Sid Field

This article is about the British comedian. For the American writer and screenwriting guru, see Syd Field. For the American comedian who worked with Abbott and Costello, see Sidney Fields.

Sidney Arthur "Sid" Field (1 April 1904 – 3 February 1950) was an English comedy entertainer who was popular in the 1940s.

Sid Field in 1949

Early years

He was born in Ladywood, Birmingham, Warwickshire, son of Albert (a canemaker) and Bertha (a dressmaker). Field spent most of his childhood at 152 Osborn Road, Sparkbrook, Birmingham. He had entertainment in his blood from an early age. As a child he charged his friends "admission" to his back garden impression shows. Also, he was busking and performing to the lines at his local cinema dressed as Charlie Chaplin (once being cautioned by police for his activities). Field was later praised by Chaplin himself, at whose parties Field was a regular invitee.

Field grew up in Birmingham, where he was educated at Conway Road, Stratford Road and Golden Hillock Road schools, and attended Sunday school at Emmanuel Church, Walford Road. His cousins, "the Workmans", performed in concerts at Moseley Road Swimming Baths in the city, where Field made his stage debut, singing "What A Life" at the age of nine.

His first professional engagement, with "The Kino Royal Juveniles", at seven shillings and sixpence (37½p) per week, came in July 1916, after his mother responded to an advert in the Birmingham Mail. He later worked as an understudy to ventriloquist Wee Georgie Wood in a Birmingham pantomime, then appeared in review at the Bordesley Palace and the Mission Hall in Church Road, Yardley. To assuage the young Sid's stage fright, Bertha gave him a glass of port to drink: by the age of 13, he was dependent on alcohol.[1]

He was godfather to John Blackburn.

Success and legacy

Field was unusual among comedy performers of the day, as his act was a multitude of characters and impersonations, at a time when most variety (vaudeville) acts were "one trick ponies". Despite this comedic and acting flair, it was not until he had spent decades touring provincial music halls that Field finally broke into the big time, appearing in London's West End as Slasher Green, the Cockney "wide boy" or "spiv". He became an "overnight" star.

In Strike a New Note (1943), Strike it Again (1944) and Piccadilly Hayride (1946), he had his audiences roaring with laughter. One reviewer commented that he was the only comedian who had the audience literally "falling off their seats with laughter". He was loved for his routines involving a naive approach to the billiards table and the golf course, played with his straight man, Jerry Desmonde. (For example, Desmonde, sternly, as golf pro: "Address the ball!" Field: (trying hard) "...Dear Ball....") Terry-Thomas acted as compere for the shows, and appeared with Field in one of the sketches.[2]

On 5 November 1945, Field appeared in the Royal Variety Performance. Appearing again in 1946, he became one of the few artists to make an appearance in two consecutive Royal Performances. 18 months later in 1948, Field was topping the bill at the London Palladium, replacing Mickey Rooney.

Field had a starring role in That's the Ticket (1940) but London Town (1946) is often referred to as his first film in error. Some of his best remembered sketches are preserved here. Field made another film in 1947, The Cardboard Cavalier (as Sidcup Buttermeadow), co-starring with Margaret Lockwood. However, the cinematic world was not Field's most effective medium, and his films were neither critical nor commercial successes.

It is perhaps because of this lack of recorded material, that Field is now largely forgotten. Only the three films and some recorded variety material survive. He inspired a generation of comedians and pioneered the use of character acting in comedy. He was cited as a comic favourite by Tony Hancock (an influence too), Eric Morecambe, Eric Sykes, Frankie Howerd and Tommy Cooper, among many others, and he was described by Bob Hope as being 'probably the best comedian of them all.' Laurence Olivier, during an interview with Kenneth Tynan in 1966, cited Field as a strong influence on his acting, saying, ‘Of all people I have ever watched with the greatest delight, I think, was in another field entirely, was Sid Field… I still borrow from him, freely and unashamedly.’[3]

His first straight role came in 1950 in Mary Chase's play Harvey, (as Elwood P. Dowd, the role played in the 1950 film by James Stewart). On 3 February 1950, during the run of this play, Field died from a heart attack at his home in Richmond, Surrey. He was aged only 45. He is survived by a daughter, Diane Abbott of Hastings in Sussex, England, and a son, John Nicholas Field of Santa Ana, CA, USA, and their children: Katy, Sarah, and Matthew Abbott, and Vita and Joa Chester's-Field. Another daughter, Elaine, is deceased.

Later that month, a memorial service was held at London's St Martin-in-the-Fields, with lessons read by Laurence Olivier and Ted Ray. A midnight matinee benefit for his wife and children, held on 25 June 1951, was attended by the Duchess of Kent, Aneurin Bevan and Noël Coward. The cast list included Jack Hylton, Bud Flanagan, Arthur Askey, Tommy Trinder, all six of the original Crazy Gang, Peter Ustinov, George Robey and many more, totalling over 240.

There is a blue plaque commemorating Sid Field on the front of 152 Osborn Road, where he grew up, and a memorial in the foyer of the Prince of Wales Theatre in London, which says:

To the memory of the great comedian Sid Field, who made his first appearance in the West End at this theatre on 18 March 1943 and who played his last performance here on 2 February 1950.

In 1994 the actor David Suchet played Sid Field in a stage play of his life ('What a Performance'), and in October 2011 Suchet followed this up as the presenter of a BBC4 documentary about Sid Field. In the programme Suchet meets stars such as Eric Sykes, Leslie Phillips and Nicholas Parsons who remember Sid's epic stage shows.

Prince of Wales Theatre shows

Film appearances

References

  1. ↑ Goodwin 1999, p. 86.
  2. ↑ Hope-Hawkins & Nicholls 2004.
  3. ↑ "Sir Laurence Olivier : Great Acting 1966 Interview with Kenneth Tynan". youtube.com.

Bibliography

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