W.Z. Ahmed

Wahiduddin Ziauddin Ahmed (1916–2007)[1] was a Pakistani film-maker.

Career in British India

W.Z. Ahmed was born in Gujarat.[1] He was active as a film-maker in pre-Partition India, being an established personality in the film industry in Bombay and Pune.[2] Apart from his Shalimar Pictures in Pune, he also ran a studio in Madras.[1] He wrote the dialogues for the 1940 movie Kumkum the Dancer.[3] Between 1942 and 1947 he produced and directed Ek Raat (1942), Man Ki Jeet (1944), Prem Sangeet, Prithaviraj-Samyukta and Meera Bai (1947).[1][4][5][6] W.Z. Ahmed's last movie produced in India, which depicted Hindu devotee Meera Bai, was met with ferocious criticism along communal lines in Filmindia whose editor Baburao Patel stated that 'Muslim "Meerabai" grossly slanders Hinduism!'.[5]

Career in Pakistan

After Partition, Ahmed was a prominent cultural personality in Pakistan for a few years, although his cinematic career did not develop well in Pakistan.[2] He established W.Z. Studios in Lahore.[1]

W.Z. Ahmed made only two movies in Pakistan, Roohi and Wadah (1956).[1][7] Notably Roohi was the first film to be banned in independent Pakistan.[1][8] It was charged with inciting 'class hatred'.[1] Nevertheless, the ban on Roohi was lifted in 1954.[1]

In 1954 W.Z. Ahmed played a prominent role in campaign against imports of Indian films.[1] He was arrested during the agitation.[1]

W.Z. Ahmed's ninth movie, Wafa Ki Ada, was never completed nor released.[1]

Family

His father had been a prominent police officer in Gujarat.[1] His brothers included Z.A. Ahmed (a prominent communist politician in Uttar Pradesh) and Zafaruddin Ahmed (Deputy Inspector of Police in Karachi).[9] W.Z. Ahmed's first wife was Safia Hidayattullah. He later married Shahida, who had acted in one of his films in Bombay.[2]

W.Z. Ahmed is buried at Bagh-i-Rehmat graveyard in Lahore.[1]

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Ahmed, Shoaib (17 April 2007). "W.Z. Ahmed passes away". Dawn.
  2. 1 2 3 Kamran Asdar Ali (2015). Surkh Salam: Communist Politics and Class Activism in Pakistan, 1947–1972. pp. 320–321. ISBN 978-0-19-940308-0.
  3. ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Routledge. p. 285. ISBN 978-1-135-94318-9.
  4. ↑ Gulazāra; Saibal Chatterjee (2003). Encyclopaedia of Hindi Cinema. Popular Prakashan. p. 58. ISBN 978-81-7991-066-5.
  5. 1 2 Rachel Dwyer (27 September 2006). Filming the Gods: Religion and Indian Cinema. Routledge. pp. 87, 175. ISBN 978-1-134-38070-1.
  6. ↑ Ashok Raj (1 November 2009). Hero Vol.1. Hay House, Inc. p. 56. ISBN 978-93-81398-02-9.
  7. ↑ Rashmi Doraiswamy; Latika Padgaonkar (1 June 2011). Asian Film Journeys: Selections from Cinemaya. SCB Distributors. p. 430. ISBN 978-81-8328-208-6.
  8. ↑ Mathew Joseph C. (13 September 2016). Understanding Pakistan: Emerging Voices from India. Taylor & Francis. p. 196. ISBN 978-1-351-99724-9.
  9. ↑ Kamran Asdar Ali (2015). Surkh Salam: Communist Politics and Class Activism in Pakistan, 1947–1972. pp. 78–79. ISBN 978-0-19-940308-0.
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