Dudley Simpson

Dudley Simpson
Born	Dudley George Simpson 4 October 1922 Melbourne, Australia
Occupation	Composer, conductor, musician
Known for	Music for Doctor Who

Dudley Simpson (born 4 October 1922) is an Australian composer and conductor. He was the Principal Conductor of the Royal Opera House orchestra for three years and is best known for his work as a composer on British television, especially his long association with the BBC science-fiction series Doctor Who, for which he composed incidental music during the 1960s and 1970s.

Among his early television work was the music for Moonstrike (1963). Simpson was also responsible for the theme music for The Brothers (1972), The Tomorrow People (1973), Moonbase 3 (1973), The Ascent of Man (1973) and Blake's 7 (1978). He also composed music for several plays from the BBC Television Shakespeare series.

Early life and career

Simpson was born in Melbourne. He learned piano as a child, served in New Guinea during World War II and then studied orchestration and composition at the Melbourne Conservatorium of Music. Simpson became assistant conductor, pianist and later musical director for the Borovansky Ballet Company, forerunner to The Australian Ballet. He moved to the UK and after a season as guest conductor at Covent Garden, he became Principal Conductor of the Royal Opera House orchestra for three years. He accompanied the touring section of the Royal Ballet with Margot Fonteyn as principal ballerina.^[1]

Television work

Doctor Who

Simpson's first work on Doctor Who was during William Hartnell's era as the First Doctor in Planet of Giants, in 1964, but he is primarily associated with the programme in the 1970s. He also appeared on screen as a music hall conductor in the 1977 story The Talons of Weng-Chiang at the invitation of Philip Hinchcliffe who was the show's producer at the time.^[2] Simpson had to be paid a special fee for this appearance, as he was a member of the Musicians' Union and not Equity.

When John Nathan-Turner became producer of Doctor Who in 1980, he decided that the music needed to be updated, and took Simpson out for a meal telling him how much he appreciated his work on Doctor Who but that it would no longer be required as he intended to have the BBC Radiophonic Workshop provide music from that point. Simpson's last broadcast work on Doctor Who was for The Horns of Nimon.

Between 1964 and 1980, Simpson composed the incidental music for the following Doctor Who serials:

• Planet of Giants
• The Crusade
• The Chase
• The Celestial Toymaker
• The Underwater Menace
• The Macra Terror
• The Evil of the Daleks
• The Ice Warriors
• Fury from the Deep
• The Seeds of Death
• The Space Pirates
• The War Games
• Spearhead from Space
• The Ambassadors of Death
• Terror of the Autons
• The Mind of Evil
• The Claws of Axos
• Colony in Space
• The Dæmons
• Day of the Daleks
• The Curse of Peladon
• The Time Monster
• The Three Doctors
• Carnival of Monsters
• Frontier in Space
• Planet of the Daleks
• The Green Death
• The Time Warrior
• Invasion of the Dinosaurs
• The Monster of Peladon
• Planet of the Spiders
• Robot
• The Ark in Space
• The Sontaran Experiment
• Genesis of the Daleks
• Planet of Evil
• Pyramids of Mars
• The Android Invasion
• The Brain of Morbius
• The Masque of Mandragora
• The Hand of Fear
• The Deadly Assassin
• The Face of Evil
• The Robots of Death
• The Talons of Weng-Chiang
• Horror of Fang Rock
• The Invisible Enemy
• Image of the Fendahl
• The Sun Makers
• Underworld
• The Invasion of Time
• The Ribos Operation
• The Pirate Planet
• The Stones of Blood
• The Androids of Tara
• The Power of Kroll
• The Armageddon Factor
• Destiny of the Daleks
• City of Death
• The Creature from the Pit
• Nightmare of Eden
• The Horns of Nimon

Blake's 7

Blake's 7 ran for 4 series of 13 episodes each, a total of 52 episodes. Simpson provided the incidental music for 50 of the 52 episodes that were broadcast from 1978 to 1981. The two exceptions are the episode entitled Duel (the eighth episode of Series 1) for which the director Douglas Camfield chose to use stock music and Gambit (the eleventh episode of the second series) which was scored by the special sound creator of Series 2-4, Elizabeth Parker.

References

1. "'Dr Who' music man here". The Canberra Times. 9 May 1968. Retrieved 23 January 2016.
2. http://drwhointerviews.wordpress.com/category/dudley-simpson/

External links

• Dudley Simpson at the Internet Movie Database