Charles Wakefield Cadman

For the Canadian politician, see Chuck Cadman.
Charles Wakefield Cadman

Charles Wakefield Cadman (December 24, 1881 – December 30, 1946) was an American composer.

Life and career

Cadman’s musical education, unlike that of most of his American contemporaries, was completely American. Born in Johnstown, Pennsylvania, he began piano lessons at 13. Eventually, he went to nearby Pittsburgh where he studied harmony, theory, and orchestration with Luigi von Kunits and Emil Paur, then concertmaster and conductor, respectively, of the Pittsburgh Symphony Orchestra. This was the sum of his training. He was named a national honorary member of Phi Mu Alpha Sinfonia music fraternity in 1915.

In 1908 Cadman was appointed the music editor and critic of the Pittsburgh Dispatch.[1] He was greatly influenced by American Indian music and went to Nebraska to make cylinder recordings of tribal melodies for the Smithsonian Institution. He lived with the Omaha and Winnebago tribes on their reservations, learning to play their instruments. He used elements of traditional music in the form of his compositions of 19th-century romantic music.

Publishing several articles on American Indian music, Cadman was regarded as one of the foremost experts on the subject. He toured both the United States and Europe giving his then-celebrated "Indian Talk". But his involvement with the so-called Indianist movement in American music contributed to some critics failing to judge his works on their own merits.

Cadman's early works enjoyed little success until the famous American soprano Lillian Nordica sang his "From the Land of the Sky-Blue Water," one of several compositions by Cadman with Indian influences. Another such song which became well known in the 1920s, was "At Dawning".

Cadman eventually moved to Los Angeles. He helped to found and often performed as a soloist with the Hollywood Bowl Orchestra. He wrote the scores for several films, including The Sky Hawk, Captain of the Guard, Women Everywhere, and Harmony at Home. Along with Dmitri Tiomkin, he was considered one of Hollywood’s top film composers.

But Cadman first and foremost was a serious composer who wrote for nearly every genre. His chamber music works are generally considered among his best. He introduced elements of ragtime music into the classical music format, anticipating Gershwin, Stravinsky, and Milhaud, among others. His Piano Trio, Op. 56, composed in 1913, drew the critics' attention and praise for his innovations.

The Pageant of Colorado, a historical pageant with music composed by Cadman to a libretto by Lillian White Spencer, was produced in Denver, Colorado in May 1927 under the direction of dramatist and playwright Percy Jewett Burrell, a fraternity colleague of Cadman.

His opera The Sunset Trail (1922) was part of the touring repertoire of Vladimir Rosing's American Opera Company. He also composed music for Da O Ma, an opera based on Omaha traditions, with a libretto written by Nelle Richmond Eberhart and Francis La Flesche, an Omaha ethnologist with the Smithsonian.[2]

Selected works

Operas and operettas
American Indian art songs
From Wigwam and Teepee - Four American Indian Songs founded upon Tribal Melodies
  1. The Place of Breaking Light
  2. From the Long Room of the Sea
  3. Ho, Ye Warriors on the Warpath
  4. The Thunderbirds Come from the Cedars
Other art songs

300 total songs, including:

Orchestral
Concertante
Chamber music
Organ music

References

  1. ↑ "Charles Wakefield Cadman Biography". Naxos.com. Retrieved August 12, 2012.
  2. ↑ LaFlesche Family Papers, Nebraska State Historical Society, accessed 22 August 2011
  3. ↑ "Moon behind the cottonwood". Moon behind the cottonwood. Nebraska Memories. Retrieved 4 May 2015.

Bibliography

External links

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