Luisa Lambri

Luisa Lambri (born 1969 in Como, Italy) is a Los Angeles and Milan based artist working with photography and film.

Education


Lambri grew up in Como where she was exposed to the architecture of Giuseppe Terragni. In particular the Sant'Elia kindergarten, the Casa del Fascio and the Novocomum made a strong impressions on her. She subsequently studied at the Department of Modern Foreign Languages and Literatures, University of Milan and received her PhD from the Department of Visual Arts, Music and Theater, University of Bologna, where she wrote her thesis on the work of Cindy Sherman.

Work

Focusing primarily on photography, occasionally film, Lambri's work is characterized by an engagement with a broad spectrum of subjects revolving around the human condition and its relationship to space such as the politics of representation, the history of abstract photography, Feminism, Modernism, identity and history.

Seeing Modernism as a mostly male dominated social/cultural construction, Lambri captures the houses/spaces of iconic male architects with a deconstructing (female) gaze. Her works see the social concepts of space, place and gender as relational and as a product of demarcation. Here gender and space are a temporary result of a development of attribution that forms and reproduces structures. Lambri's practice is that of delocalization to counter the structural principles of society. Instead of representing entire houses (by architects such as Alvar Aalto, Mies van der Rohe, Marcel Breuer, Richard Neutra, Oscar Niemayer, Luis Barragan, Le Corbusier, Frank Lloyd Wright, John Lautner, Rudolph Schindler, Giuseppe Terragni and others) the artist focuses on details, particularly windows, often light, closets or doors. Lambri has stated that her highly poetic abstractions do not represent the actual physical spaces she is photographing but rather introduce the experience of being in the spaces and being defined and reflected by both the physical but also the ideological weight of the structures.

Formally the works present themselves as lyrical and understated abstract compositions of lines, grids, which occasionally allow (undomesticated) organic material such a plants or flowers to take over the rigid forms. The minimal photographs reference abstract geometric painting from the early 20th century to evoke situations of transcendence and spirituality. The work is informed by such photographic pioneers as Paul Strand, Edward Weston or Tina Modotti and more contemporary artists such as Cindy Sherman or Vija Celmins. The Light and Space movement of Southern California, Brazilian neo-concrete art as well as Minimalism are frequent references. Recently Lambri photographed the work of Lygia Clark, Donald Judd and Robert Irwin.[1] Lambri cites Agnes Martin and Francesca Woodman as her main influences. Currently the artist is focusing on a new series of photographs based on the work of Brazilian landscape architect Roberto Burle Marx.

Lambri works in series, often spending several years researching just one building or one architect. She mostly concentrates on domestic architecture.

Since 2001 Lambri has been closely associated with the work of Japanese architects Kazuyo Sejima and Ryue Nishizawa of the architectural office SANAA. The artist has photographed most of the buildings of SANAA and dedicated a number of exhibitions to their work.

Lambri was awarded the Golden Lion at 48th Venice Biennial in 1999 for the display of her work in the Italian Pavilion.

Collections

Her work is present in some of the world's most important museum collections:

Exhibitions

Her photographs have appeared in many group and solo exhibitions around the world. Museums and art institutions that presented Lambri's work include:

J. Paul Getty Museum, Los Angeles; Fotomuseum Winterthur; Henry Art Gallery, Seattle; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art Detroit; Albright-Knox Art Gallery, Buffalo; Los Angeles County Museum of Art, Los Angeles; Wattis Institute for Contemporary Arts, San Francisco; The Blanton Museum of Art, Austin; Solomon R. Guggenheim Museum, New York; Museo Tamayo, Mexico City; Huis Marseille, Museum for Photography, Amsterdam; Museum of Contemporary Art, Chicago; Museum of Modern Art, São Paulo; Mills College Art Museum, Oakland; Museo d’Arte Moderna di Bologna; Palazzo Grassi, Venice; The Aldrich Contemporary Art Museum, Ridgefield; Centro Cultural Banco do Brasil, Rio de Janeiro; Henry Moore Institute, Leeds; Fondazione Sandretto Re Rebaudengo, Turin; Staatliche Kunstsammlungen Dresden; New Museum of Contemporary Art, New York; Rose Art Museum, Brandeis University, Waltham; Museum of Contemporary Art, Tokyo; Yokohama Museum of Modern Art; Palazzo delle Papesse, Siena; Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York; Galleria Nazionale d'Arte Moderna, Rome; Centre d’Art Contemporain Genève; Barbican Center, London.

She participated in a number of Biennials such as the 48th Venice Biennial, 1999; 50th Venice Biennial, 2003; 9th Venice Architecture Biennial, 2004; 6th Liverpool Biennial, 2008; 12th Venice Architecture Biennial, 2010, as well as the 9th Shanghai Biennale, 2012.[2]

Her first US solo exhibition took place at Institute of Visual Arts, University of Wisconsin-Milwaukee in 1999. Her first UK solo exhibition at Kettle's Yard, Cambridge University in 2000.[3] She had solo exhibitions at the Baltimore Museum of Art in 2007 and a two-person exhibition with Ernesto Neto at the Carnegie Museum of Art, Pittsburgh, 2006.[4]

In 2005 the Menil Collection in Houston organized her first survey exhibition.[5]

In 2010 the Hammer Museum in Los Angeles organized a retrospective of her work focusing on her photographs of West Coast architects.[6][7]

She was an artist-in-residence at the Isabella Stewart Gardner Museum in Boston (2009) where a mayor show of her work was presented in 2012.[8]

Residencies/Grants

2008 Residency: Isabella Stewart Gardner Museum, Boston, Massachusetts

2003 Residency: Colecção Teixeira de Freitas, Rio de Janeiro, Brazil

2002 Residency: MAK Center for Art and Architecture, Los Angeles, California; Travel Grant: Menil Collection. Tokyo, Japan

2000-2001 Residency: International Artists' Studio Program in Sweden, Stockholm, Sweden

1999-2000 Residency: Center for Contemporary Art, Kitakyushu, Japan. Travel Grant: Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Turin, Italy

1998-1999 Residency: Delfina Studio Trust, London

1998 Residency: Nordic Institute for Contemporary Art, Helsinki

Galleries

Lambri's work is represented by Marc Foxx, Los Angeles; Luhring Augustine, New York; Thomas Dane, London; Galeria Luisa Strina, São Paulo; Studio Guenzani, Milan; Gallery Koyanagi, Tokyo.

References

  1. ↑ http://tmagazine.blogs.nytimes.com/2012/11/14/pause-reflect-luisa-lambri-on-donald-judd/?_php=true&_type=blogs&_r=0
  2. ↑ "The Menil Collection". Retrieved 22 September 2014.
  3. ↑ http://www.kettlesyard.co.uk/exhibitions/archive/lambri.html
  4. ↑ http://www.artbma.org/press/documents/FrontRoomLuisaLambriRelease_000.pdf
  5. ↑ http://www.menil.org/exhibitions-past.html
  6. ↑ "Luisa Lambri: Being There - Hammer Museum". The Hammer Museum. 6 August 2014. Retrieved 22 September 2014.
  7. ↑ http://articles.latimes.com/2010/feb/28/entertainment/la-ca-lambri28-2010feb28
  8. ↑ "Isabella Stewart Gardner Museum". Retrieved 22 September 2014.
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