Caribbean music in Canada
Caribbean music in Canada has existed since the early 1920s,[1] becoming increasingly prominent after the 1960s as Caribbean immigration to Canada increased.[1] Anglo-Caribbean genres such as reggae, soca and calypso are especially prominent in English Canada, while French Caribbean genres such as cadence-lypso, zouk and konpa are more prominent in Quebec.[1]
Caribbean music has also been incorporated as an influence by numerous Canadian pop, rock and hip hop artists.
Recent changes in Canada's immigration laws have seen several prominent musicians from the Commonwealth Caribbean, like David Rudder and Anslem Douglas, resettle in Canada and help to develop the Caribbean music industry based there.[2]
The role of music in the Caribbean Canadian community is reinforced by cultural festivals such as Toronto's Caribana.[1]
1980s
Although long present as an underground phenomenon, Caribbean music began to actively break through into the Canadian cultural mainstream in the 1980s — particularly after Parachute Club, a band who incorporated reggae and soca rhythms into a mainstream new wave dance-pop style, broke through to mass popularity with their 1983 hit single "Rise Up".
Their success in turn paved the way for reggae acts such as Leroy Sibbles, Lillian Allen, Messenjah and Sattalites to break through to larger audiences; the Juno Awards, Canada's primary music award, introduced an award for Reggae Recording of the Year in 1985.
Parachute Club percussionist Billy Bryans, whose interest in Caribbean music had been influential in the introduction of reggae and soca elements into the band's sound, also went on to become Canada's first prominent and influential promoter and producer of homegrown Caribbean and Latin American music, producing albums for and managing numerous artists and acting, according to Brazilian Canadian singer-songwriter Aline Morales, as "a bridge between world music and the Canadian music scene".[3]
1990s
Noted developments in Caribbean music in the 1990s included Jane Bunnett's early explorations of Afro-Cuban jazz, Snow's worldwide 1993 hit single "Informer", the incorporation of reggae and dub influences by blues-rock band Big Sugar, the reggae rock band Raggadeath, and the 1998 hit single "Who Let the Dogs Out?", written by Trinidadian-Canadian musician Anslem Douglas.[2]
With the Black Canadian community dominated by people of Caribbean heritage, Caribbean music also emerged as a major influence on the development of Canadian hip hop in this era — most notably on influential albums such as Dream Warriors' And Now the Legacy Begins and Michie Mee's Jamaican Funk—Canadian Style, which extensively incorporated reggae and other Caribbean styles.
2000s
Stations like Flow FM, CHIN-FM and G98.7, located in Toronto, Ontario have served to bind the Caribbean music industry with their regularly rotated scheduling for soca and calypso music.
The Canadian Urban Music Awards have also begun to award various award titles in the soca and reggae genres.
In 2007, Anslem Douglas who originally wrote the song "Who Let the Dogs Out?", re-entered the Caribbean music scene after a four-year hiatus. Douglas recorded several of his 2007 Carnival songs from Canada.[2]
Noted artists in the genre to emerge in this era included South Rakkas Crew and Kobo Town, both of whom have had albums nominated for the Polaris Music Prize, and Alex Cuba, a Cuban-born guitarist who has had success both as a solo artist and as a collaborator with pop singer Nelly Furtado. Singer-songwriter Danny Michel also received critical and commercial acclaim for his 2012 album Black Birds Are Dancing Over Me, recorded in Belize with a group of musicians credited as the Garifuna Collective.
See also
References
- 1 2 3 4 Caribbean Music at The Canadian Encyclopedia.
- 1 2 3 Anslem Douglas makes comeback. Trinidad and Tobago's Newsday, October 6, 2006.
- ↑ "Parachute Club's Billy Bryans dies at 62". CBC News. Toronto. 2012-04-23. Retrieved 2012-04-23.