Minóy

Minóy
Born Stanley Keith Bowsza
October 30, 1951
Died March 19, 2010
Nationality American
Known for Sound art, Noise Music, DIY
Movement Noise Music, Cassette culture, Power electronics, Art punk, Electroacoustic music Musique concrète

Minóy was the pseudonym of the electronic art musician and sound artist Stanley Keith Bowsza (October 30, 1951 - March 19, 2010). He was a major figure in the DIY noise music and homemade independent cassette culture scene of the 1980s.[1] He released over 100 compositions.[2]

Life and work

Stanley Keith Bowsza chose his pseudonym Minóy based upon how someone he met mispronounced the name of one of his favorite artists, the Catalan Surrealist Joan Miró. He is recognized as a master of controlled noise.[3] He lived and worked in Torrance, California.

Minóy produced some of the most remarkably engrossing, beautiful and imaginative work-of-art albums released on cassette in the 1980s, often with hand made covers.[4] Minóy was an agoraphobic but prolific noise artist intensely active in the music underground between the years 1986 and 1992. During that period he created many unique audio works in collaboration with other sound artists and mail artists.[5] Minóy was an avid mail collaborator, collaborating with noted experimental American composers such as PBK (Phillip B. Klingler) (also as Disco Splendor), If, Bwana (as Bwannoy), Damian Bisciglia a/k/a Agog (as No Mail On Sundays), Zan Hoffman (as Minóy\Zannóy), Dave Prescott (as PM), Not 1/2 (as El Angel Exterminador), and many others.[6]

But he is best known for his solo palimpsest-like multi-tracked soundscape compositions, production that follows the incorporation of electric sound into compositional practice similar at times to that of the Groupe de Recherches Musicales and John Cage's Williams Mix. A good example is his widely circulated dark ambient composition Tango that was released in 1988 on Tellus Audio Cassette Magazine’s Issue 20 entitled Media Myth.

His music is a form of labyrinthian droning collage electronics that produced an otherworldly effect. It is a form of highly textured, manipulated and layer noise that often creates a sonic painting-like effect. Many of his tape releases had only one or two compositions on them, thus allowing him the time to develop a theme and hypnotically immerse the listener in what were usually very powerful works of art.

His challenging, irritating at times, ambient musique concrète recordings were often created by echoing and multi-tracking sounds (like field recordings and short wave transmissions) into deep noisy ambient music. Sometimes he used a constant murmuring voice along with the found sounds or shrieks or staccato guitar bursts or the twitter of a toy mouth organ. His tapes were more often than not delicate yet powerfully embellished soundscapes.

Minóy’s audio agglomeration and sound manipulation was celebrated in 1991 when his image appeared on the cover of the July 1991 issue of Electronic Cottage magazine. He was profiled in the issue as well.

He stopped releasing his recordings in 1992.

In 2013, fellow composer and former collaborator PBK (Phillip B. Klingler) worked out a deal with Minoy's partner, Stuart Hass, to obtain Minoy's archive of recorded work. Discovered among the master tapes were recordings made in the years after Minoy stopped distributing his cassettes. Many of the unreleased works were released by various labels starting in 2013. In 2014 Punctum Records released some of this material on CD and cassette, accompanied by a Punctum Book on Minóy titled Minóy.[7]

Post-Minóy activity

Prior to Minóy's death in 2010, the photographer Maya Eidolon, in collaboration with Minóy (then known by the pseudonyms Haint or My Life as a Haint)[8] and Stuart Hass (Minóy’s lifetime partner), created a series of photographs of Minóy posing as King Lear.[9]

Minóy as My Life as a Haint also created a large series of digital art abstractions before his death and Maya Eidolon has created a montage animation of them called Infinity Arcade on vimeo.[10]

Partial list of recordings

Critical description & reception

See also

Footnotes

  1. ↑ Minóy 1992. Mail Art and Mail Music . In Robin James (Ed.) Cassette mythos. Brooklyn, NY: Autonomedia.
  2. ↑ "The Living Archive of Underground Music: Minoy". The Living Archive of Underground Music.
  3. ↑ "The Living Archive of Underground Music: Minoy: The passing of a legend.". The Living Archive of Underground Music.
  4. ↑ Joseph Nechvatal. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011, p. 47
  5. ↑ Produce, A., A short History of the Cassette. In Robin James (Ed.) Cassette mythos. Brooklyn, NY: Autonomedia.
  6. ↑ Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., 2012, p. 195
  7. ↑ Punctum Minóy publishing project
  8. ↑ "HAINT". Flickr - Photo Sharing!.
  9. ↑ KING LEAR. Vimeo.
  10. ↑ INFINITY ARCADE. Vimeo.

References

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