Link Wray (album)

Link Wray
Studio album by Link Wray
Released June 1971
Recorded by Ray Vernon at Wray's Shack Three Track, Accokeek, Maryland in 1971
Genre Roots rock, country rock, blues, folk rock, americana
Length 44:16
Label Polydor
Producer Steve Verroca, Ray Vernon, Bob Feldman
Link Wray chronology
Listen to the Voices That Want to Be Free
(1970)		 Link Wray
(1971)		 Mordicai Jones
(1971)

Link Wray is the self-titled 1971 album by pioneer Rock & Roll guitarist Link Wray. The music is an Americana blend of blues, country, gospel, and folk rock elements. This music is characterized by the purposeful use of simplified sounds to reflect the then-current vogue of blues and other roots music being used in many roots rock bands. Wray's guitar-work, composing and vocals reflected modern rock influences. Despite publicity from radio stations and print media in the Washington area, the album did not do well in national sales.

Some tracks from the album later surfaced on the compilation Guitar Preacher: The Polydor Years, and it was included in its entirety on 2CDs compilation Wray's Three Track Shack (Acadia/Evangeline Recorded Works Ltd./Universal Music, 2005) along with other "shack" recordings of '71 Beans and Fatback and Mordicai Jones.

The Neville Brothers later covered "Fire and Brimstone" on their album Yellow Moon, as did Nick Cave and Ralph Stanley for the soundtrack of the film Lawless. The band Calexico covered "Fallin' Rain" as bonus track on their album Feast of Wire. Karl Blau covered "Fallin' Rain" on his 2016 covers album Introducing Karl Blau [1]

Recording

The album was recorded in 1971 by Link's brother Vernon "Ray Vernon" Wray at "Wray's Shack Three Track", a three track studio Link Wray had converted from an old chicken shack on his farm in Accokeek, Maryland, and mixed by Chuck Irwin. During louder numbers, the recording team placed the speakers for Link Wray's guitar outside in the yard and miked the windows.[2] For a time no drum kit was available, so on several tracks the musicians stomped on the floor for the bass drum and shook a can of nails for the snare drum.[2]

Songwriter/co-producer/drummer Steve Verroca said that, "What we do is go into the shack and make music. We get the melody that way and then maybe write down some lyrics. Okay, it's a little unusual but that is what comes natural."[2]

Reception

Professional ratings
Review scores
SourceRating
Allmusic[3]

Because of the change in style from his earlier work, the album was poorly received by Link Wray's fan base.[3] Wray had anticipated this, and shortly before the album's release remarked, "In a way I couldn't care less if the album didn't sell a single copy. We're happy with it and we've done it our way."[2]

In their retrospective review, Allmusic criticized that the album as a whole "lacks the switchblade intensity of Wray's most famous music." However, they praised the album's passion and honesty, claimed that it had aged better than most country rock of the era, and commented that "the best songs speak eloquently of the hard facts of Wray's early life as a poor Shawnee child in the Deep South, and there's a humble back-porch stomp in this music that's heartfelt and immediate."[3]

Track listing

  1. "La De Da" (Steve Verroca) - 4:04
  2. "Take Me Home Jesus" (Verroca) - 3:21
  3. "Juke Box Mama" (Verroca) - 4:29
  4. "Rise and Fall of Jimmy Stokes" (Verroca) - 4:02
  5. "Fallin' Rain" (Link Wray) - 3:44
  6. "Fire and Brimstone" (Wray) - 4:21
  7. "Ice People" (Wray) - 3:03
  8. "God Out West" (Verroca) - 3:54
  9. "Crowbar" (Wray) - 4:48
  10. "Black River Swamp" (Wray) - 3:58
  11. "Tail Dragger" (Willie Dixon) - 4:32

Personnel

The Family

Production

References

  1. ↑ http://bellaunion.com/2016/02/introducing-karl-blau-due-130516
  2. 1 2 3 4 Meadows, Dick (28 August 1971). "Link: Doing it his Way". Sounds. Spotlight Publications. p. 8.
  3. 1 2 3 [Link Wray at AllMusic]
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