Jonathan Bepler
Jonathan Bepler (born 1959) is an American composer, guitarist, singer and installation artist.
Leben
Bepler was born in in Media, Pennsylvania. Until 1993, he studied at the Bennington College in Vermont. He took classes in composition with Louis Calabro, Joel Chadabe and Vivian Fine, singing with Frank Baker and Theodor Uppman as well as musical performance with Milford Graves, Bill Dixon und Min Tanaka. Im the period of his studies he was involved in the production of Baroque opera such as Gluck's Orfeo ed Euridice. He served as both singer and choreographer.
From 1985 to 1996, Bepler served as a guitarist for the Glenn Branca Ensemble, touring with them through Europe, the States and Asia. Starting in 1987, his first operas were composed. Since 1993, Bepler also dedicated himself to sound installations (Source to Sound) as well as to music for drama and ballet. He was the composer for The Cremaster Cycle, a series of films created in 1996 by Matthew Barney. In 1997, Bepler was a soloist at the world premiere of the opera Der Venusmond by Burkhard Stangl at the Empire State Building.
Starting in 2000, Bepler worked as a composer at the Berlin Schaubühne am Lehniner Platz with Sasha Waltz and Lisa Densem. In 2003, together with John Jasperse he created the piece California for the Festival International de Danse a Cannes. In 2006, the Ensemble Modern executed his piece Fascia at the Schauspielhaus Frankfurt. The composer has collaborated again with Matthew Barney on the five-hour film 'River of Fundament. This art film was produced in the years 2006 to 2014 and was presented at the Brooklyn Academy of Music after its completion.[1]
Installations
- Automation of Accidental Gestures sound installation and sculptures by Sue Rees (with Fred Lomberg-Holm, Jennifer Monson, Hope Clarke, Tom Goralnik, Dan Froot and others) in New York, Miami und Pittsfield, 1992-95
- Source to Sound, sound installation, 1993
- On Balance, audio installation, 2000
- The Order, sound installation for the Cremaster cycle exhibition at the Solomon R. Guggenheim Museum, 2003
- Double quartet for: together again for the first time, video and sound installation, 2005
Compositions
- Innana, Tanz-Oper (with Christina Svane), 1987
- The Great Belzoni, Cabaret-Opera, 1990
- Keep Your Hands Off, chamber music for piano, saxophone, cello, bass, guitar and drums, 1997
- Primary Orifice for the Glenn Branca Ensemble, 1998
- Ruins, video opera project, 1999
- Transient Symphony: Oratorio for Hillside and Valley, mobile sound track for the Echigo-Tsumari Art Trienniale, 2003
- The Rape of the Sabine Women, video opera project with Eve Sussman, 2005
- Gezeiten, music for the dance drama by Sasha Waltz, 2005
- Fascia, concert piece for orchestra, children's choir, opera solists and foley artists, 2006
Discography
- Masterpieces of Fantasy, 1997
- Cremaster 5, Original Soundtrack Recording, 1998
- Alternative Schubertiade (Anthology), 1999
- Music for Cremaster 2, 1999
- State of the Union (Anthology), 2001
- Music for Cremaster 3, 2002
- Transient Symphony, 2003
External links
References
- ↑ Adrian Searle: Jonathan Bepler: 'The music comes from within the film', Interview with the The Guardian (London) on River of Fundament, 18 June 2014