It's All Gone Pete Tong

It's All Gone Pete Tong

Film poster
Directed by Michael Dowse
Produced by
Written by Michael Dowse
Starring Paul Kaye
Beatriz Batarda
Kate Magowan
Mike Wilmot
Distributed by Matson Films
Release dates
  • September 12, 2004 (2004-09-12) (Toronto International Film Festival)
  • April 15, 2005 (2005-04-15) (United States)
Running time
 90 minutes
Country Canada
Language English
Spanish
Box office $1,591,879[1]

It's All Gone Pete Tong is a 2004 Canadian independent film about Frankie Wilde (played by Paul Kaye), a DJ who goes completely deaf. The title is a reference to a cockney rhyming slang phrase used in Britain from the 80s to present day, referring to the BBC Radio 1 DJ Pete Tong, standing for "it's all gone a bit wrong."

The film was released on April 15, 2005. The DVD was released on September 20, 2005. It won two awards at the US Comedy Arts Festival for Best Feature and Best Actor (Paul Kaye) and swept the Gen Art Film Festival awards (Grand Jury and Audience). It was filmed on location in Ibiza and shot entirely in HD.

Several famous DJs appear in the film as "talking heads", giving the film a true sense of authenticity. Carl Cox, Tiësto, Sarah Main, Barry Ashworth, Paul van Dyk, Lol Hammond and Pete Tong appear in the film. Ibiza locations used in the movie include music venues; Pacha, Amnesia, Privilege, DC10, the historic Pike's Hotel and Cala Longa beach.

A remake has been made by Indian film director Neerav Ghosh titled Soundtrack which was released in 2011.

Plot

Paul Kaye or Frankie Wilde was a music producer and also a Deejay, born in London (United Kingdom). After years of playing in night-clubs he loses his hearing. Frankie's loss of hearing is first apparent when he hears a high-pitched whine instead of an Arsenal football match on TV. At this time, Frankie is making his next album with his "two Austrian mates" Alfonse and Horst, who seem more suited for a rock band. Frankie continues working on his album and playing gigs at clubs, but his hearing degrades rapidly. As a result, progress on his album stagnates. However, Frankie refuses to acknowledge his problem until a gig in Amnesia, when he cannot hear the second channel in his headphones and must crossfade one song into the next without being able to beatmatch them. The result sounds terrible, and the crowd boos him. Overcome with fear and frustration, he throws the turntable and the mixer onto the dance floor, and is forcibly removed from the club.

The next day, Max confronts Frankie about the performance. Frankie agrees to see a doctor, who tells him he's lost hearing in one ear and has 20% left in the other. He warns Frankie that unless he stops abusing drugs and listening to loud noises, he will soon be completely deaf. Even the use of his hearing aid would only further degrade his hearing.

Then, during a recording session, Frankie confesses the full nature of his hearing loss to Alfonse. He inserts his hearing aid to demonstrate, and, overwhelmed by the sudden sound exposure, leans close to one of the monitor speakers. Before he can react, however, a frustrated Horst smashes a guitar into an amplifier whose volume Frankie has maximized. The noise is excruciating, and the feedback knocks Frankie unconscious. The damage leaves him permanently deaf.

Without his hearing, Frankie cannot complete his album. He loses his recording contract, and Max abandons him. Soon after, Sonya leaves him. The talking head sequences describe this period as his darkest hour, in which he shuts himself into his home, which he has "soundproofed" with pillows in a desperate bid to recover his hearing. His drug use intensifies, and he appears to be heavily depressed. In one scene, he repeatedly throws his body against the walls. In other, he wraps Roman candles around his head, either an attempt at suicide or a drastic way to recover his hearing, but dives into the pool before they ignite.

In a culmination moment of the movie, Frankie flushes all his drugs down a toilet, only to be faced with the vision of the menacing badger again. The two begin to scuffle, with Frankie eventually gaining the upper hand and beating the badger with a shovel, then grabbing a shotgun and shooting it, upon which the badger begins to bleed cocaine. Frankie then grabs the dying badger's head, and removes it, only to reveal that the badger is, in fact, himself. He then shoots the dying vision of himself in the head.

After this dark period, Frankie finds a deaf organization and meets Penelope, an instructor for the deaf who coaches him in lip-reading. They become close, and eventually intimate. He confides his unhappiness at losing music, and she helps him perceive sound through visual and tactile methods instead.

Frankie then manages to devise a system for mixing songs, in which he watches an oscilloscope trace while resting his feet on the pulsating speakers, a callback to an earlier claim he made in the film about flip flops. Using this system, he heads to the studio and manages to produce new mix CD (Hear No Evil) entirely by himself. He delivers it to Max, who is wildly pleased – particularly by the potential of using Frankie's disability to increase record sales. He has Frankie take part in advertising and promotional deals which are increasingly offensive and insensitive to deaf people, which Penelope silently disapproves of. He also treats Penelope like he did Sonya; as Frankie's sexual object, not recognizing her substantial role in Frankie's life. In general, Max tends to patronizingly characterize the deaf as pained, helpless victims desperate for a deaf role model.

Max convinces Frankie to play live at Pacha as a career comeback. He thinks it is an opportunity for Frankie to prove himself to others, despite Frankie's insistence that he has nothing to prove to his critics. The gig goes exceedingly well, and many claim it showcases even greater talent than his early work. After the show, Frankie and Penelope disappear from Max, the media, and the music scene altogether. In a talking heads sequence, characters speculate on where he is now (if alive).

As the film ends, we see Frankie disguised as a homeless street musician, who is then met by Penelope and a child (presumably their own). They affectionately walk together down a street unrecognized. Additionally, we see Frankie teaching a group of deaf children how to perceive sound like he does.

Characters

Primary

Music

Soundtrack

The film's soundtrack was released by EMI on 4 October 2005 as a double disc soundtrack for the film. The 'Night' & 'Day' concept for the soundtrack album was conceived by and also compiled by Ben Cherrill, who was at the time, A&R Manager for Positiva Records/EMI. Additional Production & Mixing by James Doman.

It's all gone pete tong: original soundtrack recording
Soundtrack album by Various Artists
Released 4 October 2005
Genre Soundtrack
House
Balearic house
Electronic music
Chill out
Trance
Big beat
Techno
Alternative rock
Drum and bass
Label EMI
Producer Executive Album Producer – Ben Cherrill For Positiva Records

Track listing

CD 1

  1. "Pacific State" – 808 State (exclusive mix)
  2. "Cloud Watch" – Lol Hammond
  3. "Dry Pool Suicide" – Graham Massey
  4. "Moonlight Sonata" – Graham Massey
  5. "Baby Piano" – Lol Hammond
  6. "Ku Da Ta" – Pete Tong (Jay & Dylan McHugh Re-Work)
  7. "Mirage" – Moroccan Blonde (Ben Cherrill, James Doman and Lol Hammond)
  8. "Troubles" – Beta Band
  9. "Parlez Moi D'Amour" – Lucienne Boyer
  10. "Need To Feel Loved (Horizontal Mix)" – Reflekt
  11. "It's Over" – Beta Band
  12. "Halo (Goldfrapp Remix)" – Depeche Mode
  13. "How Does It Feel?" – Afterlife
  14. "Holdin' On" – Ferry Corsten
  15. "Four-Four-Four" – Fragile State
  16. "Music for a Found Harmonium" – Penguin Café Orchestra
  17. "Learning to Lip-Read" – Graham Massey
  18. "Good Vibrations" – The Beach Boys
  19. "Interlude" – Ben Cherrill and James Doman
  20. "White Lines" – Barefoot

CD 2

  1. "Intro
  2. "DJs in a Row" – Schwab
  3. "Flashdance (Raul Rincon Mix)" – Deep Dish
  4. "Good 2 Go" – Juggernaut (Ben Cherrill and James Doman) Mixed With "Rock That House Musiq" – Christophe Monier and DJ Pascal feat. Impulsion
  5. "Blue Water" – Black Rock
  6. "Back to Basics" – Shapeshifters
  7. "Up & Down" – Scent
  8. "Serendipity" – Steve Mac & Pete Tong Presents Lingua Franca
  9. "Plastic Dreams (Radio Edit)" – Jaydee
  10. "Rock Your Body Rock" – Ferry Corsten
  11. "Can You Hear Me Now" – Double Funk feat. Paul Kaye (Ben Cherrill and James Doman)
  12. "Musak (Steve Lawler Mix)" – Trisco
  13. "Yimanya" – Filterheadz
  14. "Need To Feel Loved (Seb Fontaine and Jay P's Mix)" – Reflekt feat. Delline Bass
  15. "More Intensity" – Pete Tong and Chris Cox
  16. "Frenetic (Short Mix)" – Orbital

Film score

Songs featured in film but not included in the soundtrack:

  1. "Al Sharp" – The Beta Band
  2. "Flamenco" – Flamenco Ibiza
  3. "Get On" – Moguai
  4. "G-Spot" – Lol Hammond
  5. "Hear No Evil" – Lol Hammond
  6. "I Like It (Sinewave Surfer Mix)" – Narcotic Thrust
  7. "Messa da Requiem" – Riccardo Muti/La Scala Milan
  8. "Electronika" – Vada
  9. "Rise Again" – DJ Sammy
  10. "Ritcher Scale Madness" – ...And You Will Know Us by the Trail of Dead
  11. "The Aviator" – Michael McCann
  12. "Up & Down (Super Dub)" – Scent
  13. "You Can't Hurry Love" – The Concretes

DVD Extras

The U.S. version of the DVD includes 5.1 Dolby Digital, Subtitles, and includes several extras that were part of the online/Web marketing campaign: Frankie Wilde: The Rise, Frankie Wilde: The Fall, and Frankie Wilde: The Redemption.

Awards

Won

Nominated

References

  1. ↑ "It's All Gone Pete Tong". Box Office Mojo. IMDb.com, Inc. Retrieved 26 June 2012.

External links

This article is issued from Wikipedia - version of the 12/2/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.