Vileness Fats

Vileness Fats
Directed by The Residents
Graeme Whifler
Written by The Residents
Starring The Residents
J. Raoul Brody
N. Senada
Marge Howard
Sally Lewis
Music by The Residents
Release dates
 Released in condensed form in 1984 as Whatever Happened To Vileness Fats?), and 2001 on the Icky Flix DVD, as Vileness Fats: Concentrate
Running time
 Whatever Happened To Vileness Fats?: 30 minutes, Icky Flix version: 17 minutes
Language English

Vileness Fats is an unfinished film project by avant-garde art collective the Residents, filmed primarily from 1972 to 1976. The Residents shot over fourteen hours of footage for the project, but were not even two-thirds of the way through their incomplete script before they cancelled the production. It has never been released in its complete form, but sections of it have been released on home video as Whatever Happened to Vileness Fats? and on the Icky Flix DVD as Vileness Fats: Concentrate. Rumors have persisted that Ralph Records is in the process of preserving the fourteen hours of footage in order to produce a DVD sometime in the near future, although this has not yet come to fruition.

Plot

The village of Vileness Flats is constantly under attack by the Atomic Shopping Carts, armoured carts with large drills on their front. A bridge keeps the Carts away, but the villagers enlist the Siamese twin tag-team wrestlers, Arf and Omega, to protect them. Arf and Omega fight off the Carts and a banquet is held in their honour, where the mayor thanks them, and Steve (Vileness Flats' resident religious leader) gives a lengthy, boring speech. The twins heckle and throw their food at Steve, and he walks away, dejected.

The defeat of the Atomic Shopping Carts leads to another problem for Vileness Flats – the Bell Boys, a gang of midgets who live in the desert on the other side of the bridge. They disguise themselves as meat in order to cross the now-safe bridge, to steal the real meat from the village. These raids are depriving the villagers of necessary protein.

Steve has his own problems, as well. No one but his mother knows that he is actually two people – Steve, the religious leader of Vileness Flats, and Lonesome Jack, the leader of the Bell Boys and the mastermind of the meat raids. To complicate matters further, both Steve and Jack are deeply in love with the immortal Indian princess Weescoosa, who has spent eternity searching for her one true love. Sadly, whenever it looks like she has found him, he dies.

The raids are causing unrest in the village and fights are breaking out, due to lack of food. The villagers ask Arf and Omega to deal with the Bell Boys, and they agree. Before they do anything, however, they head off to a local nightclub to relax. The first act is a performance of the song "Eloise", and the second is a performance by the seductive singer Peggy Honeydew. Honeydew flirts with both twins, causing them to become jealous of each other. Honeydew is part of a plan to dispatch the twins so that Lonesome Jack and the Bell Boys will be safe to attack the village. Arf and Omega become so enraged with each other that they become engaged in a knife fight, eventually killing each other. Steve, confused and worried about the whole mess, decides to jump into a local volcano to kill himself and thus get rid of the problems facing Vileness Flats. This was about as far as the film got before production was ended.

History

The Residents had just moved into a studio at 20 Sycamore Street, San Francisco, which featured a completely open ground floor, perfect, it seemed, for a sound stage. The group felt that a film would be the perfect medium for the ideas they had been coming up with, and jumped at the idea. The studio was roomy, but not quite big enough to produce a film. In order to be able to fit sets into the ground floor space, the group made most of the characters in the film midgets (not real midgets – the costumes were designed so that full-height people could crouch down in them and waddle around).

The sets were very elaborate, in a sort of German Expressionist style reminiscent of The Cabinet Of Dr. Caligari. They were made of cardboard and the space limitations meant that each set had to be completely dismantled before the next one could be built. This affected the filming schedule and sometimes even the developing plot. The Residents hired people as they found a need, grabbing Graeme Whifler to do lighting and some directing, and J. Raoul Brody to act.

Without a film company in control of the project, the Residents were completely free in their artistic expression, something they felt was very important. They financed it all themselves (one of them selling his sports car for $1200) and could only work on it during evenings and weekends due to the jobs they were holding down in order to pay for it all. They used 1/2" black and white video tape in the filming, for a variety of reasons. They felt that video was the coming medium, and wanted to be on the leading edge of the technology. Also, with video tape they could see the results of their work immediately after filming, which was useful as it let them get right on with re-shooting when necessary. And most importantly, they didn't have to pay for developing.

Unfortunately, the lack of direction on the project meant that it dragged on for many years. By 1976 the band had fourteen hours of film and were not even two-thirds of the way through what they had of the incomplete script. To make things worse, 1/2" black and white video tape had become obsolete due to the introduction of the Beta and VHS colour formats, so the footage looked dated even though it was brand new. There was no way that the video could be transferred to film and re-shooting the footage was out of the question. The space limitations were becoming too restrictive, as well – it took a full year to build the set for and film the nightclub scene. Finally, shortly after the band released The Third Reich 'n' Roll, they abandoned the project. Not ones to let even failed projects go to waste, they proceeded to tease the outside world with stills from the film, incorporating the mysterious film that never was into their mythology.

Vileness Fats dominated the Residents' lives for the four years that it was in production. Even when they were taking breaks from the film and working on other projects, Fats would creep in. The "Arf & Omega, featuring The Singing Lawnchairs" track from Santa Dog is taken directly from the film's soundtrack; Margaret Smik joined the Residents as Peggy Honeydew for the "Oh Mummy! Oh Daddy! Can't You See That It's True; What the Beatles Did to Me, 'I Love Lucy' Did to You" performance in 1976; and the famous Third Reich 'n' Roll promotional video was filmed, for the most part, on the Vileness Fats sets using Vileness Fats props.

Whatever Happened to Vileness Fats?

In 1984, the Residents discovered that the state of video technology had advanced to the point where they could salvage their old 1/2" Vileness Fats work and transfer it to VHS. They created a half-hour video from their original fourteen hours of footage and created an all-new soundtrack, releasing the result as Whatever Happened to Vileness Fats?.

The new video focused on Arf and Omega's story, from the Atomic Shopping Cart battle to the knife fight at the nightclub. It also spends a lot of time on Steve's mother, but touches only briefly on the Bell Boys, Lonesome Jack, and Weescoosa. Whatever Happened to Vileness Fats? has very little dialogue and is not very concerned with conveying a coherent story.

Icky Flix / Vileness Fats Concentrate

In 2001, the Residents released their ambitious Icky Flix project on DVD and CD, the DVD featuring their classic music videos with the option of a brand new soundtrack. Also featured was a new, tighter 17-minute "concentrate" of Vileness Fats, also with a new soundtrack.

This version focuses mainly on Steve, touches only briefly on the Atomic Shopping Cart battle, and features the Bell Boys and Lonesome Jack more prominently. This is considered the best place to see the Vileness Fats footage, as it has been cleaned up and restored to its best quality, taking into consideration the age of the tapes.

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