Portela (samba school)
The Grêmio Recreativo Escola de Samba Portela is one of the most traditional samba schools of the city of Rio de Janeiro.
History
In the beginning of the 20th century, in Oswaldo Cruz, there was the carnivalesque group of dancers called Quem Fala de Nós Come Mosca (Who tells things about us eats flies), of Dona Ester.[1] A dissidence of this carnivalesque group of dancers (called "bloco" in Brazilian Portuguese) surged in 1922 and another bloco, the Baianinhas de Osvaldo Cruz (Baianas of Oswaldo Cruz) was created.[1] And on the other hand, a dissidence of Baianas created the Conjunto Carnavalesco Osvaldo Cruz (Ensemble of Carnaval Oswaldo Cruz) on April 11 of 1926.[1] The founders were from Osvaldo Cruz, but Grêmio Recreativo Escola de Samba Portela was founded, on 412 Portela Road, in the neighborhood of Madureira.
After the victory of the concourse between sambistas in 1929, performed in the house of Zé Espinguela, the bloco changes its name to Quem nos Faz é o Capricho (Who makes us is caprice). In 1931, when the samba schools are still being determined, the group changes its name again, this time to Vai como Pode (Go as you can), a name that without doubt is humbler than the previous one. In 1935, the school was the champion of the first official parade of the city of Rio de Janeiro.[2][3]
The denomination "Vai como Pode" was used until 1935, when, after the Carnaval, on March 1 of 1935, on the occasion of the renovation of the licence of the school in the police, the officer Dulcídio Gonçalves refused to renovate the license with this name, considering it as vulgar and not dignified for a samba school. The same officer suggested a new name, Grêmio Recreativo e Escola de Samba Portela, in homage to the street in Madureira where sambistas had gathered.[1] The change pleased the community; many had already been referring to the school as the "folks from Portela". In 1939, the samba of Paulo da Portela, "Teste ao Samba" (Test for the samba), is considered the first samba-enredo. In the same year, Portela renovated things by bringing to the parade costumes totally framed to the enredo.[2]
In 1941, after a misunderstanding with the master of ceremonies Manuel Bambã, Paulo da Portela the group stopped parading. This occurred because Paulo during a long period of time argued that all of the components would parade correctly costumed, dressed with the colors of the school, however on the day of the parade he came back from a presentation in São Paulo, along with Heitor dos Prazeres and Cartola, and all of them were dressed in black and white. With no time to change costumes, they agreed to parade without changing clothes, together, in the samba schools of each one. However, in the turn to parade for Portela, Bambã did not authorize that the other two (Heitor and Cartola), for not being from the school and not being correctly dressed, would parade. Actually Bambã already had misunderstandings with Heitor, that once belonged Portela, and that he already stayed. However, in that epoch many portelenses favoured Bambã, because they judged lack of coherency on the part of Paulo da Portela, that argued so much that they should parade with the colours of the school and then parade with black and white. After this, Paulo da Portela never paraded for his school.
In total, Portela conquered 21 titles of Carnaval, being until nowadays the school of the largest amount of titles to date[3] Some of the great Brazilian samba composers, such as Monarco, Zé Keti, Casquinha, Manacéa, Candeia, Aldir Blanc, Paulinho da Viola, João Nogueira, Noca da Portela, Colombo, among others, beyond being one of the most traditional samba schools of Brazil, worked for the school. Portela has an important participation in the cultural life of the city during the entire year, through the presentations of her Velha Guarda (Brazilian term for the oldest-ones (among a group of people)) and of her prizewinning bateria, among other things. The school's simbol is an eagle that in all the parades is seen in the abre alas (Brazilian term for car that opens the samba parade in Carnival) of the school. The Velha Guarda also released an album called Tudo Azul in 1999.
Her bateria – called Tabajara do Samba (Tabajara of Samba) – is characterized mainly by the of the touch of the Surdo de Terceira invented by Sula in the 1940s, and the touch of the boxes with a peculiar frill. It is the most heavy bateria of the Carioca Carnaval and counts on a big number of surdos (a type of tambour) of First, Second, and Third. They were masters of GRES Portela: Master Betinho of the foundation in the 1960s, Master Cinco in the 1970s, Master Marçal in the 1980s, Mater Timbó in the 1990s, among others.
More than three decades later, Portela does not know how to win the carnival alone. From 1990, the school suffered many internal problems, that reflected on the parades and on the collocations of the parades. The best moment was in 1995 when the plot "Gosto que me enrosco" (I like when I twist myself) gave the vice-championship to the school of Madureira. In 2005, the worst of all, Portela stayed in 13th place, in the polemic parade where the school was prohibited to use her Velha Guarda. In 2006, the school recovered and stays in 7th place, and in 2007 with the plot about the 2007 Pan American Games (held in Rio de Janeiro) falls one step, staying in 8th place.
Formed an opposition movement that promoted carreatas and various events through the neighborhood of Madureira, and culminated in the election of May 19, 2013, where the plate "Portela Verdade", formed by Serginho Procópio, composer and member of the old-guard, the police Marcos Falcon besides Monarco as president of honor of the plate. was approved by winning beat then President Nilo Figueiredo, who announced the result that ended with 154 votes for Serginho, 151 Nile and 8 null votes.
In 2014, the team was presented: the carnival producer Alexandre Louzada, carnival director Luiz Carlos Bruno, the singer Wantuir in master-room Diogo Jesus and the porta bandeira Danielle Birth the Ghislaine Cavalcanti, choreographer of the front. The plot of 2014 "Um Rio, de Mar a Mar. Do Valongo à Glória de São Sebastião" will address how the carioca has adapted over the course of the transformations in the region between the waterfront and the neighborhood of glory. the blue and white made best parade in recent years, being considered one of the favorites. However got the third place with 299 to 4 tenths of a champion. The result was celebrated by the board and twisted.
Already set the plot for 2015, which will be on the 450th anniversary of the Rio de Janeiro. With the continuity of the carnival producer Alexandre Louzada and there is acquisition of Wander Pires, who stood at the end of theme song, being promoted to of singer beside Wantuir. being one of its highlights the redemptive Eagle however with many ups and downs, the school amargou the 5th placing. In 2016, the school brings the notorious Paulo Barros as his and changing the direction of harmony.
After carnival Marcos Falcon until then vice won the vote of the school and became president of the school. But months after his officialization Falcon was signed to death in your committee of the campaign a councilman of Rio de Janeiro, assuming as president the historian Luis Carlos Magalhães, who was vice on the plate winner.[4]
Carnival 2017
General information | |
---|---|
President | Luis Carlos Magalhães |
Carnival producer | Paulo Barros |
Carnival singer | Gilsinho |
Carnival director | |
Carnival comission | Paulo Barros Moisés Carvalho Fábio Pavão Claudinho Portela |
Harmony director | |
Harmony comission | Chopp Jeronymo da Portela Leonardo Brandão Nilce Fran Valci Pelé Márcio Emerson Jorge Barbosa Sérvolo Jorge Valter Moura |
Director of Battery | Nilo Sérgio |
Queen of Battery | Bianca Monteiro |
Mestre-sala and Porta-Bandeira | Alex Marcelino and Danielle Nascimento |
Choreography | Renato Vieira |
Classifications
Place | Group | Plot | Carnival Producer/s | Singer/s | |
---|---|---|---|---|---|
1932 | Vice-Champion | ÚNICO | Carnaval moderno | Antônio Caetano | |
1933 | 4th | ÚNICO | Voando para a glória | Antônio Caetano | |
1934 | There was no contest | Academia do samba | Antônio Caetano | ||
1935 | Champion | ÚNICO | O Samba dominando o mundo | Antônio Caetano | |
1936 | Vice-Champion | Paraded without defined plot | |||
1937 | Vice-Champion | ÚNICO | O Carnaval samba de Boaventura | ||
1938 | There was no contest | Democracia do Samba | Paulo da Portela | ||
1939 | Champion | ÚNICO | Teste ao samba | Paulo da Portela | |
1940 | 5th | ÚNICO | Homenagem à Justiça | Paulo da Portela | |
1941 | Champion | ÚNICO | Dez anos de glória | Paulo da Portela and Lino Manuel dos Reis | |
1942 | Champion | ÚNICO | A vida no samba | Lino Manuel dos Reis | |
1943 | Champion | ÚNICO | Carnaval de Guerra | Lino Manuel dos Reis | |
1944 | Champion | ÚNICO | Brasil glorioso | Lino Manuel dos Reis | |
1945 | Champion | ÚNICO | Motivos patrióticos | Lino Manuel dos Reis | |
1946 | Champion | ÚNICO | Alvorada do novo mundo | Lino Manuel dos Reis | |
1947 | Champion | ÚNICO | Honra ao mérito | Lino Manuel dos Reis | |
1948 | 3rd | ÚNICO | Princesa Isabel | Lino Manuel dos Reis | |
1949 | Vice-Champion | UGESB | Despertar do Gigante | Lino Manuel dos Reis | |
1950 | Vice-Champion | ÚNICO | Riquezas do Brasil | Lino Manuel dos Reis | |
1951 | Champion | UGESB | A volta do filho pródigo | Lino Manuel dos Reis | |
1952 | There was no tender | Brasil de ontem | Lino Manuel dos Reis | ||
1953 | Champion | 1 | Seis datas magnas | Lino Manuel dos Reis | |
1954 | 4th | 1 | São Paulo Quatrocentão | Lino Manuel dos Reis | |
1955 | 3rd | 1 | Festas juninas em fevereiro | Armando Santos | |
1956 | Vice-Champion | 1 | Tesouros do Brasil, ou riquezas do Brasil ou Gigante pela própria natureza | Lino Manuel dos Reis | |
1957 | Champion | 1 | Legados de D. João VI | Djalma Vogue, Candeia, Joacir | |
1958 | Champion | 1 | Vultos e efemérides | Djalma Vogue | |
1959 | Champion | 1 | Brasil, Panteon de Glórias | Djalma Vogue | |
1960 | Champion | 1 | Rio cidade eterna | Djalma Vogue | Silvinho da Portela |
1961 | 3rd | 1 | Jóias e lendas do Brasil | Djalma Vogue | Silvinho da Portela |
1962 | Champion | 1 | Rugendas ou Viagens pitorescas pelo Brasil | Nélson de Andrade | Silvinho da Portela |
1963 | 4th place | 1 | Barão de Mauá e suas realizações | Nilton, Oreba, Peres and Finfas | Silvinho da Portela |
1964 | Champion | 1 | O segundo casamento de D. Pedro II | Nélson de Andrade | Silvinho da Portela |
1965 | 3rd | 1 | História e tradição do Rio Quatrocentão | Nélson de Andrade | Silvinho da Portela |
1966 | Champion | 1 | Memórias de um sargento de milícias | Nélson de Andrade | Silvinho da Portela |
1967 | 6th | 1 | Tal dia é o batizado | Nélson de Andrade, Juvenal Portela, Laurênio | Silvinho da Portela |
1968 | 4th | 1 | Tronco de Ipê | João Ramos Macedo | Silvinho da Portela |
1969 | 3rd | 1 | Treze naus | Clóvis Bornay | Silvinho da Portela |
1970 | Champion | 1 | Lendas e mistérios da Amazônia | Clóvis Bornay | Silvinho da Portela |
1971 | Vice-Champion | 1 | A Lapa em três tempos | Arnaldo Pederneiras | Silvinho da Portela |
1972 | 3rd | 1 | Ilu Ayê | Candeia and Hiran Araújo | Silvinho da Portela |
1973 | 4th | 1 | Pasárgada, o amigo do rei | Hiran Araújo | Silvinho da Portela |
1974 | Vice-Champion | 1 | O mundo melhor de Pixinguinha | Hiran Araújo and Cláudio Pinheiro | Silvinho da Portela |
1975 | 5th | 1 | Macunaíma, herói de nossa gente | Hiran Araújo | Silvinho da Portela |
1976 | 4th | 1 | O Homem do Pacoval | Hiran Araújo and Maurício Assis | Silvinho da Portela |
1977 | Vice-Champion | 1 | A Festa de Aclamação | Viriato Ferreira | Silvinho da Portela |
1978 | 5th | 1 | Mulher à Brasileira | Viriato Ferreira | Silvinho da Portela |
1979 | 3rd | 1-A | Incrível, fantástico, extraordinário | Viriato Ferreira | Silvinho da Portela |
1980 | Champion | 1-A | Hoje tem marmelada | Viriato Ferreira | Silvinho da Portela |
1981 | 3rd | 1-A | Das Maravilhas do Mar, fez-se o esplendor de uma noite | Viriato Ferreira | Silvinho da Portela |
1982 | Vice-Champion | 1-A | Meu Brasil brasileiro | Edmundo Braga | Silvinho da Portela |
1983 | Vice-Champion | 1-A | A Ressurreição das Coroas, Reino e Reinado | Edmundo Braga and Paulino Espírito Santo | Silvinho da Portela |
1984 | Champion | 1-A | Contos de areia | Edmundo Braga e Paulino Espírito Santo | Silvinho da Portela |
1985 | 4th | 1-A | Recordar é viver | Alexandre Louzada | Silvinho da Portela |
1986 | 4th | 1-A | Morfeu no carnaval, a utopia brasileira | Alexandre Louzada | Silvinho da Portela |
1987 | 3rd | 1 | Adelaide, a pomba da paz | Geraldo Cavalcanti | Dedé da Portela |
1988 | 5th | 1 | Na lenda carioca, os sonhos do vice-rei | Geraldo Cavalcanti | Dedé da Portela |
1989 | 6th | 1 | Achado não é roubado | Sylvio Cunha | Dedé da Portela |
1990 | 10th | Special | É de ouro e prata esse chão | Sylvio Cunha | Dedé da Portela |
1991 | 6th | Special | Tributo à vaidade | Sylvio Cunha | Dedé da Portela |
1992 | 5th | Special | Todo o azul que o azul tem | Sylvio Cunha | Dedé da Portela |
1993 | 10th | Special | Cerimônia de casamento | Mário Monteiro | Dedé da Portela |
1994 | 7th | Special | Quando o samba era samba | José Félix | Dedé da Portela |
1995 | Vice-Champion | Special | Gosto que me enrosco | José Félix | Rixxah and Carlinhos de Pilares |
1996 | 8th | Special | Essa gente bronzeada mostra seu valor | José Félix | Rixxah |
1997 | 8th | Special | Linda, eternamente Olinda | Ilvamar Magalhães | Rixxah |
1998 | 4th | Special | Os olhos da noite | Ilvamar Magalhães | Rogerinho |
1999 | 8th | Special | De volta aos caminhos de Minas Gerais | José Félix | Rogerinho |
2000 | 10th | Special | Trabalhadores do Brasil, a época de Getúlio Vargas | José Félix | Gera |
2001 | 10th | Special | Querer é poder | Alexandre Louzada | Gera |
2002 | 8th | Special | Amazonas, Esse Desconhecido... Delírios e Verdades do Eldorado Verde | Alexandre Louzada | Gera |
2003 | 8th | Special | Ontem, Hoje, Sempre Cinelândia - O Samba entra em cena na Broadway Brasileira" | Alexandre Louzada | Gera |
2004 | 7th | Special | Lendas e mistérios da Amazônia | Jorge Freitas | Gera |
2005 | 13th | Special | Nós Podemos: Oito Idéias para Mudar o Mundo | Amarildo de Mello and Nélson Ricardo | Bruno Ribas |
2006 | 7th | Special | Brasil, Marca a tua Cara e Mostra para o Mundo | Amarildo de Mello and Ilvamar Magalhães | Gilsinho |
2007 | 8th | Special | Os deuses do Olimpo na terra do carnaval: uma festa dos esportes, da saúde e da beleza | Amarildo de Mello and Cahê Rodrigues | Gilsinho |
2008 | 4th | Special | Reconstruindo a Natureza, Recriando a Vida: O Sonho Vira Realidade | Cahê Rodrigues | Gilsinho |
2009 | 3rd | Special | E por falar em amor… Onde anda você? | Lane Santana and Jorge Caribé | Gilsinho |
2010 | 9th | Special | Derrubando fronteiras, conquistando a liberdade, um Rio de paz em estado de graça | Amauri Santos and Alex de Oliveira | Gilsinho |
2011 | Hors Concours | Special | Rio, Azul da Cor do Mar | Roberto Szaniecki | Gilsinho |
2012 | 6th | Special | E o Povo na Rua Cantando. É Feito uma Reza, um Ritual... | Paulo Menezes | Gilsinho |
2013 | 7th | Special | Madureira... onde o meu coração se deixou levar | Paulo Menezes | Gilsinho |
2014 | 3rd | Special | Um Rio, de Mar a Mar. Do Valongo à Glória de São Sebastião | Alexandre Louzada | Wantuir |
2015 | 4th | Special | ImaginaRIO - 450 janeiros de uma cidade surreal | Alexandre Louzada | Wantuir and Wander Pires |
2016 | 3rd | Special | No voo da águia, uma viagem sem fim... | Paulo Barros | Wantuir and Gilsinho |
2017 | Special | Quem nunca sentiu o corpo arrepiar ao ver esse Rio passar... | Paulo Barros | Gilsinho |
Championships and Awards
Portela is the record samba school of Carnaval titles of Rio de Janeiro, being general champion for 21 times: 1935, 1939, 1941, 1942, 1943, 1944, 1945, 1946, 1947, 1951 (UGESB), 1953, 1957, 1958, 1959, 1960, 1962, 1964, 1966, 1970, 1980, and 1984.The school got runenr up honors in the following years: 1937, 1949, 1950, 1956, 1971, 1974, 1977, 1982, 1983, and 1995.
The school accumulates a total of 45 trophies Estandarte de Ouro, prize conceded by the newspaper O Globo:
- 1972: Drum Block
- 1973: Feminine notability (Tia Vicentina)
- 1974: Ala (of baianas) and master of ceremonies (Bagdá)
- 1975: Samba-enredo
- 1976: School
- 1977: Standard-bearer (Vilma Nascimento) and feminine dancer (Nega Pelé)
- 1978: Standard-bearer (Vilma Nascimento) and masculine dancer (Jerônimo)
- 1979: School, samba-enredo, ala (velha-guarda), standard-bearer (Vilma Nascimento), feminine dancer (Denise) and masculine dancer (Marcelo)
- 1980: School, audience impact and feminine dancer (Nívea)
- 1981: Best Front commission and samba-enredo
- 1982: Best Front commission
- 1983: Leading singer of the samba parade (Silvinho)
- 1986: Best Drum Block feminine notability (Dodô) and ala (Luxo do Lixo)
- 1987: Samba-enredo
- 1988: Masculine dancer(Gilson)
- 1990: Feminine dancer (Solange Couto)
- 1991: Samba-enredo, commission of front, revelation (Patrícia) and ala (of queens)
- 1995: School, samba-enredo and leading singer of the parade (Rixxa)
- 1998: Samba-enredo and masculine dancer (Cláudio Lima)
- 2001: Commission of front
- 2004: Personality (Dodô)
- 2005: Revelation (Bruno Ribas)
- 2006: Revelation (Nilo Sérgio)
- 2007: Revelation (Alessandra Bessa) and masculine dancer (Ruanderson)
Notable Portelenses
- Aldir Blanc
- Alexandre Louzada
- Agepê
- Ana Paula Araújo
- Argemiro Patrocínio
- Candeia
- Carla Vilhena
- Carlinhos Brown
- Carlos Roberto
- Casquinha
- Clara Nunes
- Clementina de Jesus
- Dejan Petković
- Diogo Nogueira
- Eduardo Paes
- Gilberto Gil
- Glória Pires
- Heitor dos Prazeres
- Hilário Jovino Ferreira
- Jair do Cavaco
- João Nogueira
- Juliana Diniz
- Luiz Ayrão
- Luma de Oliveira
- Manacéa
- Marisa Monte
- Mauro Diniz
- Monarco
- Noca da Portela
- Paulinho da Costa
- Paulinho da Viola
- Paulo César Pinheiro
- Sheron Menezes
- Teresa Cristina
- Tia Doca
- Tia Surica
- Wilson Moreira
- Zeca Pagodinho
- Zé Keti
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References
- 1 2 3 4 (Portuguese) Portelaweb
- 1 2 (Portuguese) Official website
- 1 2 (Portuguese) Apoteose
- ↑ "Conselho Deliberativo da Portela reafirma apoio ao mandato de Luis Carlos Magalhães na escola". Carnavalesco. 30 September 2016. Retrieved 01 Octuber 2016. Check date values in:
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External links
- (Portuguese) Torcida Organizada Guerreiros da Águia