Trinity Independent Chapel
Coordinates: 51°30′41″N 0°1′8″W / 51.51139°N 0.01889°W
| Trinity Independent Chapel | |
|---|---|
 Trinity Chapel 1841-1944 | |
| Country | United Kingdom |
| Denomination | Charismatic Baptist, earlier Methodist and Congregationalist |
| Architecture | |
| Architect(s) | William Hosking and John Jay |
Now the site of the Prayer Temple, Headquarters of the Calvary Charismatic Baptist Church, the original Trinity Independent (Congregational) Chapel was designed in 1840-41 by William Hosking FSA, at Poplar, in the London Borough of Tower Hamlets, and built by John Jay.
With its large and elegant classical frontage in a combination of Grecian and Italian Renaissance styles, positioned to directly front onto the main East India Dock Road, this highly expensive chapel building came to dominate its East London streetscene at a time when chapel architecture in the East End elsewhere was generally low-key.
The bold design, was financed by the philanthropic shipyard owner George Green, a prominent local Congregationalist with non-denominational sympathies. Green was a contributor to many local causes in Poplar and Blackwall, wholly financing the former Sailor's Home, later Board of Trade offices at 133 East India Dock Road. This building still stands today only a block away from Trinity Church, beyond the Wesleyan Methodist 'Queen Victoria Seaman's Rest'. He also endowed 'George Green's School' (1828), which was rebuilt as the George Green Centre at Island Gardens, Tower Hamlets in 1974-8.
The first Congregational minister at Trinity Chapel was the Rev. George Smith (1803-1870), Secretary of the Congregational Union of England and Wales. His pink granite pedestal memorial can be seen today at the Congregationalists' non-denominational Abney Park Cemetery in Stoke Newington.
Probably the most noteworthy and influential twentieth century minister was the Rev William Dick. In an area of enormous deprivation Trinity became, under Dick's inspired leadership, a beacon of hope for the dispossessed and downtrodden. The church's efforts to help improve the lives of the local population, already struggling before being hit by 'the blitz', were seen as an integral part of its Christian mission.
Unfortunately, being located in the heart of industrial and commercial land-uses in the East End of London, Green and Hosking's magnificent chapel was destroyed in the bombing of East London in 1944. The chapel's replacement, on the same site at the corner of East India Dock Road and Augusta Street (Annabel Close) - the New Trinity Congregational Church or Trinity Congregational Church - formed part of the Exhibition of Live Architecture for the Festival of Britain, 1951, at the Lansbury Estate development (appropriately named after the well-known politician and later Labour Party leader who willingly went to prison for dispersing local tax money directly to the needy rather than passing it on to the LCC). The church was re-built somewhat experimentally in what was then considered a bold and very modern post-war style, using new materials such as concrete, and new building techniques. Social work continued to be a priority for the church community.
The only part of Hosking's original chapel to survive the wartime bombing was the bell. This was incorporated into the new Congregational church, having been recast and repaired following its salvage from the bombsite. A more fitting icon from the original chapel would have been hard to imagine, since the bell had always been the subject of great debate. When George Green and William Hosking agreed to include a bell in the design for the magnificent independent chapel, they fell foul of the local Anglican clergy. No previous independent meeting house, known to the localities' authorities at that time, had incorporated a bell in its design. This may have been a unique design innovation, possibly the first example of a church bell being incorporated into an independent chapel. The local parish authorities instructed Green and Hosking to render the bell immobile to prevent it from competing with their parish church, by being rung! Gradually, as chapel design came more and more to adopt Anglican church architecture (the two often being indistinguishable by the late Victorian era), the bell was allowed to be unfixed. It rang in the old chapel for the last time on the morning war was declared.
References
- Dunnett, H. (1951). 1951 Exhibition of Architecture, Poplar. London:HMSO