Nicholas Chare

Nicholas Chare
Residence Australia
Fields Gender studies
Institutions University of Melbourne
Known for Auschwitz and Afterimages: Abjection, Witnessing and Representation (2011)
After Francis Bacon: Synaesthesia and Sex in Paint (2012)
Notable awards 2007 Leverhulme Trust Award[1]
Website
Profile

Nicholas Chare is a professor of art history at the Université de Montréal. He received his Bachelor of Arts in English and the history of art from the University of Leeds in 1997, and his Master of Arts in the social history of art from the same institution in 1998.[2] He received his PhD from the University of Leeds in 2005.[2] He has served as an instructor at the University of Melbourne,[3] the University of Leeds, the University of Reading, the University of York, and Goldsmiths, University of London.[2]

He is the author of Auschwitz and Afterimages: Abjection, Witnessing and Representation, After Francis Bacon: Synaesthesia and Sex in Paint and co-editor of Representing Auschwitz: At the Margins of Testimony (2013).

Chare was a 2007 recipient of the Leverhulme Trust Award recognising his research into paintings by Francis Bacon.[1]

Works

Books

References

  1. 1 2 "Leverhulme Trust Awards". The Times. London: Times Newspapers Limited. 7 November 2007. p. 68; Section: Features. Nicholas Chare, BA, MA, PhD, Department of History of Art and Architecture, University of Reading, Hearing Francis Bacon's paintings
  2. 1 2 3 "Dr Nicholas Chare: Culture and Communication". Faculty of Arts: School of Culture and Communication. University of Melbourne. 2013. Retrieved 25 June 2013.
  3. ↑ McManus, Bridget (30 May 2013). "Sexism cops heat in the kitchen; Cover Story". The Age. Melbourne, Australia: The Age Company Limited. p. 7; Section: Green Guide.
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