Voodoo Child (Slight Return)

For the studio jam song with Winwood and Casady, see Voodoo Chile.
"Voodoo Child (Slight Return)"

1970 UK maxi single picture sleeve
Single by the Jimi Hendrix Experience
from the album Electric Ladyland
B-side "Hey Joe" and "All Along the Watchtower"
Released October 23, 1970 (1970-10-23)[1] (UK)
Format 7-inch 45 rpm maxi single
Recorded Record Plant Studios, New York City, May 3, 1968
Genre
Length 5:12
Label Track (no. 2095 001)
Writer(s) Jimi Hendrix
Producer(s) Chas Chandler
Experience UK chronology
"Fire"
(1969)
"Voodoo Child (Slight Return)"
(1970)
"Angel"
(1971)
Audio sample
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"Voodoo Child (Slight Return)" is a song recorded by the Jimi Hendrix Experience in 1968 that appears on the Electric Ladyland album released that year. It contains improvised guitar and a vocal from Jimi Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career and several live renditions were recorded and released on later albums.

After his death in 1970, "Voodoo Child (Slight Return)", using the title "Voodoo Chile", was released in the UK and became Hendrix's only number one single in the British record charts. Several artists have performed or recorded versions of the song. Rolling Stone magazine included it at number 102 on their list of the "500 Greatest Songs of All Time".

Origins and recording

"Voodoo Child (Slight Return)" was developed from "Voodoo Chile", recorded May 2, 1968, during a studio jam with Steve Winwood on organ and Jack Casady on bass.[4] The next day, Hendrix returned to the studio with Redding and Mitchell for the filming of a short documentary by ABC television.[4] Noel Redding explained, "We learned that song in the studio ... They had the cameras rolling on us as we played it".[4] Hendrix added,

[S]omeone was filming when we started doing [Voodoo Child]. We did that about three times because they wanted to film us in the studio, to make us—'Make it look like you're recording, boys'—one of them scenes, you know, so, 'OK, let's play this in E, a-one, a-two, a-three', and then we went into 'Voodoo Child'.[5]

According to Hendrix biographer Steven Roby, eight takes of the song were recorded by Hendrix, Redding, and Mitchell, and the final one was chosen as the master, which appeared on Electric Ladyland.[6]

Lyrics and interpretation

Author Charles Shaar Murray examines Hendrix's use of the term "Voodoo Child" in his book Crosstown Traffic. He notes that "Voodoo symbolism and reference resound through the country blues, and through the urbanized electric county blues of the Chicago school ... In Hendrix’s case, this is pure metaphor. He certainly was not a Voodoo inititate in any formal sense ... Both with ‘Voodoo Chile’—and, most specifically, with the West African even-before-Bo-Diddley beat he percussively scratches from his guitar and wah-wah pedal at the beginning of ‘Voodoo Chile (Slight Return)’ [sic]—he is announcing as explicitly as possible that he is a man of the blues, and one who honours, respects and understands its deepest and most profound traditions".[7] Except for the chorus, the lyrics of "Voodoo Child (Slight Return)" are different from "Voodoo Chile":

Well I stand up next to a mountain, and I chop it down with the edge of my hand (2×)
Well I pick up all the pieces and make an island, might even raise just a little sand
'Cause I'm a voodoo child, Lord knows I'm a voodoo child

During a January 1, 1970, performance with the Band of Gypsys, Hendrix introduces the song as the "Black Panther's national anthem" (included on the album Live at the Fillmore East). At the time, he was being pressured to make a statement about racial issues in the U.S.[8]

Live recordings

"Voodoo Child (Slight Return)" became a staple of Hendrix's concert performances and would vary in length from seven to eighteen minutes.[9] Recordings from the Winterland Ballroom, Royal Albert Hall, Woodstock, and the Fillmore East were later released on The Jimi Hendrix Concerts, Hendrix in the West, Woodstock, and Live at the Fillmore East. Many more recordings have also been issued.[9]

Critical reception and recognition

In an AllMusic song review, "Voodoo Child (Slight Return)" was described as "a perfect example of how Hendrix took the Delta blues form and not only psychedelicized it, but cast an even more powerful spell by delivering the lyric in the voice of a voodoo priest".[2] Also noted is Hendrix's guitar work: "Opening with a simple riff on the wah-wah pedal, the song explodes into full sonic force, the guitarist hitting the crunching chords and taking the astral-inspired leads for which he became infamous. The real guitar explorations happen midway through the song, while the basic, thundering riff is unrelenting".[2] Rolling Stone magazine included the song at number 102 on their list of the 500 Greatest Songs of All Time.[10]

Recordings by other artists

A variety of musicians have recorded "Voodoo Child (Slight Return)", sometimes using the shortened title "Voodoo Child"; some of these include:[11]

See also

Notes

  1. Shapiro 1990, p. 539.
  2. 1 2 3 4 Sullivan, Denise. "Jimi Hendrix: Voodoo Child (Slight Return) – Song Review". AllMusic. Retrieved June 3, 2014.
  3. Fowles, Paul (2009). Concise History of Rock Music. Mel Bay Publications. p. 98. ISBN 978-0786666430.
  4. 1 2 3 McDermott 2009, pp. 101–102.
  5. Henderson 2003, p. 350.
  6. Roby 2002, p. 91. Roby adds that the ABC archives for the documentary are marked "LOST ABC 9/73" and its whereabouts are unknown.
  7. Murray 1991, p. 112. Murray uses the UK spelling Voodoo Chile (Slight Return).
  8. Murray 1991, p. 93.
  9. 1 2 "Jimi Hendrix: Voodoo Child (Slight Return) — Appears On". AllMusic. Retrieved June 3, 2014.
  10. "The 500 Greatest Songs of All Time". Rolling Stone (963). December 9, 2004. Retrieved June 3, 2014.
  11. ""Voodoo Child" – Song Search Results". AllMusic. Retrieved June 3, 2014.

References

Preceded by
"Woodstock" by Matthews' Southern Comfort
UK number one single
21 November 1970 1 for one week
Succeeded by
"I Hear You Knocking" by Dave Edmunds
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