Robert Harris (poet)

Robert Harris (1951–1993) was an Australian poet

Life

Robert Harris was born in Melbourne. He was educated in Dovetown High School. He enlisted in the Australian Navy in 1968 during the Vietnam War. During the 1970s he spent time in a commune. He was married but separated from his wife in the 1980s with no children. He lived in Sydney in the later part of his life.

Harris died in 1993 of a heart attack or influenza. His obituary in The Sydney Morning Herald stated that "he followed his own poetic path with little regard for the niceties of a literary career." A friend wrote "Robert Harris had only known two things in his short life: poverty and poetry. He knew poetry would get him, and it did."[1]

Harris was involved in literary magazines as an author and as an editor. He worked as an editor for New Poetry magazine and for Overland magazine.[2] Five books of his poetry were published.

His manuscript papers are held at the Australian National Library.[3]

Themes and subject matter

David Malouf wrote that Harris understands that "poetry is one of the last remaining activities in which reverence is paid, in which the holiness of things is recognised in a way that may be essential to the fullest expression of what we are."[4] Through his friendship with Sydney poet and singer Michael Driscoll, Harris became converted to charismatic Christianity, which informed the poems in A Cloud Passes Over, and later became a confirmed Anglican, which informed the poems in Jane, Interlinear.

The device of material presented as a kind of translation bookmarked his efforts with Translations from the Albatross and Jane, Interlinear. It provided a mechanism for expanding the vocabulary and musicality of the pieces. Poems such as Do I think we could have won, Signs & Wonders and O'Hara show a longing for softness and a relief from despair in himself and others, an eye for the underdog. Events and localities often frame or stimulated his poetry, for example New York, Sydney and country New South Wales. Isaiah by Kerosene Lantern Light from The Cloud Passes Over has many of Harris' themes: the memory of a friend, the locality (a tent), the contrast of the mild and the nasty (heresy hunter), the book as a thing that demands response.

In around 1990, he traveled to England to study Lady Jane Grey and visit the original locations.

He became progressively more interested in using poetry cycles, seeing a tendency in Australian contemporary poetry towards safety or lack of ambition. He responded to criticism that he was over-ambitious with the acerbic poem High & Low from The Cloud Passes Over which begins with a reference from a New Testament verse Ephesians 1.3 "Do I reach to high,/ will the judgment which I come under/ be therefore greater?" but he is revealed to be reaching for an empty glass in a pub as a menial glass-collector. Cycles also gave Harris an opportunity to deal with less autobiographical material and less parochial or obscure subjects than in his vignette-like shorter poems as found in The cloud passes over.

In his final book, these cycles were:

Appreciation

In the article on Australia in The Oxford Guide to Contemporary World Literature[6] Peter Craven says of Harris that he:

wrote distinguished work and, at the end of his life, a masterpiece Jane, Interlinear and Other Poems.

Poet Jill Jones wrote[7] concerning neglected masterpieces:

And poetry? Well, I don’t think you can go past Robert Harris’s Jane, Interlinear and Other Poems. So much guff gets talked about this ‘n that these days. Harris’s book is the real deal.

Writer David Malouf is quoted in Harris' obituary:[8]

One of the most talented poets of his generation.

He is the subject of a poem by Tim Thorne, The Living Are Left with Imagined Lives,[9] and also Et in Acadia Ego.[10] He is a subject of a poem in Weeping for Lost Babylon by Eric Beach.[11] He is a subject in a poem The Ghost of John Forbes by Dorothy Hewett. Noting an (unidentified) poem by Robert Adamson, a critic wrote in 1994 "Can the anthology of elegies for Robert Harris be far off?"[12]

His poems have been included in the New Oxford Book of Australian Verse (The Enthusiast, Riding over Belmore Park, Tambaroora Remembers), the Oxford Book of Australian Religious Verse (The Eagle), and Chapters into verse : poetry in English inspired by the Bible (Isaiah by Kerosene Lantern Light).

His essay The Carriers Off of the Dead has been included in the Oxford Book of Australian Essays.[13]

Robert Adamson judges the Robert Harris Ulitarra Poetry Prize.

Prizes

Harris received four literary grants in the 1970s.

Bibliography

References

  1. ↑ "Barry Dickins, Poetic justice? None in a country that shuts its ears to the word". Bunberg Mail. 21 February 2009.
  2. ↑ "Australian Literature Resources".
  3. ↑ "nla.gov.au/nla.cat-vn4326654".
  4. ↑ Back Cover, Jane Interlinear and Other Poems
  5. ↑ "www.abc.net.au/rn/poetica/stories/2008/2312016.htm".
  6. ↑ The Oxford guide to contemporary world literature. p. 46.
  7. ↑ (2005)
  8. ↑ Poet's shining career cut short (Obituary), Sydney Morning Herald, 27 March 1993, p9
  9. ↑ "walleahpress.com.au/FR35Thorne.html".
  10. ↑ "www.cordite.org.au/reviews/liam-ferney-reviews-tim-thorne".
  11. ↑ "www.the-write-stuff.com.au/archives/vol-2/weeping.html".
  12. ↑ Michelle Griffin (November 1994). "A shape changer". Australian Book Review.
  13. ↑ "The Oxford Book of Australian Essays".
  14. ↑ "www.paperbarkpress.com/catalogue/Jane.htm".

External links

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