WSC Avant Bard

WSC Avant Bard

Company logo
Formation 1990
Type Theatre group
Purpose raising the stakes, bridging the gaps, and breathing new life into the classics
Location
Artistic director(s)
 Tom Prewitt
Website wscavantbard.org

WSC Avant Bard (commonly known as Avant Bard, and formerly known as Washington Shakespeare Company or simply WSC[1]) is a small, primarily non-Equity theater based in Arlington, VA. The company was founded in 1990 under the name Washington Shakespeare Company; its name was changed to WSC Avant Bard in August 2011.[1][2] Avant Bard focuses on producing "bold and experimental productions of classic and contemporary works".[3]

History

WSC Avant Bard began as an Arlington (County) Arts Incubator project in 1990, along with Signature Theatre, New Works Theatre, and Goosebump Theatre. The company’s inaugural production, a sold-out run of Jean-Paul Sartre’s No Exit in September 1990, was also the inaugural production in the Gunston Arts Center, a former junior high school library which had just been renovated as a performing arts center by the Arlington Department of Parks, Recreation and Community Resources.[4][5]

The company performed in the Clark Street Playhouse, an abandoned warehouse converted into a black box theater,[6] from 1995 until the end of the 2009-2010 season,[7] when the building was scheduled for demolition to make way for development on the north end of Crystal City. (The demolition of the theater had been "imminent" as early as the 2005-2006 season,[8] but the closure of the building was postponed from year to year.) In the fall of 2010, WSC Avant Bard became the theater-in-residence in Arlington's Artisphere, the former site of the Newseum; however, the company was evicted in December, 2012, in the middle of the 2012-2013 season, when Artisphere decided to restructure the use of its facilities.[9][10] Since then, the company has staged productions in a number of DC venues, including Theatre on the Run, managed by the Arlington (County) Cultural Affairs Division;[11] the Callan Theatre on the campus of the Catholic University of America;[12] and the Gilbert C. Eastman Studio Theatre on the campus of Gallaudet University.[13]

WSC Avant Bard has had three Artistic Directors. The first, Brian Hemmingsen, was Artistic Director from 1990 until 1996. Christopher Henley, who was also one of the founding members of the company, was Artistic Director from 1996 until February, 2013. Tom Prewitt is the current Artistic Director. The first play which Prewitt directed as Artistic Director was Pinter's No Man's Land, with Hemmingsen and Henley in the lead roles (Hirst and Spooner, respectively).[14]

Notable Productions

Over the course of several months in 2005, the company presented Bard-37: Our Canon Cabaret as a celebration of the company's fifteenth season. Each of Shakespeare's plays was given a reading, in chronological order. Portions of Hamlet were read in Klingon, the first of WSC Avant Bard's forays into presenting Shakespeare "in the original language."[15][16]

In July/August, 2005, Steven Scott Mazzola directed a production of Royal Hunt for the Sun, by Peter Shaffer.[17]

In February, 2006, John Vreeke directed a production of Death and the King's Horseman, by Nigerian playwright and author Wole Soyinka.[18]

In July, 2007, Jose Carrasquillo directed a version of Macbeth performed entirely in the nude. Critical reviews were mixed, but the production drew national attention: according to USA Today, the production drew some of the company's largest audiences, and the run was extended.[19][20][21]

In November, 2012, Tom Prewitt (shortly before being named Artistic Director) directed a production of Six Characters in Search of an Author, by Luigi Pirandello. The production featured Brian Hemmingsen, the company's founding director, in the role of the Father.[22]

In October/November, 2014, Tom Prewitt directed the world premier of Visible Language, a musical with book and lyrics by Mary Resing, and music by Andy Welchel. Musical direction was by Elisa Rosman, and Aaron Kubey was Director of Artistic Sign Language.[23] The production was co-produced by the Gallaudet University theater department, with a number of Gallaudet faculty and students in the cast. The performances took place in Gallaudet's Eastman Studio Theatre. The action interweaves three plot lines: the conflict between Edwin Miner Gallaudet and Alexander Graham Bell on the future of the education of the deaf; Gallaudet's efforts to get Congress to fund a Teacher's College at Kendall Green (which became Gallaudet University); and Bell's initial meeting with Helen Keller, whom he taught to speak using his Visible Speech method. The musical requires most of the cast to be bilingual (English and ASL), and the performances had surtitles throughout.[24][25]

Performances in Klingon

WSC Avant Bard has a history of presenting performances in Klingon (tlhIngan Hol), owing to the fact that Marc Okrand, the inventor of Klingon, is President of WSC Avant Bard's Board of Directors.

In 2005, as part of its Bard-37 Canon Cabaret, a series of readings of the entire Shakespeare canon presented in chronological order over several months, the reading of Hamlet included passages read in the original Klingon.[26][27]

On September 25, 2010, the company presented By Any Other Name: An Evening of Shakespeare in Klingon, which included scenes from Much Ado About Nothing and Hamlet. Guest star George Takei joined the company, reciting a monologue from Julius Caesar (in English only).[28]

Subsequent to this performance, the company was contacted by the BBC, who wanted to film it for Fry's Planet Word, a documentary series about language written and presented by Stephen Fry.[29] George Takei did not reprise his appearance, but Fry himself took part in the Klingon version of the final scene of Hamlet, playing the role of Osric in costume.[30][31][32] This performance took place on February 27, 2011.

WSC Avant Bard then presented a sequel, Shakespeare in Klingon: The Wrath of (Michael) Kahn, on March 4, 2012.[33][34] This presentation featured a guest appearance by Michael Kahn (not Khan), the longtime Artistic Director of the Shakespeare Theatre Company, a large Equity company in downtown Washington, which features productions of Shakespeare and other classic playwrights. The similarity of the companies' two names has occasionally caused confusion for people unfamiliar with one or the other company.

Most recently, WSC Avant Bard presented a staged reading of A Klingon Christmas Carol at the District of Columbia Jewish Community Center's Theatre J, on December 15, 2014. This performance featured Marc Okrand, inventor of the Klingon language (and president of the company's Board of Directors), as Scrooge (SQuja').[35][36]

Recognition and Awards

In 2011-2012[37] and in 2015-2015,[38] WSC Avant Bard was selected as "one of the best small charities in the greater Washington region" by the Greater Washington Catalogue for Philanthropy.

Mary Goldwater Awards

The Mary Goldwater Awards were presented by the Theatre Lobby between 1987 and 2006. Given from a trust fund established by alumni of the Theatre Lobby company, the awards “were given for theatrical excellence without regard to category. If the Judges thought it appropriate, they would give the Award to more than one artist in a given category. Or to none.” The Theatre Lobby gave between two and ten awards a year.[39]

Year Honoree Cause
1997 Rhea Seehorn for Travesties at the Washington Shakespeare Company and The Big Slam at Woolly Mammoth Theatre Company[40]
1997 Washington Shakespeare Company for productions of Travesties and Cymbeline
2003 Jose Carrasquillo, director for The Maids by Jean Genet[41]
2005 Kathleen Ackerley for Hapgood by Tom Stoppard
2006 Elizabeth Jenkins McFadden, scenic designer especially for her work for the Washington Shakespeare Company[42]
2006 Bruce Alan Rauscher, actor for performances with the Washington Shakespeare Company and The American Century Theater
2008 Ayun Fedorcha, lighting designer Jose Carrasquillo’s production of Metamorphosis

Helen Hayes Awards

The Washington Shakespeare Company/WSC Avant Bard has been awarded a number of Helen Hayes Awards.[43][44][45]

Note: Starting in 2014, the nominations for Helen Hayes Awards were split into two groups: the Helen Group, for non-Equity productions; and the Hayes Group, for Equity productions. Each award category is awarded for both groups.[46]

Year Category Nominee Production Result
1992 Outstanding Sound Design, Resident Production David Crandall Hamlet Won
1992 Outstanding Sound Design, Resident Production David Crandall Julius Caesar Nominated
1992 Outstanding Lighting Design, Resident Production David R. Zemmels Bloody Poetry Nominated
1992 Outstanding Lead Actor, Resident Production T J Edwards Hamlet Nominated
1992 Outstanding Director, Resident Production Jim Stone Julius Caesar Nominated
1993 Outstanding Costume Design, Resident Production Lynnie Raybuck Frankenstein–Playing with Fire Nominated
1994 Outstanding Sound Design, Resident Production David Maddox and Robin M. Heath Edward II Nominated
1997 Outstanding Sound Design, Resident Production Daniel Schrader Cymbeline Nominated
1997 Outstanding Lead Actress, Resident Production Michelle Shupe Cymbeline Nominated
1997 Outstanding Lead Actor, Resident Production David Fendig Travesties Nominated
1997 Outstanding Director, Resident Production Joe Banno Cymbeline Nominated
1998 Outstanding Supporting Actress, Resident Production Rana Kay 5th of July Nominated
1998 Outstanding Supporting Actor, Resident Production Christopher Henley Bent Nominated
1999 Outstanding Director, Resident Musical Jesse Berger Marat/Sade Won
1999 Outstanding Supporting Actor, Resident Production Bruce Nelson The Triumph of Love Nominated
1999 Outstanding Supporting Performer, Resident Musical Rhea Seehorn Marat/Sade Nominated
1999 Outstanding Set Design, Resident Production Tony Cisek Pericles Nominated
1999 Outstanding Resident Musical Marat/Sade Nominated
2000 Outstanding Supporting Actor, Resident Production Christopher Henley Entertaining Mr. Sloane Nominated
2001 Outstanding Lead Actress, Resident Production Kate Eastwood Norris Strange Interlude Nominated
2001 Outstanding Lead Actor, Resident Production John Emmert Strange Interlude Nominated
2003 Outstanding Sound Design, Resident Production Mark K. Anduss Tiny Alice Won
2004 Outstanding Lead Actress, Resident Production Michelle Shupe Lady Chatterley's Lover Nominated
2004 Outstanding Director, Resident Production John Vreeke Lady Chatterley's Lover Nominated
2004 Outstanding Choreography, Resident Production John Gurski Scaramouché Nominated
2015 Outstanding Supporting Actress in a Musical-HELEN Production Miranda Medugno Visible Language Won
2015 Outstanding Supporting Actress in a Musical-HELEN Production Sarah Anne Sillers Visible Language Nominated
2015 Outstanding Lead Actor in a Musical-HELEN Production Lee Liebeskind Nero/Pseudo Nominated
2015 Outstanding Lead Actor in a Musical-HELEN Production Bradley Foster Smith Nero/Pseudo Nominated

See also

References

  1. 1 2 "Washington Shakespeare Company announces New Season and a New Name!". Avant Bard web site. Retrieved 3 March 2015.
  2. ↑ "ShowBizRadio: Washington Shakespeare Company". ShowBizRadio. Retrieved 3 March 2015.
  3. ↑ "WSC Avant Bard (formerly Washington Shakespeare Company)". Catalogue for Philanthropy (Greater Washington). Retrieved 3 March 2015.
  4. ↑ Claridge, Jon Palmer (September 1991). "Incubator for New Voices". American Theatre. 8 (6). Retrieved 3 July 2015.
  5. ↑ Walker, Angela. "Dim the House Lights". The Washington Post. Retrieved 3 July 2015.
  6. ↑ Mondello, Bob. "The Hen & Hem Show". Washington City Paper. Retrieved 3 March 2015.
  7. ↑ Adams, Mark Lee. "ShowBizRadio: Washington Shakespeare Company Camille, A Tearjerker". ShowBizRadio. Retrieved 3 March 2015.
  8. ↑ Hathaway, Brad. "Clark Street Gets Last Shakespeare Play". Connection Newspapers. Retrieved 3 March 2015.
  9. ↑ Schweitzer, Ally. "Artisphere Boots WSC Avant Bard". Washington City Paper. Retrieved 3 March 2015.
  10. ↑ Marks, Peter. "Arena Stage's and WSC Avant Bard's troubles—Some bumps in road for local theater". The Washington Post. Retrieved 3 March 2015.
  11. ↑ "Arlington Arts: Theatres". ArlingtonArts. Retrieved 3 March 2015.
  12. ↑ Catlin, Roger. "Theatre Review: 'Caesar & Dada' by WSC Avant Bard at Catholic University Callan Theatre". Maryland Theatre Guide. Retrieved 3 March 2015.
  13. ↑ Wren, Celia. "'Visible Language' captures the historic dispute in D.C. over how to teach the deaf". The Washington Post. Retrieved 3 March 2015.
  14. ↑ Pressley, Nelson. "WSC's 'No Man's Land': A rare show from three directors". The Washington Post. Retrieved 3 March 2015.
  15. ↑ Murphy, Theodore R. "Royal Theater". The Wall Street Journal. Retrieved 3 March 2015.
  16. ↑ Going Out Guide. "Bard-37: Our Canon Cabaret". The Washington Post. Retrieved 3 March 2015.
  17. ↑ Ruff, Walter. "Royal Hunt for the Sun". DC Theatre Scene. Retrieved 3 March 2015.
  18. ↑ "'Horseman's' culture clash". The Washington Times. Retrieved 3 March 2015.
  19. ↑ "Nude Macbeth Lures USA Today". DC Theatre Scene. http://dctheatrescene.com. External link in |publisher= (help)
  20. ↑ Barakat, Matthew. "MacDuff in the buff: Nude Shakespeare sells despite critics". USA Today. Retrieved 8 June 2015.
  21. ↑ Wren, Celia. "'Macbeth,' Naked But Not Exciting". The Washington Post. Retrieved 8 June 2015.
  22. ↑ Ritzel, Rebecca J. "A play that was meta before modernity". Washington City Paper. Retrieved 8 June 2015.
  23. ↑ Taylor, Ryan. "Visible Language from WSC Avant Bard". DC Theatre Scene. Retrieved 8 June 2015.
  24. ↑ Burns, Ellen. "BWW Reviews: VISIBLE LANGUAGE from WSC Avant Bard & Gallaudet University". broadwayWorld.com (Washington, DC). Retrieved 8 June 2015.
  25. ↑ Wren, Celia. "'Visible Language' captures the historic dispute in D.C. over how to teach the deaf". The Washington Post. Retrieved 8 June 2015.
  26. ↑ Going Out Guide. "Bard-37: Our Canon Cabaret". The Washington Post. Retrieved 8 June 2015.
  27. ↑ Murphy, Theodore R. "Royal Theater". The Wall Street Journal. Retrieved 8 June 2015.
  28. ↑ Marks, Peter. "How the Washington Shakespeare Company came to offer Shakespeare in Klingon". The Washington Post. Retrieved 8 June 2015.
  29. ↑ d'Armond. "Stephen Fry's Planet Word". d'Atheist (blogspot). Retrieved 8 June 2015.
  30. ↑ Judkis, Maura. "Klingon Shakespeare 2: The Wrath of Khamlet". TBD.com. Retrieved 8 June 2015.
  31. ↑ Fry, Stephen. "Me as a Klingon looking strangely…". stephenrfy.com. Retrieved 8 June 2015.
  32. ↑ Treanor, Tim. "Let's get Klingon". DC Theatre Scene. Retrieved 8 June 2015.
  33. ↑ Treanor, Tim. "Brush up your Klingon". DC Theatre Scene. Retrieved 8 June 2015.
  34. ↑ Freed, Benjamin R. "The Klingons Are Coming Back to the Theater". DCist.com. Retrieved 8 June 2015.
  35. ↑ ""A Klingon Christmas Carol" trailer ("Interrogation of an Earthling")". youtube.com. Avant Bard. Retrieved 8 June 2015.
  36. ↑ Clements, Jennifer. "Klingon language creator Marc Okrand plays Scrooge in WSC Avant Bard's Klingon Christmas Carol". DC Theatre Scene. Retrieved 8 June 2015.
  37. ↑ "Catalogue for Philanthropy: WSC Avant Bard". WSC Avant Bard. http://www.cfp-dc.org. External link in |publisher= (help)
  38. ↑ "Greater Washington Catalogue for Philanthropy". Introducing the Catalogue for Philanthropy Class of 2015-16. http://www.catalogueforphilanthropy-dc.org. External link in |publisher= (help)
  39. ↑ Treanor, Tim. "Mary Goldwater Awards preserved on DC Theatre Scene". dctheatrescene.com. DC Theatre Scene. Retrieved 5 July 2015.
  40. ↑ Swisher, Kara. "Nicky Silver's Polished Performance". The Washington Post. Retrieved 5 July 2015.
  41. ↑ Horwitz, Jane. "The Many Steps to 'Dancers'". The Washington Post. Retrieved 5 July 2015.
  42. ↑ Ruff, Ronnie. "You are here: Home / News / The Mary Goldwater Awards, 2006 The Mary Goldwater Awards, 2006". DC Theatre Scene. Retrieved 5 July 2015.
  43. ↑ "HHA Nominees & Recipients". theatreWashington.org. Retrieved 8 June 2015.
  44. ↑ "Nominations for the 2015 Helen Hayes Awards". theatreWashington.org. Retrieved 27 June 2015.
  45. ↑ "Recipients of the 2015 Helen Hayes Awards". theatreWashington.org. Retrieved 27 June 2015.
  46. ↑ Pressley, Nelson. "Helen Hayes Awards will split nominees into two groups based on Equity involvement". washingtonpost.com. Retrieved 27 June 2015.
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