Etenraku

Etenraku (越天楽, literally music brought from heaven[1]) is a Japanese gagaku melody and dance. It is usually played with a hichiriki or ryūteki,[2] and is accompanied by other traditional instruments such as the shō, koto and kakko.[1]

History

The origin of Etenraku is not fully known. There are theories that the melody was created in Japan, but others believe that it is from Khotan, a tributary state of the Tang dynasty that became part of the repertoire of the Chinese court.[3]

During the Heian period, a gagaku form known as imayō (今様, literally modern style) became popular. In this form, poems would be sung using melodies. Etenraku was one of the most popular melodies to be used in imayō.[4]

In 1931 Hidemaro Konoye arranged an orchestral version of the piece, and it was later picked up by Leopold Stokowski.[5]

These days, Etenraku is often performed at wedding ceremonies.[4]

Melody

There are different versions of Etenraku in three of the modes of gagaku - hyōjō, ōshiki, and banshikicho.[6] The banshikicho version is purported to be the oldest of the melodies, but the hyōjō version is best known in Japan.[7]

References

  1. 1 2 Schuller, Gunther (1989). Musings: The Musical Worlds of Gunther Schuller. Oxford University Press US. ISBN 0-19-505921-2.
  2. ↑ Hiscock, Chris; Metcalfe, Marian; Murray, Andy (1999). New music matters 11-14. Heinemann. ISBN 0-435-81091-X.
  3. ↑ Picken, Laurence (1990). Music from the Tang Court. CUP Archive. ISBN 0-521-34776-9.
  4. 1 2 Malm, William P. (2000). Traditional Japanese music and musical instruments. Kodansha International. ISBN 4-7700-2395-2.
  5. ↑ Downes, Olin (1935-11-20). "KREISLER SOLOIST WITH STOKOWSKI". New York Times. Retrieved 27 November 2009.
  6. ↑ Tokita, Alison; David W. Hughes (2008). The Ashgate research companion to Japanese music By. Ashgate Publishing, Ltd. ISBN 0-7546-5699-3.
  7. ↑ "Banshikicho Etenraku". The International Shakuhachi Society. Retrieved 27 November 2009.
This article is issued from Wikipedia - version of the 10/22/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.