Oxburgh Hangings

The Oxburgh Hangings are needlework hangings that are held in Oxburgh Hall, made by Mary, Queen of Scots and Bess of Hardwick.[1][2] The hangings were made between the years 1570 and approximately 1585.[2] An accomplished needlewoman, Bess of Hardwick joined Mary at Chatsworth House for extended periods in 1569, 1570, and 1571, during which time they worked together on the hangings.[3] At that time Mary was imprisoned, in the custody of the Earl of Shrewsbury.[2] The hangings' design was devised at her request.[4] The Oxburgh Hangings consist of green velvet hangings, each with a square centerpiece with octagonal panels of emblems of plants and animals surrounding it.[5][6] The hangings have been made into a wall hanging, two bed curtains and a valance, although these were probably not the original arrangement of the needlework, but instead most likely an arrangement sewn together in the late 17th century.[2] There is also a group of 33 embroideries which are the remains of another hanging.[2] The panels in the hangings, of which there are over a hundred, were made in cross stitch on canvas and applied to a green velvet background, and the designs of the panels were mostly based on four continental emblem books which Mary had; the panel designs were copied from wood-cut illustrations by well-known authors such as Claud Paradin, Conrad Gessner, and Pierre Belon.[2][4][6] Some of the panels' emblems include a phoenix (the symbol of Mary's mother Marie of Guise), and a dragon and a unicorn.[5] The panels made by Mary have her monogram, the letters MA superimposed on the Greek letter phi, and the panels made by Bess have the initials ES.[2]

The hangings are now part of the Victoria and Albert Museum, although they are on permanent long-term loan at Oxburgh Hall.[2]

Further reading

External links

References

  1. ↑ "The Oxburgh Hangings, panel".
  2. 1 2 3 4 5 6 7 8 "The Oxburgh Hangings".
  3. ↑ Digby, Elizabethan Embroidery, p. 58-63
  4. 1 2 "Bard Graduate Center: Decorative Arts, Design History, Material Culture - Galleries at the BGC - Main Gallery - Object of the Month - Pair of Gloves with Emblematic Decoration".
  5. 1 2 Elizabeth Mazzola (2009). Women's Wealth and Women's Writing in Early Modern England: 'little Legacies' and the Materials of Motherhood. Ashgate Publishing, Ltd. pp. 57–. ISBN 978-0-7546-6663-9.
  6. 1 2 Clive Tulley (1 January 1990). The Visitor's Guide to East Anglia. MPC. pp. 121–. ISBN 978-0-86190-356-6.
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