Punk Jews

Punk Jews

Punk Jews poster depicting Y-Love
Directed by Jesse Zook Mann
Produced by Saul Sudin
Evan Kleinman
Alexander Emanuele
Narrated by Evan Kleinman
Music by Shemspeed
Matt Dallow
Cinematography Ed Nescot
Edited by Alexander Emanuele
Distributed by Adon Olam Productions
National Center for Jewish Film
Release dates
December 11, 2012 (United States)
Running time
55 min 53 sec
Country United States
Language English
Budget $10,721

Punk Jews is a 2012 American documentary film directed by Jesse Zook Mann and produced by Saul Sudin (husband of Elke Reva Sudin, who appears in the film), Evan Kleinman, and Alexander Emanuele. The film profiles several non-traditional Orthodox Jewish artists, activists, and groups based in New York City.[1]

Summary

The film opens with Yishai Romanoff, lead singer of the Hasidic punk band Moshiach Oi!, standing on a rooftop saying, "Here's how you bring light into the world. You get up in the morning, and you scream, 'GOD!'", which he proceeds to demonstrate.

The film covers several unconventional Jewish artists, activists, and groups. Subjects include:

Background

Mann and Kleinman conceived of Punk Jews after being invited to a Cholent gathering at the Millinery Center Synagogue and subsequently becoming regulars. It was there that they were introduced to Jewish counterculture and met many of the film's subjects, as well as co-producer Saul Sudin.[2]

The film was funded via Kickstarter, earning $10,721 in donations, and was distributed by Adon Olam Productions and the National Center for Jewish Film.

Release

Punk Jews premiered at the Manhattan Jewish Community Center on December 11, 2012.[3] It subsequently premiered in Poland on April 25, 2013 at the Jewish Motifs International Film Festival.

Reception

The film has received mixed reviews, many praising its unique subject matter while critiquing its uneven tone and lack of cohesion. George Robinson of The Jewish Week called the film "competently crafted" and "suggestive in the best sense", but admitted that it "feels rather precipitous and definitely unfinished", as well as "a bit superficial".[3] Ezra Glinter of The Forward called the film's central idea of a unified Jewish counterculture "fanciful at best", saying "While many of these subjects are interesting separately, and a few might be worthy of full-length documentaries of their own, they don’t cohere as a single film."[4]

References

  1. Osgood, Kelsey (Dec 10, 2012). "Abrahamic Rockers". The New Yorker. Retrieved 30 September 2015.
  2. Leland, John (Mar 9, 2012). "The Orthodox Fringe". The New York Times. Retrieved 30 September 2015.
  3. 1 2 Robinson, George (Dec 4, 2012). "A Lens On Alt-Jews". The Jewish Week. Retrieved 30 September 2015.
  4. Glinter, Ezra (Dec 17, 2012). "I Think I've Been Sedated". The Forward. Retrieved 30 September 2015.
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