Copán Bench Panel

Copán Bench Panel

Detail of the left Copán bench panel from Temple 11, now in the British Museum
Material Stone
Size Length of left and right panels - c. 263 cm each
Weight c. 321 kg (each panel)
Writing Mayan Script
Created 775 AD
Discovered Copan, Honduras
Present location British Museum, London
Registration Am1923,Maud.15
The Copán Bench Panel or Copan Bench Panel is the name of an important sculpted platform that was originally located in Temple 11 at the Mayan site of Copán in Honduras. Discovered by the English archaeologist Alfred Maudslay in the late nineteenth century, it now forms part of the British Museum's extensive collection of ancient artefacts from Central America.[1]

Dated to the late 8th Century AD, the panel is both a work of art and a significant historical record of royal authority.

Description

The stone bench is composed of two long panels that when alined together are over 5 metres in length. Both panels depict twenty seated individuals, split into two groups of ten facing each other, between which is engraved a central panel with hieroglyphic text. The scene portrayed on this enormous sculpture is thought to depict King Yax-Pac's accession to the throne, overseen by his ancestors from previous dynasties. Yax-pac is shown seated to the right of the central text; it is conjectured that the deceased kings' presence helped to justify his claim to the royal throne. The iconagraphy of the bench panel is very similar to the famous Copán Altar Q.

Provenance

Drawing of the two bench panels by Linda Schele

Maudslay found this bench panel in pieces above a raised platform inside Temple 11 at Copán in 1881. He shipped it to England along with a number of other sculptures from the site and later donated most of his collection to the Victoria and Albert Museum, which in turn transferred Maudslay's original sculptures and extensive range of casts to the British Museum in 1923.

See also

Bibliography

References

This article is issued from Wikipedia - version of the 7/22/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.