Hermann V. von Holst

Hermann V. von Holst (1874–1955) was an American architect practicing in Chicago, Illinois, and Boca Raton, Florida, from the 1890s to the 1940s. He is best remembered for agreeing to take on the responsibility of heading up Frank Lloyd Wright's architectural practice when Wright went off to Europe with Mamah Cheney in 1909.

Von Holst was born in Freiburg, Germany, on June 17, 1874,[1] the son of the eminent historian Hermann Eduard von Holst and a Hoboken, New Jersey, native, Annie Isabelle Hatt, who had married on April 23, 1872, in New York City.[2] The von Holsts lived in Germany with visits to the United States until they emigrated from Germany to Chicago in 1891, where von Holst, Sr., became head of the department of history at the University of Chicago.

In Chicago

Herman V. von Holst graduated from the architecture program at the University of Chicago in 1893 and the architecture program at MIT in 1896.[3][4] He found employment as a draughtsman at the prestigious architectural firm of Shepley, Rutan and Coolidge, in their Chicago office, one of the successor firms of the celebrated architect Henry Hobson Richardson. By 1900, von Holst was head draughtsman at the firm.[5] Following extensive travels, von Holst opened his own practice in Chicago in 1905, with offices in The Rookery Building, Chicago.[6] In 1909, he moved his office to Chicago's Steinway Hall, where he was among a collegial group of Prairie School architects.

Active in professional organizations, von Holst served as treasurer of the Architectural League of America in 1905.[7] He published several books on architectural subjects, including Cyclopedia of Drawing (1907) and Modern American Homes (1913) which featured work of fellow architects, including Walter Burley Griffin, Frank Lloyd Wright, and Lawrence Buck. He served as professor of architectural design at the Chicago School of Architecture at the Art Institute of Chicago.[8] He also taught design in the Department of Architecture at the Armour Institute of Technology (later IIT).[9]

In the period 1904–1906, von Holst created summer countryside estate architecture in the White Mountains of New Hampshire for socially prominent and wealthy clients, including Pittsburgh glassmaking millionaire George A. Macbeth and International Harvester partner John Glessner, whose Chicago Glessner House was designed by Henry Hobson Richardson.[10]

Overseeing Frank Lloyd Wright's practice

As has been increasingly well documented, before Wright and Mrs. Cheney went off together to Europe, Wright asked various architects to take on the responsibility of his office, including Marion Mahony and George Grant Elmslie, both of whom refused. Finally, he arranged for Hermann V. von Holst to oversee the work. Along with continuing Wright architects Isabel Roberts and John Van Bergen,[11] von Holst contracted with Marion Mahony (who as stipulated had complete control of architectural design) and her husband Walter Burley Griffin (for landscape architecture). Together, they brought what work they could of Wright's to completion—much of it modified to Marion Mahony Griffin's designs.

The happy result of this time period for the Prairie School is a graceful collection of Prairie Style residences in a Griffin-planned landscape on Millikin Place in Decatur, Illinois[12] and a pair of charming Prairie homes, one by Wright and the other by von Holst and Mahony, across the street from each other in Grand Rapids. Unfortunately, Clara and Henry Ford did not grasp the potential of the home designed for them; by dismissing von Holst and Mahony, they ended up with a ponderous, ungainly home. Fair Lane as finally designed by others, has but rare hints of Prairie concepts remaining (the south end and in some of the outbuildings, such as Ford's beloved Powerplant). The Ford residence is awkward of proportion, cold in demeanor and unfortunate in detail.

Architectural historians have tended to underestimate von Holst's abilities and influence in the world of architecture. However, it is clear that a man with degrees from two outstanding architecture departments, who had served as head draughtsman for the leading firm of Shepley, Rutan & Coolidge, who taught design and served as treasurer of the Architectural League of America was a solid choice for this task. Also, architectural critics have tended either to undervalue or misattribute work done while Wright was mostly incommunicado in Europe. The output of Wright's office in the years 1909–1911 should be assessed on its own merit as Prairie School work of the first order by the design team headed by Marion Mahony under the auspices of von Holst.[13]

Modern architectural critics have wondered in print why Wright selected an architect not known for the Prairie Style to supervise his office.[14] However, even a cursory glace at his work both during and after supervising Wright's office shows an impressive collection of buildings contributing to the Prairie School's output in Chicago and the Midwest (see partial listing of work, below, especially the non-Wright work of 1910–1911).

While von Holst was supervising Wright's office, he and Lucy Edith Hammond were married. von Holst continued to practice in Chicago through the 1920s. He served as president of the Chicago Architectural League. For a time he shared a partnership with James L. Fyfe.[15] He collaborated with George Grant Elmslie on a number of Prairie Style commercial and industrial structures, particularly a series of train stations and power company buildings. On June 10, 1928, Condell Memorial Hospital, which von Host designed, was dedicated in Libertyville, Illinois.[16]

In Florida

Von Holst was lured to Florida by the possibilities for work there during the land boom as well as the relief from Chicago winters. Practicing in Boca Raton, he was engaged in architecture and land development from the late 1920s onward.

In Boca Raton, von Holst headed a group that completed a subdivision of 29 Florida Spanish Revival homes named Floresta, which means a delightful rural place. In addition to designing many of the homes, including his own (Lavender House, c. 1928), von Holst named the suburb and named its streets for native Florida birds and plants, denoting an appreciation von Holst shared with noted Florida artists Sam Stoltz and Joy Postle (who drew von Holst's portrait).[17] It was von Holst who brought the subdivision to completion following the Florida land bust.[18] [19]

Modern real estate agents in Boca Raton tend to mistakenly describe von Holst's residential work there as by the colorful, quixotic Addison Mizner. While Mizner did serve as the general contractor / developer of "Floresta" the architectural plans for these homes were von Holst's. Moreover, Mizner defaulted on payments to contractors, was successfully sued by von Holst, et al., and thereafter von Holst took chief responsibility for its success. Lucy von Holst, along with the wives of their two remaining partners (John Verhoeven and Fred Aiken), prepared unsold homes for stylish winter rentals for snowbirds. The true story of old Floresta has been carefully documented by Dr. Donald W. Curl in the journal of the Boca Raton Historical Society.

Von Holst retired from architecture in 1932. He was chairman of the Boca Raton Town Planning Board in 1940. Von Holst served on the Boca Raton Council from 1934 to 1947 and again in 1948–1949 and was granted honorary life membership on the board in 1953.[20]

Publications

In conjunction with his architectural practice and teaching, von Holst published works on architecture, including:

Architectural work – partial listing

References

  1. ↑ Book of Chicagoans, 1911
  2. ↑ familysearch.org
  3. ↑ The Prairie School: Frank Lloyd Wright and His Midwest Contemporaries, by H. Allen Brooks, 1972, p. 86
  4. ↑ http://web.mit.edu/museum/chicago/vonholst.html
  5. ↑ The Technology Review, MIT, 1900, p. 374
  6. ↑ The Technology Review, MIT, 1905, p. 253
  7. ↑ American Art Directory, American Federation of the Arts, 1905, p. 283
  8. ↑ Boca Raton's Old Floresta, by Donald W. Curl; The Spanish River Papers, Vol V., No. 2, Boca Raton Historical Society, Feb 1977
  9. ↑ Cyclopedia of Drawing: A General Reference Work on Drawing, by Hermann v. Von Holst, 1907
  10. ↑ Summer Cottages in the White Mountains by Bryant Franklin Tolles, 2000, pp. 128–129
  11. ↑ Dalles, John, "The Pathbreaking Legacy of Ryan and Roberts", in "Reflections", the journal of the Historical Society of Central Florida, Summer 2009; pp. 8 and 9.
  12. ↑ http://www.peterbeers.net/interests/flw_rt/Illinois/Irving/Irving.htm
  13. ↑ The Magic of America, Marion Mahony Griffin
  14. ↑ For example, H. Allen Brooks in The Prairie Style
  15. ↑ Book of Chicagoans, 1911
  16. ↑ http://www.cooklib.org/Community/LibertyvilleInTheTwenties/VillageLifeCondell.htm
  17. ↑ Joy Postle collection, University of Central Florida archives.
  18. ↑ Mizner's Florida: American Resort Architecture, by Donald W. Curl, 1987, p. 219
  19. ↑ Boomtime Boca: Boca Raton in the 1920s, by Susan Gillis, Boca Raton Historical Society - History – 2007; pp. 59–60
  20. ↑ Boca Raton's Old Floresta, by Donald W. Curl, The Spanish River Press, Boca Raton Historical Society, Vol. V, No. 2, Feb. 1988
  21. ↑ Summer Cottages in the White Mountains by Bryant Franklin Tolles, 2000, p. 128
  22. ↑ Summer Cottages in the White Mountains by Bryant Franklin Tolles, 2000, p. 129
  23. ↑ Society for the Protection of New Hampshire Forests website
  24. ↑ http://www.peterbeers.net/interests/flw_rt/Michigan/Amberg_House/amberg_house.htm
  25. ↑ http://208.127.94.2/panel.asp?PanelID=PID041296339103207230219982057061000169; Catalog of the Seventh Exhibition, Pittsburgh Architectural Club (1912), unnumbered plate.
  26. ↑ http://208.127.94.2/panel.asp?PanelID=PID041296339103207230219982105081000177
  27. ↑ von Holst, Hermann V., Modern American Homes
  28. ↑ http://208.127.94.2/panel.asp?PanelID=PID041296339103207230219982107451000185
  29. ↑ http://www.maxwelton-braes.com/
  30. ↑ http://www.ci.boca-raton.fl.us/photoalbum/Beach%20Pavilion%20c%201930.jpg
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