Le Villi

Le Villi
Opera-ballet by Giacomo Puccini

Original 1884 advertisement in Gazzetta Musicale di Milano
Librettist Ferdinando Fontana
Language Italian
Based on Jean-Baptiste Alphonse Karr's short story Les Willis
Premiere 31 May 1884 (1884-05-31)
Teatro Dal Verme, Milan

Le Villi (The Willis or The Fairies) is an opera-ballet in two acts (originally one) composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr. Karr's story was in turn based in the Central European legend of the vila, also used in the ballet Giselle. The opera, in its original one-act version, was first performed at the Teatro Dal Verme, Milan, on 31 May 1884.[1]

Le Villi is Puccini's first stage work. It was written for an 1883 competition of one-act operas by the publisher Sonzogno in his periodical Il teatro illustrato, but did not even earn an honourable mention. According to Mosco Carner, this may have been because it was written in such haste that the score was all but illegible.[2] His supporters, who included Arrigo Boito, funded the first production, whose favorable reception led to publication by Giulio Ricordi. Puccini's mother received the following telegram on the night of premiere at the Teatro dal Verme on 31 May 1884: "Theatre packed, immense success; anticipations exceeded; eighteen calls; finale of first act encored thrice"'.[3] Ricordi urged the composer to expand the work, and Puccini did, producing a new version later that year, which was followed by modifications in 1888, and the final version in 1892. A performance typically lasts 64 minutes.

Performance history

Librettist Ferdinando Fontana and composer Giacomo Puccini

In the libretto, each part of the symphonic intermezzo between Acts 1 and 2 – L'Abbandono (The Desertion) and La tregenda (The Spectre) – is preceded by explanatory verses recounting the intervening events. Michele Girardi, citing a letter from Fontana to Puccini on 3 September 1884, has pointed out that the librettist intended for these to be read by the audience but not actually recited by a narrator.[4] But according to Mosco Carner, Puccini had intended for the verses to be read out to the audience, although he notes there is no mention of this having actually happened in contemporary reviews of the first production.[5] Likewise, there is no record of a narrator having been used at the first performance of Le Villi at the Metropolitan Opera in 1908.[6] Nevertheless, a narrator is used in some modern productions of the opera, such as the September 2004 production at the Teatro Dal Verme with Leo Nucci as the narrator, and the August 1994 production at the Festival della Valle d'Itria in Martina Franca with Massimo Foschi as narrator.[7] A narrator (Tito Gobbi) is also used in the Sony 1981 studio recording of the work.

A revised, two-act version was performed in at the Teatro Regio, Turin on 26 December 1884. Le Villi was also performed at the Teatro San Carlo in Naples on 15 January 1888. However, on that occasion it was not viewed favourably by either the audience or the critics who characterized it as "simply an imitation of Wagner".[8] Puccini continued to revise the work up until 1892 when it premiered in Hamburg conducted by Gustav Mahler.

The UK premiere occurred on 24 September 1897 in Manchester and the US premiere of Le Villi came on 17 December 1908 at the New York Metropolitan Opera[9] conducted by Arturo Toscanini. Performed as a double bill with Mascagni's Cavalleria rusticana, the Met's production featured Frances Alda as Anna and Alessandro Bonci as Roberto. The work did not receive its premiere at the Vienna State Opera until 23 October 2005 when it was performed in a double bill with Leoš Janáček's Osud. Simone Young conducted the performance with Krassimira Stoyanova as Anna and José Cura as Roberto.[10]

Roles

The front cover of the first printed libretto of Le Villi
Role Voice type Premiere Cast,
31 May 1884
(Conductor:[11])		 Premiere Cast,
revised version,
26 December 1884
(Conductor: Giovanni Bolzoni)
Guglielmo, the head forester baritone or bass Erminio Peltz Agostino Gnaccarini
Anna, his daughter soprano Rosina Caponetti Elena Boronat
Roberto, a young man tenor António D'Andrade Enrico Filippi-Bresciani
Mountain folk, fairies, unseen spirits

Synopsis

Place: The Black Forest
Time: The Middle Ages

Act 1

Spring

Family and guests dance at a celebration of the engagement in marriage of Roberto and Anna. Roberto must leave before the ceremony to collect an inheritance, and Anna worries that she will never see him again (Aria: Se come voi piccina). Roberto comforts Anna telling her that it will be fine and they will marry when he returns from Mainz. Anna tells Roberto of her dreams of him dying but Roberto tells Anna that she should not worry about his love failing and that she may doubt her God but not his love for her. The crowd returns and Anna is still worried about Roberto leaving. Roberto then asks Guglielmo, Anna’s father, to bless them before his journey and Roberto sets off for Mainz.

Intermezzo

Roberto is enchanted by a siren, and forgets Anna. Anna waits through the summer and the autumn and in the winter dies in his absence. The legend of the fairies (Le Villi) is then explained. When a woman dies of a broken heart, the fairies force the heart breaker to dance until death.

Act 2

Winter

Water-colour sketch by Adolf Hohenstein for the setting of Act 2 of Le Villi

Anna's father, Guglielmo, holds Roberto responsible for Anna's death and calls upon the Villi to take vengeance on Roberto (Aria: Anima santa della figlia mia). The Villi call upon the ghost of Anna and lure Roberto into the forest. Roberto, now penniless and abandoned by the seductress, returns when news of Anna's death reaches him. Hoping that he will be forgiven the Villi stalk Roberto as he mourns the loss of the days of his youth (Aria: Torna ai felici dì). Roberto then finds the one last flower left alive in the winter and tries to find hope that Anna lives but is repelled by the Villi when he tries to knock on the door of Guglielmo's house. Roberto then tries to pray for forgiveness but finds he cannot because of the curse put upon him by the Villi. As Roberto curses his fate Anna appears to him and tells him of the suffering that she had to endure. Roberto begs for forgiveness and he too feels the pain of Anna burning in his heart. But Roberto is not forgiven and Anna calls upon the Villi, who curse Roberto with cries of "traitor." There, the Villi and Anna dance with Roberto until he dies of exhaustion at Anna's feet.

Recordings

Year Cast
(Roberto, Anna, Guglielmo)		 Conductor,
Opera House and Orchestra		 Label[12]
1954Gianni Dal Ferro,
Elisabetta Fusco,
Silvano Verlinghieri 		Arturo Basile,
RAI Turin Chorus and Orchestra 		Audio CD: Cetra Records (Warner Fonit Cetra)
1971Barry Morell,
Adriana Maliponte,
Matteo Manuguerra 		Anton Guadagno,
Vienna Volksoper Orchestra,
Vienna Academy Chamber Choir 		Audio LP: RCA Records
Cat: LSC 7096
1979David Parker,
Marilyn Richardson,
James Christiansen 		Myer Fredman,
Adelaide Symphony Orchestra,
Adelaide Festival Chorale 		Audio CD: Chandos
Cat: ABT 1019
1979Plácido Domingo,
Renata Scotto,
Leo Nucci
Narrator: Tito Gobbi 		Lorin Maazel,
National Philharmonic Orchestra,
Ambrosian Opera Chorus 		Audio CD: Sony Classical
Cat: MT 76890
2004 Albert Montserrat,
Andrea Rola,
Halla Margret		 Tamás Pál,
Orchestra and Chorus Filarmonica Mediterranea,
(Video recording of a performance in the Grandi Terme di Villa Adriana, Roma as part of the Festival Euro Mediterraneo, 31 July) 		DVD: Kultur
Cat: D4064
2008 Carlo Torriani,
Miriam Cauchi,
Antonio Stragapede		 Joseph Debrincat,
Orkestra Nazzjonali, The Classique Chorus,
(Recorded at a concert in the Grandmaster's Palace, Valletta, Malta to mark the 150th anniversary of the birth of Giacomo Puccini. Narrator: Deborah Conti)		 Audio CD: Cameo Classics Cat: CC9040CD,
DVD: Documentary presented by Dr. Simonetta Puccini with film in Italy and video excerpts from the concert.

References

Notes

  1. ↑ Playing in the contrabass section of the orchestra that night was the 21-year-old Pietro Mascagni. Comitato Nazionale Celebrazioni Pucciniane
  2. ↑ Carner (1992) p. 40
  3. ↑ Dry (1904)
  4. ↑ Girardi (2002) p. 28
  5. ↑ Carner (1992) p. 336.
  6. ↑ Metropolitan Opera archives
  7. ↑ Corriere della Sera, 19 September 2004, p. 61
  8. ↑ Comitato Nazionale Celebrazioni Pucciniane
  9. ↑ Holden, p. 699
  10. ↑ Vienna State Opera Archives
  11. ↑ Sources disagree on this. Achille, Arturo, Alfredo and Giacomo Panizza have all been quoted as the conductor. As has Ettore Panizza, but he was only 9 years old at the time.
  12. ↑ Recordings of Le Villi on operadis-opera-discography.org.uk

Sources

External links

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