The Jaws of Life

The Jaws of Life
Studio album by Hunters & Collectors
Released 6 August 1984 (1984-08-06)
Recorded 10 March–10 April 1984
Can's Studio, Weilerswist, Germany
Genre Rock
Length 59:49
Label White/Mushroom (AUS/NZ)
Epic (UK/Europe)
Slash (US/Canada)
Producer Konrad Plank, Hunters & Collectors
Hunters & Collectors chronology
The Fireman's Curse
(1983)		 The Jaws of Life
(1984)		 The Way To Go Out
(1985)
Singles from Hunters & Collectors
  1. "The Slab"
    Released: August 1984
  2. "Carry Me"
    Released: 1984
The Jaws of Life
1991 version (White Label/Mushroom)

The Jaws of Life is the third studio album by Australian rock band, Hunters & Collectors, which was released on 6 August 1984. It was co-produced by Konrad Plank and the band in Weilerswist, Germany. The album peaked at No. 89 on the Australian Kent Music Report Albums Chart and No. 37 on the New Zealand Albums Chart. The only Australian single from the album, "The Slab" ("Betty's Worry")/"Carry Me", was released as a Double A sided single, in August but failed to chart on the Australian or New Zealand singles charts.

Background

Late in 1983, Hunters & Collectors had briefly disbanded, but soon reformed without Martin Lubran and Greg Perano.[1][2] Mark Seymour (guitar and lead vocals) explained to The Canberra Times' Neil Lade why the group had reconvened "[we] have something valuable to offer the Australian music scene".[3] According to Doug Falconer, the group's drummer, the album "was written in about a month and a half after the band returned to Australia" in the previous December.[4] He recalled that they had wanted "to have a bit of a change of style, a change of atmosphere, it (the writing) was getting too heavy handed".[4] He felt the band were "a much happier unit".[4]

The 1984 line-up now featured greater use of keyboards by Geoff Crosby, as well as more emphasis on their horn section of Jack Howard on trumpet and backing vocals, Jeremy Smith on French horn and Michael Waters on trombone.[1] The band began to pare back their art rock pretensions of their earliest albums, although they retained a muscular, bass-driven sound, rounded off by the band's distinctive horn section. Seymour's lyrics became less abstruse and focused on the twin themes of the fraught personal relationships and the politics of the day.[5]

The Jaws of Life, their third studio album, was issued on 6 August 1984 on White Label/Mushroom Records.[1][2] Like their previous album, The Fireman's Curse (1983), it was co-produced with Konrad Plank (Can, Cluster, Kraftwerk),[2] but this time it was recorded at Can's Studio with René Tinner engineering. The title, cover art and opening track, "42 Wheels", all refer to the murder of five people by an intoxicated, outback trucker, Douglas Crabbe.[3][6][7]

The album reached No. 89 on the Australia Album charts and No. 37 on the New Zealand charts.[8][9] The first single from the album, "The Slab", having being renamed from its original title of "Betty's Worry or The Slab", was also released in August, as a Double A-sided single, with "Carry Me" but failed to chart.[1][8] "Carry Me" was released in the UK as a separate single (both in a 7" and 12" format). Nevertheless, as a result of relentless touring, airplay on radio station Triple J plus their music videos screening on Countdown and other music video shows, the group fostered a devoted following on the pub rock scene.

In the UK the album was released on the Epic Records label, where according to Michael Waters, "it got favorable reviews, but it just didn't sell."[10] In North America it was released by Slash Records.[11]

In July 1991 The Jaws of Life was re-issued on CD by White Label Records/Mushroom Records, with the inclusion of a further four tracks from an earlier extended play, Payload (November 1982). The album was subsequently re-issued on CD by Phantom Records in the United Kingdom on 26 November 2002 and was re-mastered and re-released by Liberation Music on 11 August 2003.

Reception

Professional ratings
Review scores
SourceRating
Allmusic[12]

Australian musicologist, Ian McFarlane, described The Jaws of Life as having "a stripped-down rock sound, a driving rhythm, more concise arrangements and stronger songs".[1] While Toby Creswell writing for Rolling Stone felt its "aesthetic push ranged from the barrenness and isolation of outback Australia to the beer-swilling machismo of the suburbs".[1]

Neil Lade of The Canberra Times noted that the "music is abrasive but creative. Full of raw energy and power. Not particularly pretty but incredibly satisfying. Be warned: if you're heavily committed, to the gentle and conventional, you'd best veer away".[3] Allmusic's Bill Cassel felt "their more ambitious artistic impulses were harnessed to melodic, concise, and structured songs" which delivered "a superior and highly recommended record".[12]

Michael Witheford of TimeOut Melbourne describes the album as being "almost a concept record; the soundscape of a drive over the West Gate Bridge towards the refineries and container docks and far beyond. Always sweat, heavy lifting, beer and the cleansing offered by the temporary deliverance of sex and the support of a woman to wipe the steaming brow and carry home the hopeless barfly", making for "a taut and emotionally explosive tour de force of an album."[13]

Track listing

All tracks written by John Archer, Geoff Crosby, Doug Falconer, Robert Miles, Mark Seymour, Michael Waters;[14][15] unless otherwise indicated. 

1984 White Label Records release
No.TitleLength
1."42 Wheels" (Archer, Crosby, Falconer, Jack Howard, Miles, Seymour, Waters)3:18
2."Holding Down a D"  3:40
3."Way to Go Out" (Archer, Crosby, Falconer, Howard, Miles, Seymour, Waters)3:21
4."I Couldn't Give It to You"  3:31
5."It's Early Days Yet"  2:54
6."I Believe" (Ray Charles)2:54
7."Betty's Worry or The Slab"  3:55
8."Hayley's Doorstep"  5:35
9."Red Lane"  3:44
10."Carry Me"  4:10
11."Little Chalkie" (Archer, Crosby, Falconer, Martin Lubran, Miles, Greg Perano, Seymour, Waters)3:25
Total length:59:49

All tracks written by John Archer, Geoff Crosby, Doug Falconer, Robert Miles, Mark Seymour, Michael Waters;[14][15] unless otherwise indicated. 

Personnel

Credited to:[2]

Hunters & Collectors members
Production details
  • Producer – Konrad Plank, Hunters & Collectors
  • Engineer – René Tinner
  • Mixer – Plank, Robert Miles
  • Remixer – Greg Edward (1991 tracks 7, 10)
  • Studio – Can's Studio, Weilerswist, Germany
    • Mixing studio – Conny's Studio, Neunkirchen, Germany
    • Remix studio – AAV Studios, Melbourne; in 1987
    • Studio (tracks 12 to 15) – AAV Studios, Melbourne (recording); Studios 301, Sydney (mixing); in 1982
  • Art work – Geoff Crosby

Chart performance

Year Chart Peak
position
1982 Australian Albums Chart[8][16] 89
New Zealand Albums Chart[9] 37

References

  1. 1 2 3 4 5 6 McFarlane, Ian (1999). "Encyclopedia entry for 'Hunters & Collectors'". Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86448-768-2. Retrieved 25 November 2008.
  2. 1 2 3 4 Holmgren, Magnus; Warnqvist, Stefan; Bamford, Alan. "Hunters and Collectors". Australian Rock Database. Passagen.se (Magnus Holmgren). Archived from the original on 12 June 2012. Retrieved 12 February 2014.
  3. 1 2 3 Lade, Neil (1 October 1984). "Rock Music: Energy and Power | The Jaws of Life". The Canberra Times. National Library of Australia. p. 14. Retrieved 8 April 2014.
  4. 1 2 3 Benedeich, Mark (29 August 1984). "Hunters play ANU bar". The Canberra Times. National Library of Australia. p. 27. Retrieved 8 April 2014.
  5. ↑ Nimmervoll, Ed. "Hunters and Collectors". HowlSpace – The Living History of Our Music. Archived from the original on 22 July 2008. Retrieved 22 January 2014.
  6. ↑ Seymour, Mark (2008). Thirteen Tonne Theory: Life Inside Hunters and Collectors. Melbourne, Vic.: Penguin Group Australia. ISBN 978-0-670-07165-4.
  7. ↑ Johnston, Chris (1 November 2008). "Songlines of a Nation". The Age. Retrieved 9 April 2014.
  8. 1 2 3 Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. NOTE: Used for Australian Singles and Albums charting until ARIA created their own charts in mid-1988.
  9. 1 2 Hung, Stefan. "Hunters & Collectors discography". New Zealand Charts Portal (Hung Medien). Retrieved 4 April 2014.
  10. ↑ Sennett, Sean (Ed); Groth, Simon (2010). "Chapter 1 - Hunters and Collectors: Sour Record Deals, the Courtship of America and Australian Ugliness". Off the Record: 25 Years of Music Street Press. University of Queensland Press. p. 2. ISBN 978-0-702-24653-1.
  11. ↑ Robbins, Ira; Sheridan, David. "Hunters and Collectors". Trouser Press. Retrieved 9 April 2014.
  12. 1 2 Cassel, Bill. "Jaws of Life – Hunters & Collectors". Allmusic. Retrieved 8 April 2014.
  13. ↑ Witheford, Michael (29 January 2012). "Great Melbourne Albums #4: Hunters & Collectors - Jaws of Life (1984)". TimeOut Melbourne. Retrieved 9 April 2014.
  14. 1 2 "ACE Title Search". American Society of Composers, Authors and Publishers (ASCAP). Retrieved 8 April 2014. Note: User may have to enter details e.g. at 'Titles' enter 42 Wheels; or at 'Performers' enter Hunters & Collectors
  15. 1 2 "'Holding Down a D' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 8 April 2014. Note: User may have to click 'Search again' and provide details at 'Enter a title:' e.g Holding Down a D; or at 'Performer:' Hunters & Collectors
  16. ↑ Ryan (bulion), Gary (31 October 2008). "Albums Pre 1989 (ARIA Charts: Special Occasion Charts)". Australian Charts Portal. Hung Medien (Steffen Hung). Retrieved 3 April 2014.
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