Gil Jamieson

Gil Jamieson

Gil Jamieson's Self-Portrait
Born (1934-01-31)31 January 1934
Monto, Queensland
Died 14 June 1992(1992-06-14)
Monto, Queensland
Nationality Australian
Education Brisbane Central Technical College
Known for 'Romantic' figurative art, Australian landscapes & portraits
Notable work 72 foot 360 degree mural 'Jay Creek" oil on canvas
Awards McCaughey Prize, Melbourne, 1965; Maryborough Watercolour Prize, 1977; Bundaberg Painting Prize, 1978; Bundaberg Watercolour Prize 1978; Rockhampton Art Prize 1978.[1]
Patron(s) John Reed, Cliff Pugh, Arthur Boyd

Gil Jamieson (31 January 1934 – 14 June 1992) was an Australian painter. Jamieson was born in the central Queensland town of Monto in 1934 and died there in 1992.

Career

Jamieson liked to be thought of as a Romantic. He objected to the labels of art commentators. He painted figurative art works, landscape art works, and portraits striking for their passionate intensity of both subject and colour. He wrestled with the tough reality of survival in the bush and lived the landscape that he painted.

He lived and worked on the land with his family raising cattle on a bush block near Monto. He embarked on extensive expeditions throughout Australia capturing the subtle beauty and magnificence of the country in gouaches he called his 'sonnets'. His 72-foot 360 degree mural 'Jay Creek', an oil on canvas, painted on location in Central Australia, his largest and a most engrossing work was painted in four days in searing heat.

Jamieson regarded himself as a self-taught artist, however he attended Brisbane Central Technical College (with Melville Haysom), 1956–57. While in Brisbane he aspired to political cartooning, worked as a quick sketch artist outside a nightclub and held his first exhibition at a Brisbane pub

Jamieson and his wife Maureen moved from Monto to Melbourne and his career flourished. His work was taken up by John Reed of Heide Museum of Modern Art where he exhibited. He developed strong friendships with fellow artists: George Johnson, Fred Williams, John Perceval, Edwin Tanner to name a few. These friendships sustained and affirmed his contribution to Australian art as later in his career, fellow artists such as Cliff Pugh and Arthur Boyd supported his work. He chose to return to the bush and relative obscurity returning regularly to exhibit in Melbourne.

Throughout his career Jamieson had many supporters of his work including Kym Bonython and Rudy Komon. He had a long association with Rockhampton exhibiting there and in Brisbane regularly throughout his career. Rockhampton Art Gallery toured a retrospective for two years throughout regional Australia and overseas 1997-9. [1][2][3]

Exhibited

Represented

Awards

External links

References

  1. 1 2 3 4 5 Drury, Nevill: "New Art Four: Profiles in Contemporary Australian Art.", page 120, 228. Craftsman House, 1990.
  2. ↑ McCollough, Bianca: "Each Man's Wilderness: Reflections by Australian Artists.", page 38-39, 115. Rigby Ltd, 1980.
  3. ↑ Bonython, Kym: "Modern Australian Painting 1975/1980.", page 84. Rigby Ltd, 1980.
This article is issued from Wikipedia - version of the 3/31/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.