No-Man

No-Man
Origin England
Genres Art rock, ambient, trip hop, dream pop
Years active 1987–present
Labels One Little Indian
Snapper Music
Kscope
Epic Records
Resurgence/Voiceprint
3rd Stone Ltd.
Materiali Sonori
Burning Shed
Headphone Dust
Associated acts Porcupine Tree
King Crimson
Robert Fripp
Japan
Rain Tree Crow
Darkroom
Henry Fool
Samuel Smiles
Blackfield
IEM
Nosound
Website no-man.co.uk
Members Tim Bowness
Steven Wilson
Past members Ben Coleman
Stuart Blagden

No-Man are an English art-pop duo formed in 1987 as No Man Is An Island (Except The Isle Of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson (the latter also of Porcupine Tree). The band has so far produced six studio albums and a number of singles/outtakes collections (most notably, 2006's career retrospective, All The Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper.[1]

Originally creating a sample-based proto-trip hop/ambient/electropop-styled music, No-Man has pursued a more organic, diverse and band-oriented sound in subsequent years. Drawing from a diverse mix of singer-songwriter, post rock, minimalist, progressive rock, jazz and contemporary ambient sources for inspiration, No-Man's musical style is distinctive yet difficult to categorise.

History

Formation (1986-1989)

Steven Wilson originally launched the band in 1986 as a solo project called No Man Is An Island (Except The Isle Of Man), recording an instrumental track called "From A Toyshop Window" which blended progressive rock with synth pop. In 1987, he linked up with singer, lyricist and occasional guitarist and keyboard player Tim Bowness, who at the time was singing with Liverpool-based art-pop band, Plenty. Both musicians brought an extremely wide set of influences and ideas to bear on the project and recorded two very diverse tracks on their first day of working together - the epic atmospheric ballad "Faith's Last Doubt" and the abrasive "Screaming Head Eternal". Both songs were later released on underground compilation albums ("Screaming Head Eternal" appeared on Plastic Head Records compilation, "Expose it").

Bowness and Wilson continued working together on recording sessions for the next two years. Some of the results surfaced ten years later on the Speak album. Influences at this point included Minimalism, 4AD artists such as This Mortal Coil, and 1960s singer-songwriters, Nick Drake and Scott Walker. However, as Wilson and Bowness state on the sleeve notes to Speak, the band's music from this period seems surprisingly distinctive and unaffected by the prevailing trends of the era it was recorded in.

Violinist Ben Coleman joined the project after becoming involved with recording sessions in late 1988. The band established a four-piece live line-up in 1989 by adding guitarist Stuart Blagden (who had previously played with Bowness in the Manchester-based band, Still). The track "The Hidden Art Of Man Ray" acted as an audition piece for both Coleman and Blagden.

No Man Is An Island released their debut single, a waltz time ballad called "The Girl From Missouri", on Plastic Head Records in mid-1989. The band was disappointed with the single and soon disowned it. Subsequent band evolutions saw flirtations with aggressive synth-pop (on the "Swagger" cassette EP) and the departure of Blagden (who would later become a well-respected jazz and Latin music player).

No-Man's pop years (1990-1994)

By 1990, No Man Is An Island had shortened their name to No-Man and become a voice/violin/guitar-and-tapes trio (with Wilson handling all other instruments and programming in the studio).

Inspired by artists such as Public Enemy and A Tribe Called Quest. the band incorporated dance beats and hip-hop influences into its art-pop sound. The first release under the No-Man name was the self-pressed June 1990 single release, "Colours" (a cover of the 1960s Donovan Leich song with crooned vocals and a dub-loop arrangement anticipating the later arrival of trip hop). The single achieved Melody Maker, Sounds and Channel 4 teletext "Singles Of The Week" accolades and was re-released by Liverpool-based label Probe Plus in October, 1990.

The attention which "Colours" had received led to No-Man being signed by Dave Massey to a long-term music publishing songwriting agreement with leading independent Hit & Run Music Publishing. Massey soon secured a recording contract with the high-profile independent label One Little Indian (at the time, famous for The Shamen and Björk) and management by Talk Talk's manager Keith Aspden (who would stay with the band until 1994). During this period, the band received highly positive UK music media support (including more Singles Of The Week in Melody Maker, Sounds and Irish music paper, Hot Press) and had 2 indie top 20 hits ("Days In The Trees" and "Ocean Song") plus a Billboard Top 40 dance hit (the US only single, "Taking It Like A Man", at No. 34).[2] The band also enjoyed another high profile contracts with Epic Records|Epic/Sony]] in addition to their One Little Indian contract.

No-Man’s debut mini-album (a compilation of EP tracks called Lovesighs - An Entertainment) was released in April 1992, and in October of the same year the band toured England with a six-piece line-up including three ex-members of the band Japan – Mick Karn, Steve Jansen and (most significantly) keyboardist Richard Barbieri, who had been recruited by Massey. The band's first full-length album (the more pop-oriented Loveblows & Lovecries - A Confession) followed in May 1993. By this time, the live band included bass player Silas Maitland and the (unrelated) drummer Chris Maitland. (The latter would join both Wilson and Richard Barbieri in the live lineup of Porcupine Tree).

In 1994 No-Man released their second album Flowermouth. This was a far more ambitious recording than their debut release and featured many guest performers including Barbieri, Jansen, Robert Fripp and Ian Carr. The album also demonstrated Bowness and Wilson's diverse range of influences including New York Minimalism, Miles Davis and progressive rock. Although the band parted company with violinist Ben Coleman during the sessions, he made a significant contribution towards most of the tracks on the record. (Coleman would go on to work with Mick Karn, Alice and Nick Laird-Clowes as well as pursuing a career as a visual artist.)

No-Man also stopped performing live in 1994, and would not return to the stage until 2006.

The move towards art-rock (1995-2000)

Two albums released in 1995 closed the first phase of the band's career - a set of ambient dance reworkings of Flowermouth material called Flowermix and a compilation of the band's more ambient and atmospheric One Little Indian-era B-sides and rarities called Heaven Taste.

With each subsequent release the band moved further away from its more conventional pop and rock roots, mirroring the evolution of artists such as Talk Talk, David Sylvian, Radiohead, Scott Walker and Kate Bush. Since the mid-1990s, No-Man has released a steady stream of albums via Snapper Music and 3rd Stone/Adasam, featuring guests such as Fripp, Barbieri, Jansen, Theo Travis and Pat Mastellotto The band has maintained a healthy cult following as well as continued critical acclaim.

1996's Wild Opera and its 1997 companion release Dry Cleaning Ray (both released on 3rd Stone Ltd.) explored a combination of darker dance sounds, experimental art-rock and deep trip hop, while maintaining No-Man's particular skill with ballads. An EP of all-new material, Carolina Skeletons, followed in 1998.

In 1999, the band released Speak, a compilation of mostly-unreleased early ambient songs recorded a decade previously but which Bowness and Wilson considered to be of equal merit to the music released on One Little Indian or 3rd Stone Ltd.

Organic balladeers (2000-present)

Speak's quieter and more atmospheric approach pointed the way towards No-Man's subsequent output. 2001's Returning Jesus (the last album to be released on 3rd Stone Ltd.) resurrected and expanded the eclectic ballad, jazz and progressive rock influences of Flowermouth and brought the band to a new and revived audience, some of whom had come in via the continued success of Wilson's other main project Porcupine Tree.

Signing a new deal with Snapper Music, the band went on to release Together We're Stranger in 2003 - a sombre, moving record with strong tone poem elements detailing (in abstract) the break-up of a relationship and responses to bereavement.

In 2006, No-Man made a rare live performance at the Norwich Garage (part of a Burning Shed label event).

The band released Schoolyard Ghosts on 12 May 2008, receiving some of the most favourable reviews of the band's career (the album was described as "truly sublime" by Classic rock magazine[3]). Guest musicians included Pat Mastelotto, Theo Travis, Gavin Harrison, Colin Edwin, Bruce Kaphan (ex-American Music Club) and The London Session Orchestra (arranged by Dave Stewart).

On 27 May 2008, it was announced that No-Man's music will be featured in the film by award-winning student film-maker Dan Faltz, Weak Species.[4] The film is based on the writings of Dennis Cooper and is currently being considered for expanded feature film treatment.

No-Man played its first full performance in fifteen years at London's Bush Hall on 29 August 2008,.[5] This performance was followed by two more concerts in Zoetermeer (The Netherlands) and Düsseldorf (Germany) on 3 and 4 September respectively. The Zoetermeer concert was No-Man's first concert outside of the UK.

Mixtaped - a double DVD package including a film of the sell-out London performance, a documentary of the group's history and assorted promotional videos - was released in October 2009.[6] Early releases of the DVD ordered from Burning Shed included an audio CD recording of highlights from the Bush Hall show. The DVD was voted No. 5 in the Classic Rock Presents Prog 2010 critic's poll.

On 22 December 2011, the band announced through their Facebook page that a new live recording, titled Love and Endings, recorded at the Leamington Spa Assembly in October 2011 would be released on 27 February 2012.[7]

Band line-up

Current members
Former members
Guest studio contributors
Current live members

Discography

Studio albums

Live albums

Compilations / others

Singles and EPs

As No Man Is An Island

As No-Man

Videography

Charting songs

Song Chart Position Year
Taking It Like a Man US Billboard Dance/Club Play chart[8] 34 1994
Heaven Taste UK Vinyl Singles chart[9] 5 2016
Heaven Taste UK Top 100 Physical Singles chart[10] 8 2016

References

  1. ↑ no-man
  2. ↑ "Billboard.com - Artist Chart History - No-Man". Billboard.com. Retrieved 2008-05-28.
  3. ↑ "Kscope » Blog Archive » No-Man European dates announced". Kscope. 16 June 2008. Retrieved 2008-06-20.
  4. ↑ Weak Species
  5. ↑ Bush Hall
  6. ↑ "Tim Bowness diary 2008". Hotsdesign.co.uk. Archived from the original on 10 February 2012. Retrieved 2012-04-04.
  7. ↑ "Prikbordfoto's". Facebook. Retrieved 2012-04-04.
  8. ↑ "No-Man - Chart history". Billboard. 1994-05-28. Retrieved 2016-06-26.
  9. ↑ http://www.officialcharts.com/charts/vinyl-singles-chart/20160617/897/. Missing or empty |title= (help)
  10. ↑ http://www.officialcharts.com/charts/physical-singles-chart/20160617/1/. Missing or empty |title= (help)
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