Peter Joyce
Peter Joyce (born June 23, 1964) is a contemporary English painter, whose works focus on the depiction of natural landscapes.
Born in Poole, Dorset, England, Joyce gained a Diploma in Art and Design in 1982 from the Bournemouth and Poole College of Art and Design (now The Arts University College at Bournemouth). From here he went on to the Stourbridge College of Technology and Art (now Stourbridge College) where he took a BA (Hons.) Degree in Fine Art and History of Art, graduating in 1985. Since then he has had numerous solo and mixed exhibitions and his work is shown regularly in London, the U.S. and across Europe. Aside from exhibiting his own work, he went on to teach at The Arts Institute at Bournemouth. He took up the prestigious position of President of the Bournemouth Arts Club from 1998-2008. He divides his time between homes and studios in South Dorset and Bouin, Vendée.
Joyce's work is centered on abstract portrayals of natural, ecological and geographical themes. He paints using acrylic paint on canvases of varying sizes and uses brushes, knives and other tools to achieve the scraped, rubbed and scratched effects of his paintings. His paintings have been described as having a 'compelling yet lyrical beauty'.[1]
Selected bibliography
- "Peter Joyce '86'", a 45 minute film documenting the work of Peter Joyce, Grove Films (August 1986)
- "Peter Joyce" by Tessa Newman, Art & Artefact Magazine (1991)
- "Art is Life" by Sir Nicholas Goodison, Arts Review (May 1992)
- "Peter Joyce", Purbeck; The Observed Landscape by Gary Topp, (1993)
- "Summer Meetings" by Paul Bertemes, Les Cahiers Luxembourgeois (1994)
- Art, Archeology & Landscape Exhibition Catalogue (including essay, "Charles Hall on Peter Joyce"; 1996)
- "An elder statesman of art in his thirties" by Jeremy Miles, The Dorset Daily Echo (1998)
- "Re-inventing the Landscape contemporary painters and Dorset" by Vivienne Light, Canterton Books
- "Exhibition Catalogue: Quiet Waters" by Joyce, Prunella Clough, Jeremy Gardiner, and John Tunnard, including essays by Simon Olding & Gary Topp (April 2002)
- "20th Century British Art", Christie's Catalogue (October 2004)
- "Peter Joyce" by Moira Rudolf, Galleries Magazine (2005)
- "Exhibition Catalogue", Anthony Hepworth Fine Art Dealers (2008)
- "Peter Joyce: Transition", Art of England Magazine (2008)
- "Peter Joyce: Exploring New Routes", Art of England Magazine (2009)
- "Peter Joyce immersed in the Landscape", The Dorset Magazine (June 2009)
- "Exhibition Catalogue", Anthony Hepworth Fine Art Dealers (2011)
- "Catalogue: 20/21 British Art Fair" (2012)
- "Peter Joyce's salt pans come to Hampshire", Art of England Magazine, (November 2012)
- "Review: Change of Scenery", Galleries Magazine (November 2012)
- "Galleries, Artists & Exhibitions" (article), The Bath Magazine (February 2013)
- "Review: Second Looking" by Joyce & Gary Topp, Recent Paintings (February 2013)
Public and museum collections
The following is a list of the organisations which have one or more of Joyce's paintings in their permanent art collection.[2]
- Bank of China
- Binder Hamlyn
- Cleveland County Fine Art Collection
- Bournemouth University Permanent Art collection
- Deloitte
- Hampshire County Council Contemporary Art Collection
- Hill Samuel
- Lloyds Banking Group
- National Westminster Bank
- Poole Museum Service
- Raejoe Pty Ltd
- Reuters
- Russell-Cotes Art Gallery & Museum
- Middlesbrough Institute of Modern Art (MIMA)
- Southampton City Art Gallery Permanent Art collection
- University of Hull
- University of Liverpool
References
- ↑ Dorset Magazine, Issue June 2009, p. 55.
- ↑ "Peter Joyce". Peterjoyce.org.uk. Retrieved 2015-05-04.
External links
- Official website
- Jennaburlingham.com
- Strovergallery.co.uk
- Bbc.co.uk
- Anthonyhepworth.com
- Artnet.com
- Bournemouthartsclub.co.uk