Theophilus of Adana

Theophilus of Adana

Theophilus renounces his deal with the Devil in a painting by Michael Pacher. The human figure has also been identified as St. Wolfgang of Regensburg or St. Augustine
Born ???
Adana, Cilicia, Eastern Roman Empire
Died c. 538
Austrasia, Kingdom of the Franks
Venerated in Eastern Orthodox Church
Roman Catholic Church

Saint Theophilus the Penitent or Theophilus of Adana (died c. 538 AD) was a cleric in the sixth century Church who is said to have made a deal with the Devil to gain an ecclesiastical position. His story is significant as it is the oldest story of a pact with the devil and was an inspiration for the Faust legend. His feast day is February 4.

Eutychianus of Adana, who claimed to be an eyewitness of the events, is the first to record Theophilus's story. Although Theophilus is considered to be an historical personage, the tale associated with him is of an apocryphal nature.

Legend

Theophilus was the archdeacon of Adana, Cilicia, which is part of modern Turkey. He was unanimously elected to be a bishop, and when out of humility he turned the position down, another man was elected in his stead. When the new bishop unjustly deprived Theophilus of his position as archdeacon, Theophilus regretted his previous stance and sought out a necromancer to help him contact Satan. In exchange for his aid, Satan demanded that Theophilus renounce Christ and the Virgin Mary in a contract signed with his own blood. Theophilus complied, and the devil gave him the position as bishop.

Later, fearful for his soul, Theophilus repented and prayed to the Virgin for forgiveness. After forty days of fasting, the Virgin appeared to him and verbally chastised him. Theophilus begged forgiveness and Mary promised to intercede with God. He then fasted a further thirty days, at which Mary appeared to him again, granted him absolution. However, Satan was unwilling to relinquish his hold over Theophilus, and three days later, Theophilus awoke to find the damning contract on his chest. He then took the contract to the legitimate bishop and confessed all that he had done. The bishop burned the document, and Theophilus died out of sheer joy to be free from the burden of his contract.

Variations

Different versions of Theophilus's tale introduce various details, including:

Importance

Theophilus's story played a role in establishing the importance of the intercession of the Virgin Mary, in addition to providing a basis for later tales involving the conjuration of devils.

The Virgin Mary increased in theological importance throughout the 11th century. The story was used to illustrate the power and necessity of her intercession by Peter Damian, Bernard of Clairvaux, Anthony of Padua, Bonaventure and much later on by Alphonsus Liguori. The story of Theophilus formed the basis of a thirteenth-century miracle play by the trouvère Rutebeuf, Le Miracle de Théophile, one of the earliest pieces of French theatre extant.

The story of Saint Theophilus is an important example in the development of the theology of witchcraft. As seen in the tale, the summoning of devils was not originally considered to be a damning sin, Theophilus's troubles come from the fact that he has sold his soul, not that he treated with the devil. This changed during the late 13th century and into the 14th century as Inquisitors such as Bernard Gui and Nicolau Aymerich sought to expand the power of the Inquisition, whose mandate was the suppression of heresy, by defining sorcery as a form of heresy. Accordingly, Theophilus would have been branded a heretic for his association with the devil.

The Legend in Art

The legend of Theophilus first appears in art in the 11th century in an historiated initial, which depicts the Virgin (who is seated between two angels) with Theophilus at her feet.[1] The earliest intact narrative cycle is at the abbey church of Sainte-Marie at Souillac, France.[2] This sculpture depicts four scenes of the legend: the signing of the bond, the oath of loyalty to the devil, Theophilus's repentance, and the return of the bond by the Virgin.

The legend was the most popular in art in the 13th century; it occurred most frequently in illuminated manuscripts and stained glass.[3] In both illuminated manuscripts and stained glass that depict this legend there are usually four scenes that are shown: the sealing of the bond between Theophilus and the devil, Theophilus repenting, the Virgin recovering the bond, and the Virgin returning the bond to Theophilus.[4] Interestingly, this legend is the only non-biblical Marian story consistently depicted in sculpture and glass in French cathedrals during this time.[5][6]

References

Notes

  1. ↑ Mâle, Emile (1986). Religious Art in France: The Thirteenth Century. Translated by Mathews, Marthiel. Princeton University Press. p. 261.
  2. ↑ Cothren, M.W. (1984). "The Iconography of the Theophilus Windows in the First Half of the Thirteenth Century". Speculum. 59: 308–341.
  3. ↑ Cothren, M.W. (1984). "The Iconography of the Theophilus Windows in the First Half of the Thirteenth Century". Speculum. 59: 308–341.
  4. ↑ Cothren, M.W. (1984). "The Iconography of the Theophilus Windows in the First Half of the Thirteenth Century". Speculum. 59: 308–341.
  5. ↑ Mâle, Emile (1984). Religious Art in France: The Thirteenth Century. Translated by Mathews, Mathiel. Princeton University Press. p. 262,266.
  6. ↑ Sangster, Minnie B. (1999). "Envisioning Le Miracle de Theophile in France: Stained Glass, Sculpture, and Stage". Medieval Perspectives. 14: 191–201.

Sources

The National Library of the Netherlands has a collection of images pertaining to Saint Theophilus.

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