The Aluminum Group

For the furniture line, see Eames Aluminum Group.
The Aluminum Group
Origin Chicago, Illinois, United States
Genres Pop
Years active 1989 (1989)–present
Labels Minty Fresh
Hefty
Wishing Tree
P-Vine
Members John Navin
Frank Navin
Past members John Ridenour
Liz Conant
Eddie Carlson
John Blaha

The Aluminum Group is an American pop band from Chicago, Illinois centered on brothers John and Frank Navin. The band has released seven albums on the Minty Fresh, Hefty, Wishing Tree, and P-Vine labels.

History

The Navin brothers grew up in Detroit, moving to Chicago in 1979.[1] In Chicago, they formed their first band in 1982, the hardcore punk band Women In Love.[1][2][3][4][5] In 1985, they left the band, increasingly becoming interested in softer pop music. They formed a new performance art group together, Bleak House, and in 1989 started working together on what would evolve into The Aluminum Group.[1] The band's name is taken from a line of furniture by Charles and Ray Eames.[6][7] The early line-up of the band included Eddie Carlson (Poi Dog Pondering) on bass and Liz Conant on keyboards.[1] The band took inspiration from British groups of the early 1980s such as Everything but the Girl, Marine Girls and The Monochrome Set, as well as The Carpenters and Claudine Longet.[2]

The brothers self-released their debut album, Wonder Boy, in 1995, described by Allmusic writer Stewart Mason as "a soft pop gem".[7][8] Their second album, Plano, was produced by Dave Trumfio, and in the view of Jason Ankeny "resonates with a timeless and heartbreaking beauty".[9][10] The album featured guitarist John Ridenour and their former Women in Love bandmate, drummer John Blaha, as well as guest appearances from musicians including Sally Timms.[1] The album was released by the Minty Fresh label, who would also release the band's next album.[1] For the band's third album, Pedals, they worked with Jim O'Rourke, the album also featuring Timms and Sean O'Hagan, the band now signed to Hefty Records.[7][11] In 2002, the brothers contributed to the album The Executioners Last Songs, in aid of Artists Against the Death Penalty and the Illinois Coalition Against the Death Penalty.[12] On their fourth album Pelo they worked with producer John Herndon, and introduced more electronic elements to the band's sound.[13]

The band's fifth album, Happyness (2002), was the first in a trilogy, and was described as "postmodernist pop music that sounds simultaneously cutting edge, retro, and utterly timeless".[14] The second in the series, Morehappyness (2003), included contributions from members of Tortoise and The Sea & Cake.[15][16][17] The trilogy was completed with Little Happyness (2008).[18]

The band is the subject of Patrick McGuinn's documentary film The Pursuit of Happyness.

Musical style

The band's music has been described as "indie pop",[19] "bliss-pop"/"chamber pop",[3][8][20] "lounge tunes with a new wave bent",[7] and "space pop".[21] with comparisons being made with Eric Matthews, Belle & Sebastian, Holiday, The Divine Comedy, The Magnetic Fields, and Stereolab.[8][20][22][23] The Riverfront Times described the band's music as "a potent cocktail of atmospheric electronica, slinky soul and old-school easy-listening".[2] SPIN, reviewing Pedals, identified elements of lounge music, bossa nova, and yé yé.[24]

Both Navin brothers are gay, and this is reflected in the band's lyrical themes.[9][15][25]

Discography

Albums

Compilations

Singles, EPs

References

  1. 1 2 3 4 5 6 Margasak, Peter (1998) "A Minty Fresh Start: Aluminum Group/Sweetness and Bite", Chicago Reader, August 6, 1998, retrieved 2012-01-09
  2. 1 2 3 Spencer Saller, Renato (2001) "Brother Act", Riverfront Times, October 10, 2001, retrieved 2012-01-08
  3. 1 2 Ankeny, Jason "Aluminum Group Biography", Allmusic, retrieved 2012-01-08
  4. ↑ Amorosi, A.D. (1999) "Tin Men", Philadelphia Citypaper, December 2–9, 1999, retrieved 2012-01-09
  5. ↑ McLeod, Kembrew (1998) "Aluminum Group Making Beautiful Music Together", VH1, 12.10.1998, retrieved 2012-01-09
  6. ↑ The New Yorker, Volume 78, Issues 41-46
  7. 1 2 3 4 Walters, Barry (1999) "Sibling Revelry", The Advocate, October 12, 1999, p. 67-8, retrieved 2012-01-08
  8. 1 2 3 Mason, Stewart "Wonder Boy Review", Allmusic, retrieved 2012-01-08
  9. 1 2 Ankeny, Jason "Plano Review", Allmusic, retrieved 2012-01-08
  10. ↑ Richards, David (1999) "Minty Fresh's Floraline Gives '80s-Style Pop a New Spin for the Present", Billboard, May 1, 1999, p. 16, retrieved 2012-01-08
  11. ↑ Porter, Christopher (2000) "Old New Romantics", Washington Citypaper, November 24, 2000, retrieved 2012-01-09
  12. ↑ Morris, Chris (2002) "Declarations Of Independents", Billboard, February 16, 2002, p. 56, retrieved 2012-01-08
  13. ↑ Ankeny, Jason "Pelo Review", Allmusic, retrieved 2012-01-08
  14. ↑ Ankeny, Jason "Happyness Review", Allmusic, retrieved 2012-01-08
  15. 1 2 Bruno, Franklin (2003) "The Aluminum Group More Happyness", CMJ New Music Monthly, November 2003, p. 58, retrieved 2012-01-08
  16. ↑ Loftus, Johnny "Morehappyness Review", Allmusic, retrieved 2012-01-08
  17. ↑ Paoletta, Michael (2004) "The Aluminum Group MoreHappyness", Billboard, February 7, 2004, p. 38, retrieved 2012-01-09
  18. ↑ Tangari, Joe (2008) "The Aluminum Group Little Happyness", Pitchfork Media, March 5, 2008, retrieved 2012-01-08
  19. ↑ "Incoming", SPIN, October 1998, p. 46, retrieved 2012-01-08
  20. 1 2 Hermann, Andy (2003) "The Aluminum Group: Happyness", PopMatters, January 31, 2003, retrieved 2012-01-08
  21. ↑ Walters, Barry (2000) "Aluminum Group Pelo", Out, December 2000, p. 32, retrieved 2012-01-08
  22. ↑ Zupko, Sarah "The Aluminum Group: Plano", PopMatters, retrieved 2012-01-08
  23. ↑ "CD Reviews: Aluminum Group Shows its Mastery of Curveball", The Virginian-Pilot, January 20, 2000, p. E12
  24. ↑ "The Aluminum Group Pedals", SPIN, December 1999, retrieved 2012-01-08
  25. ↑ Amorosi, A.D. (1999) "The Aluminum Group Pedals", Philadelphia Citypaper, September 9–16, 1999, retrieved 2012-01-08
This article is issued from Wikipedia - version of the 11/7/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.