from themes derived from Sri Lanka's history and/or folklore.

There are four subgenres of Bayila:

Popular Bayila artists include: M.S. Fernando, Anton Jones, Paul Fernando, Desmond de Silva, Nihal Nelson, Maxwell Mendis, Sunil Perera (The Gypsies), Saman De Silva, Danapala Udawaththa, Rajiv Sebastian, Claude de Zoysa, Marriazelle Goonathilake, Nithi Kanagaratnam, A.E.Manoharan, and Dalreen among others.[7]

Bayila has also influenced the music of many popular artists such as: Annesley Malewana, Clarence Wijewardene, C.T. Fernando, Anil Bharathi, Christopher Paul, Priya Peiris La Bambas, Super Golden Chimes, Los Flamingos, Sunflowers (band), The Gypsies, and even Pandit W. D. Amaradeva.[8]

Moratuwa has produced a large number of these artists and is often referred to as the unofficial home of Bayila.[9] The Roshan Fernando foundation is a charity committed to the welfare of baila and other musicians.[10] Radio broadcaster Vernon Corea has been credited with having helped to spread Bayila music to the English-speaking world via English-language programmes aired on Radio Ceylon and BBC Radio London during the late 1960s and 1970s.

In December 2006 a nonstop dance CD with the greatest Bayila hits titled Sri Lankan Open House Party was released in Sri Lanka. The music was directed by renowned composer Suresh Maliyadde while the music on the CD was provided by Niresh Perera (The Gypsies) on drums, Mahinda Bandara Fortunes) on guitar, Tilak Dias on bass, Tissasiri Perera on keyboard, and Visharadha Monaj Pieris on percussion. Singers who were empowering these all time evergreens are Kanishka Wijetunga, Ganesha Wijetunga, Mariazelle Goonetilleke, and Suresh Maliyadde.

There are Baila songs in Tamil, which were popularized by Nithi Kanagaratnam, Ceylon Manohar, M.P.Paramesh, Ramachandran, Amuthan Annamalai, et al.[11] song "Chinna Mamiye" (or "Sinna Mamiye") is popular and the rhythm is a lot like some of the konkani songs. Nithi started Tamil Bayila in 1967 and was dubbed as the "Father of Tamil Pops" in Sri Lanka. These songs are popular in Tamil Nadu, India and countries where the Tamils live.

See also

References

Footnotes
  1. ↑ In India, bayila is popular in Mangalore and Goa, especially with Konkani-speaking Catholics.
Notes
  1. 1 2 3 4 "Stepping back in time with Baila". Wijeya Newspapers Ltd. Retrieved 6 December 2015.
  2. 1 2 Kaffirinha - the spurned folk art By Amal HEWAVISSENTI (Sunday Observer) Retrieved 8 December 2015
  3. 1 2 3 "Baila for Dummies: A Quick Guide to Sri Lanka's Afro-Portuguese Pop Music". World Music Productions. Retrieved 6 December 2015.
  4. ↑ "Kaffirinha - the spurned folk art, by Amal HEWAVISSENTI (Sunday Observer, 31.10.2010)".
  5. ↑ Uththareethara 29-08-2012, 9:40, Hiru TV, Accessed 10-10-2015
  6. ↑ "Remembering M.S. Fernando". The Associated Newspapers of Ceylon Ltd. Retrieved 6 December 2015.
  7. ↑ "World Music: Latin and North America, Caribbean, India, Asia and ..., Volume 2". Google Books. Retrieved 6 December 2015.
  8. ↑ Amaradeva at 85: Giving tongue to a nation’s soul, by Ajith Samaranayake dbsjeraj - 4 December 2012
  9. ↑ "Moratuwa, the City of Pioneers (Purogameethwaye Nagaraya); ElaKiri Community".
  10. ↑ founder, donateinfaith.org Accessed 17-10-2015
  11. ↑ "Amuthan annamalai"s Amutha gaanam cd comments by DR.Nithi kanagaratnam".Nithi Kanagartnam's

External links

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