Jayanti Dalal

Jayanti Ghelabhai Dalal (18 November 1909 – 24 August 1970) was an Indian author, publisher, film maker and politician. Born in family of play organiser and involved in politics during and after independence of India, he was influenced by socialism and Gandhian philosophy. He contributed in field of literature including one-act plays, short stories; publishing and cinema.

Life

Jayanti Dalal was born on 18 November 1909 at Ahmedabad. His father Ghelabhai was organiser of Deshi Natak Samaj, a play group. So he had his primary and secondary education at various places. He completed his matriculation in 1925 and joined Gujarat College for further studies. He left studies in 1930 when he was in final year of Bachelor of Arts as he participated in Indian independence movement.[1][2]

He started publishing house in 1939 and published until his death. He was involved in Mahagujarat Movement in 1956 and he published Navgujarat daily during that period. He was elected to Bombay state assembly in 1957. In 1962, he again contested but lost the election. He died in Ahmedabad on 24 August 1970.[1][2][3]

Works

Plays

He is known for his one-act plays. They were innovative, related to life and filled with thoughtful and satirical dialogues. His childhood experiences with his father's stage play company impacted his brilliance in plays. Some of his popular plays are Soi nu Naku, Draupadi no Sahkar (1950), Jeevandeep (1940) and Joiye Chhe, Joiye Chhiye. His one-act play collections are Javanika (1941), Pravesh Bijo (1950), Pravesh Trijo (1953) and Chotho Pravesh (1957). Rangtoran is collection of children's play while Avataran (1949) is three-act play.[1][2][3][4] Kaya Lakdani Maya Lugdani is treatise on stagecraft and plays.[5][6]

Editing

He edited magazines on theater and literature, Rekha (1939-1940) and Ekanki (1951). He also edited Gati weekly and later Navgujarat daily during Mahagujarat movement.[1][2][7]

Cinema

He edited cinema magazine based in Delhi and also produced Gujarati film Bikhare Moti in 1935.[1][2]

Others

He wrote short stories and novels also. Dhimu ane Vibha is an example of his innovative stories which focus more on psychological aspect of lead character than external world.[1][2][7] His stories like Junu Chhapu (1939) and Agiyar ne Panch (1944) are influenced by existentialism.[4] Padar na Teerath (1946) is about political climate of India in 1942 including Quit India movement.[8][9][10] Adkhe Padkhe is his short story collection.[11] He translated War and Peace by Leo Tolstoy in Gujarati.

Awards

He was awarded Ranjitram Suvarna Chandrak in 1959 and Narmad Suvarna Chandrak for his contributions in field of literature.[2]

Further reading

References

  1. 1 2 3 4 5 6 Amaresh Datta (1987). Encyclopaedia of Indian Literature: A-Devo. Sahitya Akademi. p. 838. ISBN 978-81-260-1803-1.
  2. 1 2 3 4 5 6 7 "જયંતિ ઘેલાભાઈ દલાલ". Gujarati Sahitya Parishad (in Gujarati). 4 September 2014.
  3. 1 2 The Indian P.E.N., P.E.N. All-India Centre., 1970, p. 299
  4. 1 2 K. M. George (1992). Modern Indian Literature, an Anthology: Plays and prose. Sahitya Akademi. p. 187. ISBN 978-81-7201-783-5.
  5. ↑ Nagendra (1988). Indian Literature. Prabhat Prakashan. p. 332.
  6. ↑ Nalini Natarajan; Emmanuel Sampath Nelson (1 January 1996). Handbook of Twentieth-century Literatures of India. Greenwood Publishing Group. p. 116. ISBN 978-0-313-28778-7.
  7. 1 2 Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra (2007). Gujarat. Gujarat Vishvakosh Trust. pp. 378, 417.
  8. ↑ Yogendra Kumar Malik; Carl Lieberman (1975). Politics and the Novel in India. Brill Archive. p. 116. ISBN 90-04-04243-1.
  9. ↑ Andrea L. Stanton; Edward Ramsamy; Peter J. Seybolt; Carolyn M. Elliott (5 January 2012). Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia. SAGE Publications. p. 243. ISBN 978-1-4522-6662-6.
  10. ↑ Sisir Kumar Das (1 January 1995). History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy. Sahitya Akademi. p. 774. ISBN 978-81-7201-798-9.
  11. ↑ Indian Literature. Sähitya Akademi. 1966. p. 35.
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