G. Sutton Breiding

G. Sutton Breiding
Born (1950-08-17) August 17, 1950
Elkins, West Virginia, U.S.
Occupation Poet, Zine Publisher
Nationality American
Period 1960s–present
Genre Weird Poetry, Speculative Poetry, Surreal Poetry, Black Humor, Fantasy Poetry, Horror Poetry, San Francisco Bay Area Poetry, Science Fiction Poetry
Notable awards Rhysling Award for Short Poem
1990
Spouse Jenny Nulf (m. 1983; div. 1991)
Website
gsuttonbreiding.net

G. Sutton Breiding (born August 17, 1950)[1] is an American poet and zine publisher of Speculative poetry, science fiction, dark fantasy, and horror poetry characterized by mysticism, black humor and references to San Francisco.[2]

Biography

Born in Elkins, WV, G. Sutton Breiding lived at Oglebay Park in Wheeling, WV until 1962, in Morgantown, WV from 1962 until 1968, San Francisco, CA from 1968 to 1986. Between 1968 and 1986 he lived in Greenbank, WV during 1971 and in Morgantown WV and near Orono, ME during 1977. He returned to Morgantown WV in 1986, moved to Columbiana, OH in 2007 and returned to Morgantown in 2009.

"He began writing at age fourteen, and in a Catholic high school outraged his teachers with his first newsletter.[3] Breiding's poetry and essays have been featured in Foxfire (magazine), Star*Line, Bleak December, The Romantist, The Diversifier, Nyctalops, Fantôme, Grue Grue Magazine, and Figment.

He won the 1990 Rhysling Award for Best Short Poem for "Epitaph for Dreams" which first appeared in Narcopolis & Other Poems[4] edited by Peggy Nadramia. His poems were nominated for the Rhysling Award in 1993, 2005, 2011, and 2014.

In the introduction to his collection of selected poems "Autumn Roses," published in 1984 by Silver Scarab Press, Donald Sidney-Fryer writes that Breiding ranks as a modern example of California Romantics including Ambrose Bierce, George Sterling, Nora May French, and Clark Ashton Smith.[5] Autumn Roses is annotated by Steve Eng in the Fantasy and Horror Poetry chapter of Neil Barron's 1999 Critical and Historical Guide to Fantasy and Horror. Eng calls Breiding one of the "most talented genre bards in the past two decades." Eng also notes his eroticism and humorous sense of irony.[6] Influences remarked on by Eng, Sidney-Fryer, and D. S. Black,[7] include Edgar Allan Poe, Charles Baudelaire, Edvard Munch, Arthur Machen, George Trakl, Emil Cioran, Edmond Jabès, Li He, Bruno Schulz, West Coast Romantics, Dada, Surrealism, Existentialism, Beat Generation, New York School, Abstract Expressionism, and Punk subculture.

Sidney-Fryer's introduction to Breiding's Journal of an Astronaut, a 1992 back-to-back publication with Janet Hamill's Nostalgia of the Infinite, describes Breiding's futuristic vision as including "appealing remnants of Appalachian life and such of its wilderness as actually survives, the cicada, the titmouse, the chickadee, the wren, together with the steadfast presence of old barns and old homesteads, as well as rare old stands of trees. His reader experiences a particularly modern sense of dislocation expressed in a particularly modern style." Along with horror, the reader will also experiences "a unique sense of wonder and wonder and marvel and transcendent mystery, as well as a healing sense of wholesomeness of our planet-biosphere and of the very earth itself, the tenderness and even delicacy displayed in the infinitude of green growing things and of the fauna sustained on that flora."[8] Journal of an Astronaut/Nostalgia of the Infinite is listed in the Beat Poetry Collection in the Special Collections and Archives at Utah State University.[9]

Special library collections including his books, correspondence, manuscripts, and zines are held at the University of California at Berkeley,[10] West Virginia University,[11] Utah State University, and the University of Iowa.

Zine Publishing

The Punk-Surrealist Cafe[12] was on display in the October, 2009 exhibition Punk Passage: San Francisco First Wave Punk, a display and event at the San Francisco Public Library curated by and featuring photographer Ruby Ray.[13] Breiding's Zine's are featured in the M. Horvat Science Fiction Fanzine Collection housed at the University of Iowa Libraries.[14]

Additional zine titles Breiding published include Black Wolf,[15] A Clerk's Journal, Dumdum, Ebon Lute, Eremite's Column, Folklore, Personals, Phantom Poet, and Surrealist Exchange.[16]

Awards

Nominations

Bibliography

References

  1. ↑ "Breiding, G. Sutton (George Sutton), 1950-". loc.gov.
  2. ↑ "Breiding, G. Sutton 1950- (George Sutton) [WorldCat Identities]". worldcat.org.
  3. ↑ Eng, Steve. "G. Sutton Breiding: San Francisco Surrealist." Discovering Modern Horror Fiction II. Ed. Darrell Schweitzer. Berkeley Heights: 1999. p. 144-148. Print.
  4. ↑ "Narcopolis & other poems". worldcat.org.
  5. ↑ "Autumn roses : selected poems of G. Sutton Breiding". worldcat.org.
  6. ↑ Eng, Steve. "Fantasy and Horror Poetry." Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, TV, Radio, and the Internet. Lanham, Md: Scarecrow Press, 1999. p.422. Print.
  7. ↑ Black, D. S. Introduction: Tropic of Dreams. White Map: Selected Poems: 1986–2000. By G. Sutton Breiding. Photo by Harry O. Morris. Web.
  8. ↑ "Nostalgia of the infinite". worldcat.org.
  9. ↑ "Special Collections and Archives - Beat Poetry Database". usu.edu.
  10. ↑ "G. Sutton Breiding papers, 1974-1996.". cdlib.org.
  11. ↑ "West Virginia Historical Archives & Manuscripts Collections". wvu.edu.
  12. ↑ "The Punk-Surrealist Cafe". zinewiki.com.
  13. ↑ "Punk Passage San Francisco First Wave Punk 1977-1981". SFPL.
  14. ↑ "UI Collection Guides -M. Horvat Science Fiction Fanzines Collection, 1925-2002". collguides.lib.uiowa.edu. Retrieved 2016-02-05.
  15. ↑ "Black wolf.". worldcat.org.
  16. ↑ "G. Sutton Breiding papers, 1974-1996.". worldcat.org.

External links

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