Vanessa Place

Vanessa Place
Born (1968-05-10) May 10, 1968
United States
Occupation novelist, poet, lawyer
Nationality American
Notable works La Medusa, Tragodia
Website
epc.buffalo.edu/authors/place/index.html

Vanessa Place (born 1968) is an American writer and criminal appellate attorney. Place earned a BA at the University of Massachusetts at Amherst, an MFA at Antioch University, and a JD at Boston University. She is the co-director of the Los Angeles-based Les Figues Press. Place has also worked as an occasional screenwriter on television shows such as Law and Order: SVU and Xena: Warrior Princess with producer Liz Friedman.[1]

Place is associated with the Conceptual Art[2] movement and has lectured and performed at events including at the Sorbonne in Paris, London's Whitechapel Gallery, and the Andre Bely Centre for Experimental Writing in St. Petersburg. In 2012, Place performed as part of the Whitney Biennial. In 2013, Place had her first solo art exhibition, The Lawyer is Present, at the Boulder Museum of Contemporary Art where she listened to confidential confessions from volunteers and then performed them for the public.

Place is CEO of VanessaPlace Inc., a poetry corporation, referred to as "a trans-national entity whose sole mission is to design and manufacture objects to meet the poetic needs of the human heart, face, and form." Its motto is "Poetry is a Kind of Money."

In her conceptual poetry, Place explores the impact of context and expectation.[3] In a 2010 interview for Lemon Hound, Place has quoted Marcel Duchamp, “It’s not what you see that is art, art is the gap.”[4] In a 2013 Tarpaulin Sky interview, Place stated, “The law, like poetry, engages in grossly overt fashion with the transformation of the real into the symbolic via a kind of Eucharistic metamorphosis. Worked, like some might argue the spiritus sanctus works, by way of words. Words, as many have noted, never quite fit. But they will do.”[5]

Critic Susan McCabe describes Place's poetry as “both humbling and beyond paraphrase, both mythic and contemporary.”[6]

Criticism

Place has received criticism for a Twitter art project, in which she retyped the entire text from the 1936 novel Gone with the Wind. The account's page includes a stereotypical African American mammy image as its banner. A film still of Hattie McDaniel as the character Mammy in the film version of the book is also used as the account's profile picture. Though some have argued that the account is meant to scrutinize stereotyping and racism in Gone With the Wind,[7] many have accused it of being racist and petitioned for Place's removal from the 2016 Association of Writers & Writing Programs conference committee on these grounds.[8] On May 18, 2015, the AWP announced that Place had been removed from the committee.[9] Place herself has noted that the Twitter account was part of a larger project, Gone with the Wind by Vanessa Place, designed to implicate questions of copyright, the ownership of cultural fictions, the ongoing nature of the white imaginary, and the function of antagonism in social media.[10]

Works

Translations

References

  1. ↑ "Vanessa Place". IMDB. Retrieved June 13, 2015.
  2. ↑ Craven, David. "Conceptual Art". Oxford Art Online. Oxford University Press.
  3. ↑ "Vanessa Place on Poetry Foundation"
  4. ↑ "How to do Silence: a conversation with Vanessa Place" by Sina Queyras. July 29, 2010.
  5. ↑ "Doubt: an interview with Vanessa Place" by Eireene Nealand, 2013.
  6. ↑ "Vanessa Place on Poets.org"
  7. ↑ "On not repeating 'Gone With the Wind': Iteration and copyright" by Jacob Edmund. December 17, 2012.
  8. ↑ Change.org: Remove Vanessa Place from the AWP Los Angeles conference committee
  9. ↑ = Update regarding the AWP Los Angeles 2016 Subcommittee Retrieved May 18, 2015.
  10. ↑ "The denunciation of Vanessa Place" by Kim Calder. June 14, 2015.

External links


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