Maggie Jones (blues musician)

Maggie Jones
Also known as Fae Barnes
The Texas Nightingale
Born March 1894
Hillsboro, Texas, United States
Died Unknown
Genres Blues[1]
Occupation(s) Singer, pianist
Instruments Vocals, piano
Years active 1922–1933

Maggie Jones (March 1894—unknown)[2] was an American blues singer and pianist who recorded thirty-eight songs between 1923 and 1926. She was billed as "The Texas Nightingale".[1] Among her best-rememberd songs are "Single Woman's Blues", "Undertaker's Blues", and "Northbound Blues".[3]

Biography

She was born in Hillsboro, Texas.[2][3] Her birth name is sometimes given as Fae Barnes, and her year of birth as 1900, but researchers Bob Eagle and Eric LeBlanc state that she was born in 1894 and that "Fae Barnes" was a stage name.[2] She relocated to New York in 1922, where she performed in nightclubs. She appeared at the Princess Theater in Harrisburg, Pennsylvania, in 1922, and toured the Theater Owners Bookers Association circuit until about 1926.[4]

Her debut recording session was on July 26, 1923, for Black Swan Records, where she became the first singer from Texas to record. She recorded for career several record labels, including Black Swan, Victor, Pathé and Paramount, but most of her work was released by Columbia. On Black Swan and Paramount she was billed as Fae (or Faye) Barnes; on Pathé and Columbia she recorded as Maggie Jones. It is unknown whether the name change was due to marriage.[5]

Over a three-year period, she was accompanied by such notables as Louis Armstrong, Fletcher Henderson, Charlie Green, and Elmer Snowden. Jones is especially noted for the six sides on which she was backed by Henderson and Armstrong; the writer Derrick Stewart-Baxter singled out "Good Time Flat Blues" as "her masterpiece".[6] With Henderson and Green she recorded "North Bound Blues", which contained trenchant references to the South's Jim Crow laws that are unusual for a classic female blues singer.[6] In 1925, Jones recorded four songs written by Tom Delaney, including the track "If I Lose, Let Me Lose (Mamma Don't Mind)".[7] By October 3, 1926, Jones had cut her final disc. In 1927, she performed with the Clarence Muse Vaudeville Company and sang in Hall Johnson's choir, at the Roxy Theater in New York City.[4]

In 1928–1929, Jones appeared with Bill Robinson in the Broadway production of Lew Leslie's revue, Blackbirds of 1928, which toured the US and Canada.[4] She often worked outside the music industry, including co-owning a clothes store in New York. By the early 1930s Jones moved on to Dallas, Texas, and ran her own revue troupe which performed in Fort Worth, Texas. In 1934, she appeared in the All American Cabaret in Fort Worth. She subsequently disappeared from the public eye.[1][3]

Her total recording output is available on Maggie Jones, Vol. 1 (1923-1925) and Maggie Jones & Gladys Bentley: Complete Recorded Works, Vol. 2 (May 1925-June 1926)/Gladys Bentley (1928-1929).

See also

Notes

  1. 1 2 3 Lewis, Uncle Dave. "Maggie Jones". Allmusic. Retrieved January 25, 2010.
  2. 1 2 3 Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 523. ISBN 978-0313344237.
  3. 1 2 3 Head, James. "Maggie Jones". TSHA Online. Retrieved January 25, 2010.
  4. 1 2 3 Harris 1994, p. 295.
  5. ↑ Wilby 1995.
  6. 1 2 Stewart-Baxter 1970, p. 76.
  7. ↑ Eugene Chadbourne. "Tom Delaney : Artist Biography". Allmusic.com. Retrieved 2014-08-04.

References

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