Pete Sears

Pete Sears
Born (1948-05-27) 27 May 1948
Origin Bromley, Kent, England
Instruments
  • Bass guitar
  • keyboards
Years active 1960s–present
Associated acts

Hot Tuna

Website petesears.com

Peter Roy Sears (born 27 May 1948) is an English rock musician. In a career spanning more than four decades he has been a member of many bands and has moved through a variety of musical genres, from early R&B, psychedelic improvisational rock of the 1960s, folk, country music, arena rock in the 1970s, and blues. He usually plays bass, keyboards, or both in bands.[1]

Sears played on the classic Rod Stewart albums Gasoline Alley,[2] Every Picture Tells A Story (which was listed high in Rolling Stone Magazine's top 500 best albums of all time), Never a Dull Moment,[2] and Smiler. He also played on the hit singles Maggie May, and Reason To Believe. During this period, Sears toured the US with Long John Baldry blues band, and played with John Cipollina in Copperhead.

Sears was with Jefferson Starship (1974 to 1984) and its offspring Starship (1985 to 1987).[2] He went on to play in the Jorma Kaukonen Trio with Kaukonen and Michael Falzarano. He also played with Kaukonen and Falzarano along with Jack Casady and Harvey Sorgen in Hot Tuna.

Sears has played with many other musicians through the years, including Dr. John, John Lee Hooker, Leigh Stephens and Micky Waller in Silver Metre; Long John Baldry, Copperhead with John Cipollina, Jerry Garcia, Steve Kimock, Bob Weir, Phil Lesh, Leftover Salmon, and Los Lobos.[3][4] Currently, he divides his time between the David Nelson Band and his main band Moonalice.

Sears has also written and recorded the original score for many documentary films, including the award winning "The Fight in the Fields" – Cesar Chávez and the Farmworkers Struggle directed by Emmy Award winning Ray Telles and Rick Tehada Flores. His most recent film, also directed by Ray Telles and co-produced by Ken Rabin is called "The Storm That Swept Mexico" about the Mexican Revolution which will air on National PBS in May 2011.

Career

Sears was born in Bromley, Kent. His career as a professional musician began in 1964, touring the United Kingdom with the band Sons of Fred. As well as playing classic British T.V. shows such as Ready Steady Go and Thank Your Lucky Stars, Sons of Fred also recorded at EMI's Abbey Road Studios in London. The records they released are now sought after by collectors.

He went on to play and record with many musical artists, including The Fleur De Lys in 1966, and the psychedelic underground band Sam Gopal Dream which featured guitarist Mick Hutchinson, Sears on bass and Hammond organ, and the Indian tabla player Sam Gopal. Jimi Hendrix once sat in with the band at the Speakeasy Club in London. Jimi Hendrix drummer Mitch Mitchell later asked Sears to play bass in a band he was forming while still playing with Hendrix in 1969.

Sears was a session musician during the late sixties, including recording piano with the blues band Steamhammer. Steamhammer would back up the legendary Freddie King when he toured the UK. In early 1969, Sears along with Terry Cox of Pentangle, Jeff Beck's drummer Micky Waller, Jimmy Litherland of Coloseum, John Wetton of King Crimson, and Pete York of the Spencer Davis Group, recorded a folk rock album with Marian Segal and Jade. The album, Fly on Strange Wings is considered one of the seminal British folk rock albums of the 1960s and is highly valued by collectors. Around this time Sears teamed up with original Fairport Convention singer, Judy Dyble, and Van Morrison's Them organist, Jackie McAuley, to form the band Trader Horne.

In the summer of 1969, he left Trader Horne just before they began recording. Blue Cheer guitarist Leigh Stephens invited him to the California for the first time.[2] Sears, Stephens, Micky Waller (drummer), and Jack Reynolds (singer) formed Silver Metre, recorded one album at Trident Studios in London, England, released on the National General label,[5] produced by their manager, FM rock radio pioneer Tom Donahue. After Silver Metre broke up, Sears had returned to England to play on the Rod Stewart album "Gasoline Alley".

Stoneground manager Tom Donahue recruited Sears in London,[6] during their Medicine Ball Caravan (1970) European tour[7] later returning to the Marin County with them to record their first album, also produced by Tom Donahue.

From 1970 through 1974, Sears returned to session work, including playing on Rod Stewart's early British solo albums, Gasoline Alley,[2] Every Picture Tells a Story including the hit singles "Maggie May" and "Reason To Believe", Never a Dull Moment,[2] and Smiler. He also played bass with the Long John Baldry Blues Band on their first tour of the US, and played bass and keyboards with John Cipollina in the band Copperhead.

Sears left Copperhead just before recording their first album to work on Rod Stewart's Never a Dull Moment album in London, but mainly to join a new band Nicky Hopkins was putting together. Hopkins, who was on tour with the Rolling Stones had rented Sears a house in Mill Valley, California until he finished with the Stones tour. However, Hopkins was ultimately unable to form the band due to ill health and a dislike of the road. Sears went on to co-produce, arrange the music and play on, Kathi McDonald's Insane Asylum album, using guest artists like Sly Stone, The Pointer Sisters, Nils Lofgren, Neal Schon, Aynsley Dunbar, and the Tower of Power horns. He also co-founded a band called Sears, Schon, Errico with Neal Schon and Greg Errico, playing the Diamond Head Crater Festival in Hawaii, as well as several California shows.

Sears spent two weeks recording with Ike Turner at Ike's studio, Bolic Sound in Los Angeles. Tina Turner came down one night and recorded vocals on some of the tracks they had recorded, including a version of George Harrison's song Something on which Turner changed the "she" to "he".

With Jefferson Starship and Hot Tuna

Main article: Jefferson Starship

In 1974, Sears joined Jefferson Starship,[2] replacing Peter Kaukonen and switching back and forth between bass and keyboards with his close friend, David Freiberg. He also wrote two or three songs per album with Grace Slick. Grace and Pete wrote the song Hyperdrive for the Dragon Fly album. Dragon Fly, made in 1974, was the first official "Jefferson Starship" release as a band. During the 1970s and early 1980s he would perform a ten-minute bass solo regardless of the size of the venue, even when playing to a 100,000 people in New York City's Central Park in 1975. Singer Grace Slick left the band after her non-appearance caused a riot in Germany in 1978; within months drummer John Barbata was severely injured in a car crash and the band's other singer, Marty Balin, also left. The band hired vocalist Mickey Thomas and, at Sears' suggestion, drummer Aynsley Dunbar. The band's musical direction changed, adopting a hard rock edge after Kantner hired rock producer Ron Nevison. Slick left the band for one album, Freedom at Point Zero and Sears' wife Jeannette Sears became one of the principal lyricists alongside Kantner, and Chaquico. Pete and Jeannette wrote some of the band's best-known songs, such as "Stranger", "Save Your Love", and "Winds of Change". Grace had rejoined by this time, and Sears remained with the band after the departure of leader Paul Kantner and the subsequent name change to "Starship", but he became increasingly at odds with the commercial direction the band was taking. Pete and Jeannette were working heavily on Central American human rights issues at this time, and wrote several songs on the subject that were considered by the band to be too political in nature for a mostly upbeat pop record. He played only bass on the double-platinum 1985 album Knee Deep in the Hoopla and finally left the group in 1987 shortly after appearing in the music video to "Nothing's Gonna Stop Us Now".[2] Starship went on to record several more albums with Austrian pop producer Peter Wolf and his wife Ina who had penned such AM radio hits as "Sara" and "No Way Out". After Sears left, the band became progressively more commercial, alienating a large portion of their old fan base.

In the early 90's Pete played keyboards with San Francisco based psychedelic,jazz,rock band ZERO. Pete has sat in with ZERO as recently as 2013.

From 1992 to 2001, Sears played keyboards with Jefferson Airplane's Jorma Kaukonen, and Jack Casady, in Hot Tuna. The band also included Michael Falzarano and Harvey Sorgen. They would sometimes tour as "The Jorma Kaukonen Trio" with Sears playing bass on the keyboards with his left hand. Sears sometimes teaches piano at Jorma Kaukonen's, Fur Peace Ranch guitar Camp in south eastern Ohio. In 2011, Hot Tuna flew Sears out to New York City to perform at Jorma Kaukonen's 70th birthday bash at the Beacon Theater. As well as his old Tuna band-mates, Sears played that night with Bob Weir, Steve Earle, and Oteil Burbridge.

Other collaborations

Through the years, he has recorded or performed with many other people, including Jerry Garcia, David Nelson, Warren Haynes, Leigh Stephens, Nick Gravenites, Peter Rowan, Steve Cropper, Roy Harper, Nicky Hopkins, Steve Kimock, Zydeco Flames, Ron Wood, Leftover Salmon, Eric McFadden, Betty Davis, Bob Weir, Mickey Hart, and Phil Lesh.

He has also worked live and in the studio and performed with John Lee Hooker, who wrote and recorded a song with Sears, called "Elizabeth". He has shared the stage with artists like Jimi Hendrix, The Allman Brothers, Los Lobos, Alvin Youngblood Hart, Sam Bush, Elvis Costello, Paul Butterfield, Michael Bloomfield, Levon Helm, the Grateful Dead, David Crosby, and Carlos Santana among others.

Sears' solo CDs include Watchfire[2] with guests Jerry Garcia, Babatunde Olatunji, David Grisman, Mickey Hart, Mimi Farina, and Holly Near. Along with Jeannette, who wrote the majority of the album's lyrics, Sears became involved with human rights issues in Central America during the 1980s, and led a highly successful radio drive to raise food and clothing for refugees from the civil wars of Guatemala and El Salvador sheltering in the bay area. They formed a non-profit video production company called "Watchfire Productions", with Mark Adler, Mary McCue Obrian, and Emmy award winning documentary film director Ray Telles, producing a music video about human rights abuses on the Mayas of Guatemala. The project was funded by Jerry Garcia and the Rex Foundation, the Tides Foundation, and Earth Island Institute. Hundreds of free copies of the video were distributed free of charge to human rights organisations around the world working to help stop the genocide in Central America. It was also aired extensively on the Canadian Much Music TV channel. During the mid-to late 1980s, Sears and singer songwriter, activist Mimi Farina, played at many benefits and protests in the San Francisco Bay Area in support of various Central American human rights, and environmental related causes. He once joined bluesman Nick Gravenites on the back of a flat bed truck, to drive down Market Street in San Francisco, playing the blues in support of nuclear disarmament, and protesting the US backed injustices in Central America. They were joined by a hundred thousand other peace marchers.

In 1988, a group of citizens from the Soviet Union marched across the USA as a show of support for peace and the end of the Cold War between the two countries. On 16 July 1988, a concert was held in the Band Shell in San Francisco's Golden Gate Park, organised by Ron Frazier and Bill McCarthy, who had hosted a previous event for the marchers in Los Angeles. Sears was asked to provide and organise the music for the event, so he invited his current band, ZERO, along with other musician friends including Jerry Garcia, whose band the Grateful Dead were performing later that night at the Greek Theater in Berkeley. Several Soviet rock bands, folk singers, and poets from the march also performed as well as two Tibeten drummers. Speeches were also held. http://www.phutube.com/jerry-garcia-band/jerry-garcia-with-zero-golden-gate-park-1988-think/

Sears performed at the Rock and Roll Hall of Fame tribute to John Lee Hooker at Stanford University as one of Hooker's guests. He also wrote a song with Hooker, "Elizabeth", which they performed live together in the studio on Sears' solo album The Long Haul.[8] The track, "Elizabeth" was the last "live in the studio" band performance with no overdubs that John Lee Hooker was to record before his death in July 2001. "The Long Haul" includes guests Davey Pattison, Charlie Musselwhite, Levon Helm, Jorma Kaukonen, Jack Casady, Steve Kimock, Francis Clay, Maria Muldaur, Wavy Gravy, Shanna Morrison, Rich Kirch and John Lee Hooker.

Pete Sears is now a full-time member of Moonalice and also plays with David Nelson Band and Harvey Mandel.

Jeannette Sears

Pete and his wife Jeannette met in 1971 and began their relationship as a songwriting team. They married in 1975 in Mill Valley, California.

They became active with numerous Central American relief organisations through the '80s, working on benefits and immediate relief to refugees. In the late 1980s they spearheaded a radio drive in the San Francisco Bay area to raise food and clothing for refugees fleeing the ravages of civil war in Guatemala and El Salvador. In 1988, the California Institute of Integral Studies gave them an award for humanitarian work in the Bay area. Her passion for social justice shows up in her first novel, A Light Rain of Grace.

Discography

Pete Sears appears on the following albums:[1]

Solo albums
with Sons of Fred
with Les Fleur de Lys
with Sam Gopal Dream 1967
with Steamhammer
with Jade (UK band)
with Silver Metre
with Stoneground
with Rod Stewart
with original Jefferson Starship
with Starship
with Hot Tuna
with Jorma Kaukonen
Guest Appearances

References

  1. 1 2 Pete Sears credits at AllMusic. Accessed 14 March 2011.
  2. 1 2 3 4 5 6 7 8 9 10 11 Selvin, Joel. (8 October 2001). "Starship Veteran Back On Course: Keyboardist's New CD Features All-Star Support". San Francisco Chronicle. Accessed 3 March 2011.
  3. ↑ Pete Sears on Xtreme Musician. Accessed 14 March 2011.
  4. ↑ Skidmore, Mick. (20 February 2002). "Pete Sears: In It for the Long Haul", jambands.com. Accessed 14 March 2011.
  5. ↑ Eyries, Patrice, David Edwards and Mike Callahan. (21 October 2005). National General Album Discography. Both Sides Now Publications. Accessed on 1 May 2014.
  6. ↑ Planer, Lindsay. "Stoneground – Review". Allmusic (Rovi Corporation). Retrieved 28 March 2010.
  7. ↑ Sippel, John (3 July 1971). "Weintraub's 'Ball' to Roll at L.A. Theater; Rock Artists' Odyssey". Billboard. Nielsen Business Media, Inc. 83 (27): 82. ISSN 0006-2510.
  8. ↑ Metzger, John. The Long Haul album review, The Music Box, July 2002. Accessed 14 March 2011.
  9. ↑ Marsh, Dave. (4 May 1978). Earth album review, Rolling Stone. Accessed 3 March 2011.
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