Odd Bakkerud

Odd Bakkerud (1931–1989)[1][2] was a Norwegian fiddle player from Rukkedalen above Nesbyen in the Halling Valley,[3][4][5] Norway.[6]

Bakkerud first learned to play from the fiddler Jørgen Husemoen[1] from Nes and Kristian Øvrevollseie from Hol, and he soon became a noted dance fiddler. He also took lessons from Truls Ørpen[1] from Krødsherad, improving his playing style over time, distinguishing himself as an outstanding concert fiddler, where he was on par with Kjetil Løndal and Torleiv Bolstad. In the 1950s he played together with them in the Folk Music Association (Norwegian: Laget for folkemusikk) in Oslo.[2]

Bakkerud was at his artistic peak in the 1960s, and he won the national fiddling competition (Norwegian: Landskappleiken) in 1968[7] with the bravura piece Fanitullen (The Devil's Tune). Since then, his interpretation of the tune is the most widely used. His interpretation of the tune was recorded by the band Christiania Fusel & Blaagress headed by Øystein Sunde, and for many years the recording was the theme for the radio program Norsktoppen.

Fiddling competitions inspired Bakkerud to play at his best. He always prepared carefully for them, displaying personal and instrumental enthusiasm. His fiddling had a sonorous, pure, and strong tone, and he played clearly, precisely, and elegantly with a buoyant and catchy rhythm. He took care that his performance would be appealing for dancing.

Bakkerud helped train younger fiddle players; the foremost of these today is Øyvind Brabant from Nes, Buskerud in the Halling Valley.[2]

He was named a Norwegian government scholar in 1980.[2]

References

  1. 1 2 3 Store norske leksikon: Odd Bakkerud
  2. 1 2 3 4 Nes historielag. Lokalhistorie for Nes i Hallingdal. Speleman fra Nes.
  3. ↑ North Dakota, a Guide to the Northern Prairie State. 1938. Fargo, ND: Knight Printing Company, p. 79.
  4. ↑ Middleton, William D. 2000. Yet There Isn't a Train I Wouldn't Take. Bloomington: Indiana University Press, p. 114.
  5. ↑ Berman, Martha. 1993. Fielding's Scandinavia. New York: Fielding Travel Books, p. 298.
  6. ↑ Falck, Robert A., & Timothy Rice. 1982. Cross-Cultural Perspectives on Music. Toronto: University of Toronto Press, p. 147.
  7. ↑ Goertzen, Chris. 1997. Fiddling for Norway: Revival and Identity. Chicago: University of Chicago Press, p. 40.
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