Robert Murray Gilchrist

Photograph of the author that appeared in a book published in 1903.

Robert Murray Gilchrist (6 January 1867 – 1917) was an English novelist and author of regional interest books about the Peak District. He is best known today for his decadent and Gothic short fiction.

In his lifetime he published some 100 short stories, 22 novels, six story collections, and four non-fiction books.[1]

Biography

Gilchrist was born in Sheffield, England, the second son of Robert Murray Gilchrist and Isabella. He never married. He was educated at Sheffield Royal Grammar School and later privately. He worked briefly for noted editor William Ernest Henley (1849–1903) at National Observer (formerly The Scots Observer). He lived for much of his life in the North Derbyshire village of Holmesfield, living with his mother and a male companion at Cartledge Hall. From 1893-97, he lived in a remote part of the Peak District and some sources say he lived a few months in Paris, France.[2] He began his writing career in 1890 with the publication of his first novel, Passion the Plaything. He contributed short stories to many periodicals, including The Temple Bar, Home Chimes and Yellow Book. A productive writer, he published 22 novels, six short story collections, four regional interest books and one play (posthumously). During World War I, he was noted for his charitable assistance to Belgian refugees, many of whom attended his funeral in 1917.[3]

Literary Work

English novelist and regional writer, Robert Murray Gilchrist never achieved the recognition his colleagues and many critics thought he deserved. His friend, Eden Phillpotts wrote that "no record or estimate of the conte in English letters can be complete without study of his contributions thereto."[4] He dedicated his story collection, The Striking Hours, to Gilchrist calling him "the master of the short story." Gilchrist's first story collection failed to draw much attention, and while he occasionally published short stories all of his life, including one, "The Crimson Weaver" in the celebrated magazine, Yellow Book, the bulk of his output was his twenty-two novels, in addition to his six story collections, a play and four regional guide books. He was friends with many noted writers including Phillpotts, William Sharp (Fiona MacLeod) and Hugh Walpole. He worked for noted editor and writer, William Ernest Henley, and he corresponded with Larner Sugden, Kineton Parkes and occasionally H.G. Wells.

Like his better-known contemporary, Vernon Lee, Victorian writer Gilchrist’s modern revival started with less than two dozen strange tales. Virtually forgotten until horror anthologist Hugh Lamb reprinted his stories in the 1970s, his work fills unique gaps in the realm of fin-de-siècle Gothic fiction, a space inhabited by Stevenson, Wilde, Stoker, Vernon Lee, Arthur Machen, Eric Stenbock and Richard Marsh.[5] It reframes traditional Gothic sensationalism and spatial with refinement, subtlety and. using the large body of existing Gothic criticism and text, his position in the fin-de-siecle world can be delineated and the high values of his original work can be made visible.[5]

Gilchrist’s first story collection, The Stone Dragon and Other Tragic Romances (1894) failed to draw much attention, and while he occasionally published short stories all his life, the bulk of his output was a score of novels, two plays and two travel guide books. His modern revival began in the mid-1970s when Hugh Lamb started a crusade to renew interest in the Sheffield writer. Lamb successively published five of his Gothic tales in his series of Victorian horror anthologies. Lamb argued that Gilchrist was "an unrecognised master of the macabre story" and that The Stone Dragon and Other Tragic Romances was "a book of the most remarkable and subtle fiction ever published".[6] Jack Sullivan in The Penguin Encyclopedia of Horror and the Supernatural described Gilchrist as "a neglected master of horror who deserves revival".[5] Michele Slung, introducing Gilchrist's story "The Basilisk", claimed that "this lush piece of nineteenth century prose has an almost operatic quality" and that the story contained "layers of even more suggestive meaning".[7] Brian Stableford selected three of his tales for The Dedalus Book of Decadence: Moral Ruins (1992). In 1998, the Charon Press reprinted the rare story collection, The Stone Dragon, followed by the larger Ash Tree Press collection, The Basilisk and Other Tales of Dread in 2003. In the early part of this century, two articles about Gilchrist appeared in All Hallows, the Canadian-based journal of the Ghost Story Society. His regional interest book, The Dukeries, was reprinted in 2001 and 2009.

Bibliography

Wikisource has original works written by or about:
Robert Murray Gilchrist

Novels

Story Collections

Plays

Nonfiction

References

  1. ↑ Bush, Laurence (2011) "Robert Murray Gilchrist (1868-1917): Lost among Genres and Genders" The Victorian Web. Retrieved 21 September 2013.
  2. ↑ Addison, Henry Robert and Charles Henry Oakes, William John Lawson, Douglas Brooke, Wheelton Sladen (eds.). Who's Who: An Annual Biographical Dictionary. New York: The MacMillan Company, 1903.
  3. ↑ Kemp, Sandra (ed.). The Oxford Companion to Edwardian Fiction. New York: Oxford University Press, 2001.
  4. ↑ Phillpotts, Eden (ed.) A Peakland Faggot. London: Faber and Gwyer, 1926.
  5. 1 2 3 Jack Sullivan, The Penguin encyclopedia of horror and the supernatural New York, N.Y., U.S.A. : Viking, 1986. ISBN 0670809020 (p. 171).
  6. ↑ Hugh Lamb, Tales from a Gas-Lit Graveyard. Dover Publications, (Reprint) ISBN 048643429X (pp. 142-143).
  7. ↑ Michele Slung, I Shudder at your Touch : 22 Tales of Sex and Horror. New York : ROC, 1991. ISBN 0451450795
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