Virtual heritage

Virtual heritage or cultural heritage and technology is the body of works dealing with information and communication technologies (ICT) and their application to cultural heritage, such as virtual archaeology.[1] Virtual heritage and cultural heritage have independent meanings: cultural heritage refers to sites, monuments, buildings and objects "with historical, aesthetic, archaeological, scientific, ethnological or anthropological value",[2] whereas virtual heritage refers to instances of these within a technological domain, usually involving computer visualization of artefacts or Virtual Reality environments.

One technology that is frequently employed in virtual heritage applications is augmented reality, which is used to provide on-site reconstructions of archaeological sites[3] or artefacts.

Many virtual heritage projects focus on the tangible aspects of cultural heritage, for example 3D modelling, graphics and animation. In doing so they often overlook the intangible aspects of cultural heritage associated with objects and sites, such as stories, performances and dances. The tangible aspects of cultural heritage are not inseparable from the intangible and one method for combining them is the use of virtual heritage serious games,[4] such as the 'Digital Songlines' and 'Virtual Songlines'[5] which applies virtual reality to preserve, protect and present the cultural heritage of Australian Aborigines.[6]

First use

The first use of virtual heritage as a museum exhibit, and the derivation of the name virtual tour, was in 1994[7] as a museum visitor interpretation, providing a 'walk-through' of a 3D reconstruction of Dudley Castle in England as it was in 1550.[8] This consisted of a computer controlled laserdisc based system designed by British-based engineer Colin Johnson. It is a little-known fact that one of the first users of Virtual Heritage was Queen Elizabeth II, when she officially opened the visitor centre in June 1994. Because the Queen's officials had requested titles, descriptions and instructions of all activities, the system was named 'Virtual Tour', being a cross between virtual reality and Royal Tour.[9]

See also

References

  1. ↑ Bawaya, M. (2010), "Virtual Archaeologists Recreate Parts of Ancient Worlds", Science, 327 (5962): 140–141, doi:10.1126/science.327.5962.140
  2. ↑ UNESCO (2008). "Application Guide". Applications to UNESCO-Vocations Patrimoine Fellowships for World Heritage site managers. UNESCO World Heritage Centre. Retrieved 4 May 2012.
  3. ↑ "ARCHEOGUIDE - Augmented Reality-based Cultural Heritage On-site Guide". ARCHEOGUIDE Project. 2002. Retrieved 23 May 2012.
  4. ↑ Anderson, E. F.; McLoughlin, L.; Liarokapis, F.; Peters, C.; Petridis, P.; de Freitas, S. (2009), Serious Games in Cultural Heritage, VAST-STAR, Short and Project Proceedings, 10th VAST International Symposium on Virtual Reality, Archaeology and Cultural Heritage (Eurographics VAST '09), Faculty of ICT, University of Malta, pp. 29–48
  5. ↑ Andrew Brown. "Digital Songlines". Australasian CRC for Interaction Design (ACID). Retrieved 29 May 2012.
  6. ↑ Wyeld, T.G.; Carroll, J.; Gibbons, C.; Ledwich, B.; Leavy, B.; Hills, J.; Docherty, M. (2007), "Doing Cultural Heritage Using the Torque Game Engine: Supporting Indigenous Storytelling in a 3D Virtual Environment", International Journal of Architectural Computing, Multi-Science Publishing, 5 (2): 418–435, doi:10.1260/1478-0771.5.2.418
  7. ↑ Susan S. Lukesh (Feb 1995). "Imaging The Past". CSA Newsletter, Feb. '95. Center for the Study of Architecture. Retrieved 3 May 2012.
  8. ↑ Boland, P.; Johnson, C. (1996), "Archaeology as computer visualization: 'Virtual tours' of Dudley Castle c. 1550", in Higgins, T.; Main, P.; Lang, J., Imaging the Past: Electronic Imaging and Computer Graphics in Museums and Archaeology, Occasional Papers, 114, British Museum Press, pp. 227–234, ISBN 0-86159-114-3
  9. ↑ Colin Johnson. "Virtual Tours of Dudley Castle archive". Retrieved 3 May 2012.

Further reading

External links

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