Gu Xiong (artist)

Gu Xiong
Born 1953 (age 6263)
Chongqing, China
Nationality Canadian
Occupation Artist, professor
Known for installation, painting, drawing, photography, performance
Website Official website

Gu Xiong (born 1953) is a Canadian contemporary artist.[1][2]

Life

Gu Xiong was born 1953 in Chongquing, Sichuan, China.[1] At the age of 18, during the Chinese cultural revolution, Xiong was sent to live in the countryside where he sketched scenes of rural life.[3] He received a Bachelor of Fine Arts and a Master of Fine Arts degree (1985)[4] from the Sichuan Fine Arts Institute.[5] In 1986, he attended an artist residency at the Banff Centre for the Arts in Alberta Canada,[6] becoming the first artist from the People's Republic of China to do so.[7] After returning to China, he was a part of the 1989 China Avant-Garde exhibition [8][9][10][11] Xiong immigrated from China to Vancouver Canada in 1989.[11][12][13][14]

Xiong lives in Vancouver, where he is a professor of art at the University of British Columbia.[15][16]

Work

Xiong is a multidisciplinary artist who works in media as diverse as painting,[17] drawing,[3] photography,[18] installation, performance,[19] video[18] and bronze sculpture.[20] He is known largely for his paintings, performances and installation works. In Interior View-- Fenced Wall, performed in 1989 at the China Avant-garde exhibition in Beijing, he painted images of a fence on paper and onto his clothing and performed with his face painted in pantomime-style.[19][21][22][23]

Collections

Xiong's work is included in the permanent collection of the National Gallery of Canada,[2] the Vancouver Art Gallery,[24] the Surrey Art Gallery and the Burnaby Art Gallery.[25]

References

  1. 1 2 "Artist/Maker Name "Gu, Xiong"". Canadian Heritage Information Network. Retrieved 12 June 2016.
  2. 1 2 "Gu Xiong 1953 -". National Gallery of Canada.
  3. 1 2 Griffin, Kevin. "Gu Xiong: Drawing sketches during the Cultural Revolution". Vancouver Sun. Retrieved 12 June 2016.
  4. Michael Sullivan (1996). Art and Artists of Twentieth-century China. University of California Press. pp. 302–. ISBN 978-0-520-07556-6.
  5. Lyon, Christine. "Gu Xiong's global journey connects the personal with the political". North Shore News. Retrieved 12 June 2016.
  6. Edward L. Davis (January 2009). Encyclopedia of Contemporary Chinese Culture. Taylor & Francis. pp. 321–. ISBN 978-0-415-77716-2.
  7. Richard King (1 July 2010). Art in Turmoil: The Chinese Cultural Revolution, 1966-76. UBC Press. pp. 118–. ISBN 978-0-7748-5911-0.
  8. Paul Yee (1 December 2009). Saltwater City: Story of Vancouver's Chinese Community. Douglas and McIntyre (2013) Limited. pp. 200–. ISBN 978-1-926706-25-2.
  9. Scott Tyson, Ann. "Avant-garde Bursts onto Chinese Art Scene. `Action art' symbolizes artists' determination to brashly take advantage of eased state censorship". Christian Science Monitor. Retrieved 12 June 2016.
  10. "Blossoming of influence". The Vancouver Sun. Canada.com. Retrieved 12 June 2016.
  11. 1 2 Yishu: Journal of Contemporary Chinese Art. Art & Collection Group. 2008.
  12. Marie Claire Huot (2000). China's New Cultural Scene: A Handbook of Changes. Duke University Press. pp. 150–. ISBN 0-8223-2445-8.
  13. Gillis, Charlie. "Why China's artists are making waves, and getting away with it". Maclean's Magazine. Retrieved 12 June 2016.
  14. Annie Wong Art Foundation; Western Front (Society) (1998). Jiangnan: modern and contemporary art from south of the Yangzi River. Annie Wong Art Foundation.
  15. Conner, Shawn. "Q and A: Artist Gu Xiong's work born of cultural reinvention". Vancouver Sun. Retrieved 12 June 2016.
  16. "Professor, Xiong Gu". University of British Columbia. Retrieved 12 June 2016.
  17. Laurence, Robin. "Gu Xiong: A Journey Exposed connects the local to the global". The Georgia Straight. Retrieved 12 June 2016.
  18. 1 2 "Gu Xiong: The Course of Globalism". Canadian Art.
  19. 1 2 Thomas J. Berghuis (2006). Performance Art in China. Timezone 8 Limited. pp. 87–. ISBN 978-988-99265-9-5.
  20. Craig Pearson; Judith Nasby (11 August 2008). The Cultivated Landscape: An Exploration of Art and Agriculture. MQUP. pp. 320–. ISBN 978-0-7735-7837-1.
  21. Richard E. Strassberg; Pacific Asia Museum (1 January 1991). I don't want to play cards with Cézanne, and other works: selections from the Chinese New Wave and Avant-Garde art of the eighties. Pacific Asia Museum. ISBN 978-1-877921-05-6.
  22. China Now. Society for Anglo-Chinese Understanding. 1988.
  23. Wilson, Gavin. "Profile: Cultural revolutionary: Artist Gu Xiong continues the struggle for his art in Canada". University of British Columbia. Retrieved 12 June 2016.
  24. "Insititute of Asian Art: Collection". Vancouver Art Gallery. Retrieved 12 June 2016.
  25. "Collections". Burnaby Art Gallery. Retrieved 12 June 2016.
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